poetry, prosetry, life

What is felt

If life is a series of tests

I ran one of my own tonight

As it grew dark I did not turn on the lights

In the dim outline I spoke to my ghosts

Especially you

I saw your face as it was

When I was consumed

Shadows passing like aching flamenco

Such a long time has passed

As if someone forgot to mention it was a joke

Cards written and never sent, collecting dust

Only a year went by, yet I remember all of it if I try

Watching our memories spool like wet silk, I no longer

Feel that sharp pinch in my chest

Now, when I think of your face

It doesn’t make me feel any pull of breath

Given a choice I wouldn’t do it over again

Then I turn away

Someone else fills me like an empty vase thick with flowers

Someone who crept up, month by month

Until I felt again, a feeling I’d given up

She may leave me in this dark room

With my vision touching braille among shadows

Or she may risk stepping out into light

See in my eyes

Something she’s been running from

For such a long time

When we push people away, sometimes

It’s because we want them so much

The fear of being hurt causes us to run

I have no power, can only believe as I always have

Should we find such longing, there is only one true course

Throw hesitations stranglehold aside

Take her hand, look into her clear eyes

Pray that she sees

What you feel

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poetry, prosetry

Inheritance

You left us nothing but your everything
You gave us nothing but your all

no bank account, no savings, just that envelope of drug-money:
enough to pay for a cab to the crematorium, your wicker coffin and a good old fashioned piss-up afterwards

your microwave, your hunting knife, a tin opener, a wooden spoon

over 40 years of poetry in smoke-stained notebooks

a box of photos of girlfriends past, birthdays celebrated, weddings attended, funerals suffered

that ugly glass squirrel statue that I always hated, that you insisted I must keep after you die, so that “whenever you feel sad, you can look at the ugly squirrel and laugh

morphine, temazepam, lorazepam, zopiclone: all the good ones I swiped before mother swept in and threw the rest away (she never saw an opportunity for money-making like we did)

your watch collection (for brother)
your guitars (for brother)
your records, tapes and CDs (for brother)

more notebooks, filled with the profundity of others, in your handwriting

I am angry that you destroyed your journals
but I suppose if I’d read them I would probably have begun to believe
that I didn’t really know you at all
and that would hurt more than any secret stashed in a suitcase

your denim shirt; your PROPER CORNISH jumper; your old fisherman’s smock;
none of which I dare wear, lest your scent disappear from the fibres

an unpaid electricity bill,
12 unsolved crosswords,
half a tin of Amber Leaf,
97 packets of Rizla,
5 lighters (2 working, 2 needing fuel, 1 needing a new flint)

no trust fund
but total trust
and so much fun

your good books, your good looks

the gifts of our gabs
the depression gene
the addictive personality
the grey-hair-in-your-twenties gene
the too-much-of-a-good-thing tendency
the “you’ve got laugh or else you’ll cry” mentality

a beautiful black Ibex horn
which fits perfectly in my grip;
which I use to shut my Velux because I’m too short to reach the lock;
which is solid enough to kill a man if I were to smash it against his skull

an address book with personal numbers for celebrities, royalty, tycoons, sports stars and political bigwigs

manners & morals

your blue Salbutamol inhaler
affectionately named ‘Sally’
that you used 30+ times a day instead of the prescribed 3 times a day
that I use about 3 times a month when I’m having a really bad attack
your voice in my head saying “Breathe, babes, just breathe,” and “It’ll all be over soon”
I fear the day that this inhaler runs out

no property, no vehicles, no investments
no valuable antiques, no precious heirlooms

but you were the valuable antique
and we were your precious heirlooms

passed down a generation
to be passed on to the next

the carefully curated wisdom,
the ferocity of our love,
our soft-boiled eyes,
our way of bearing our bones
to those who get close

the (hi)stories, the DNA, the surname

all of the skills
all of the lessons
all of the laughter
all of the memories

no “assets”

we were your biggest asset
and you left us us:
your chef-d’œuvre,
your magnum opus,
your greatest achievement:

you left us
us.

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Uncategorized

Ever seen

Give me back to the century

Where emotion rained hard

On the blessed shoulders of mortals

With not long to live

And in their reckless squander

A divinity of purpose

Feel it all before the raging blaze

Is quit

Search the very foundation of self

For magnificent adrenaline

Surging cosmos in franetic energy

Furthering simplicity of day

With abundance

Yea

I follow the trodden path

Tapering to our end

With potence of resin risen from stone

Breaking its balm on thunderstorm

If I do one thing

One thing at all

May it be everything

To discover my core

Welded on the bright of this quick life

Ushering me near, its damaged flame

That I might behold you

As you step from earth

Encrusted with star jewels

The planitary alignment

A sword wound

Carved in my fate

We may only have together

A day

Or life time

In the wandering of us

Beneath mortal skin

A magnetic pull

Brings us to our circumference

Behold the power of two

As they blaze into this long dream

Their fire

The only part of them

Ever seen

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Uncategorized

Of collision & oxygen

Long ago

And just yesterday

I stood behind you when you did not know

And felt, in the shimmering silence of proximity

An answer, I had been asking

Why you stirred in me a maelstrom

How an unknown could

Capture this woman

As if they were a fisherman

In search of a whale

Who did not know he was searched for

Or even led

To his fate

As you are my last doorway

For afterward there will be

No you and no me

We are bound to see the end of ourselves together

It is written in my veins

Activated when I saw you

As clear as diving bell

Will warn the unwary

Of collision and oxygen

I liked when I said

I needed nothing

It is already in motion

My sustaining because you exist

And I breathe your name

And the smell of you gathered furtively

In each step made

Nearer to your guarded heart

If someone asked me

How did this happen?

I’d know no adequate response

For who would believe in self driven things

Or the recognition of one

Become mistress of my heart

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life, poetry, prosetry

Morning after

A few years ago I used to get off on

drinking from the bottle

torn fish nets

bar flies who told me

little baby you look so young

then the apocalypse came

we ran out of liquor

bare legs grew chaffed

I felt every year

sometimes it takes a storm

to see through your own bullshit

and coming out the other side

look around for those who

held on

attracted to a pinch of sleeze

nothing too clean

if you couldn’t understand me

what was the point?

I’d rather you had lines around your eyes

showing trace of unbearable moments

than a smooth face

acknowledgement of our plunge into pain and its returned baptism

I’d rather a portion of sickness in your blood

than clean without trace

we smoked ourselves until we were ash

stayed up all night breaking beds with rocking pelvises

my nipples the color of damson wine and indigo bites

you hurt me in ways holding rapture of delight

your tattoos stung my eyes with the fierceness of needles

pushed too deep

don’t hold me to promises I can’t keep

you whisper in your sleep

and I was told I’d die at 50 once

so time is ticking down

Fat Tuesday for the sober

a turquoise kitchen clock

in some distant home

where people make their beds and leave their

dirt beneath the surface

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poetry

Saudades

Hyper-awareness is such a flatly ironic drag when it
lacks the ability to go beyond itself, within itself,
the verysame way we mistake saying what (we think)
we’re doing for telling the truth, even going so far
as to imagine this language ours simply because
something must be?

This winter won’t be like the last because this one
looks at us differently, despite any and all linguistic-
cognitive acts of connective reclamation inspired by
socio-cultural-derived desires for sense-carving and
excessive hyphenation. I would send a note to The
University to say a sarcastic thanks for all this grand
superfluity but they’d take it humorlessly and ask
for more money.

She quoted Kafka and I thought of the zeitgeist because
I’m obsessed with essence like it holds the key to
all kinds of cages in search of birds. It’s almost as
fun to tell a story as to wonder why. I don’t know,
I had to tell someone. Were this the Old American West,
I might just ride off one day in a fit of magical realism,
singing with a voice that comes from somewhere and
everywhere about the presence of absences,
forgetful and free.


Originally published on Art & Insolence.

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