Uncategorized, poetry, prosetry

Present and glad

person with tattoo holds python

Photo by Sean Patrick on Pexels.com

We talk about the past

I used to like talking about the past

it was a favorite drink warming my hands

when Winter first called

this time what has gone before now feels

sad and heavy like wet wool blanket left to dry

in insufficient heat

it leaches the warmth from my lavender bones

I feel sorrow and weighted down by metal reminder

who was that girl? Who absorbed

grief and laid it on her arms in shapes and symbols

to be read years later by Rune interpreter

did she really? Think she had no worth

so much so the days became years and the pain

soaked so much of her blood she longed to eat

meat

you craved her up and steaming you fed on her

badly wound lassitude

she forgot herself as she pretended

love means forgiving time and time again

she forgot, she was worth something

that girl who didn’t have hands uplifting her from

the clamoring downpour

lost her way in cavorting storm

the spooling moon, a snake wrapped against tattooed branch

this way and that, the even keel of life forgotten

some days it took everything just to stand up

she mislaid the memory, she was not there to be crushed into

tiny pieces of herself and thrown for white breasted sea birds

to swallow whole

love should not force you to your thin knees

it should not destroy the tender parts of you

capable of feeling

fingers playing fiddles with tempura emotion

love is not a white flag of surrender

at times it needs to be a pirate ship

fast on its feet, answerable to nothing but

the truth of vanquished things

torn and shredded in haste

we talk about the past and

I used to like talking about the past

comforting me like a one-night-stand

until I became tired of hearing how I accepted

less and took nothing

raging against the dying light

life is after all

short and painful and full of unexpected turns

do not add to it by self-hate or diminishment

if I could go back in time, this is what I would say

to the girl who got used to having empty pockets

I would take her by the hand and remind her

you may have been broken or forged incompletely

darned with a yarn too coarse for fine needle

you may have been told this was your lot in life, you did not

deserve equality

but just as it seems true, the world will be submerged

when rain comes down pitiless and hard

it is not so

we rise then

we always rise

for one more chance and when it offers itself

hand in your bad habits and leave that moth eaten coat behind

take the tall steps upward

feel the sun on your throat

smile even as you don’t know

what lies around the corner

present and glad

for your very existence

Standard
photography, poetry

MY ANIMATION

Chris R-1-157 Image by Christine Renney

If I could
I would recreate
a day from my life
for the Big Screen

My ideal film
would be an animation
in carefully selected shades
in carefully chosen tones
all of the colours
muted and dull

It would have to be
an average day
an ordinary day
a non-descript day
a routine day
an almost any day day
a grey day

Standard
fiction

SCUM*

They are cooking a roast dinner. She is rifling through the drawers, searching for her favourite knife, and he is behind her, smashing some meat with a mallet.

“Carrot,” she says, to no one in particular.
“What?” he shouts over the thuds of hammer on flesh.
“Oh, nothing. I was just thinking aloud,”
“About what?”
“About these carrots,”

He stops.

“What about them?”

She has been good today. No outbursts, no tears, no troubling comments, no injuries, no nastiness. She has washed her hair, and brushed it. She has been writing a lot. She has had a glass of wine. Hopeful of her good mood, he anticipates an observation about the carrots’ phallic nature; perhaps even a dick-size joke, a cheeky comparison, the carrots being tiny, himself being too big.

“Carrot,” she says again, picking one out of the bag and inspecting it.
“Yeah?”
“Carr-ot.”
“Why are you pronouncing it weird?”
“Car-rot.”
“Is that how they say it in France?”
Ca-rrot.”
“Why are you saying it like that?”

He stares blankly at the back of her head, mallet in hand.

As she turns to face him, her knife catches the light.

“Carrot,” she says, slowly, “sounds like a blend of ‘garrote’ and ‘carotid.’”

Potential For Violence enters the room and stands between them. The three of them share a long, tense twenty-seconds together in the tiny kitchen.

“Oh gosh,” she says, suddenly, “I think I’ve been watching too many true crime documentaries lately!”

She laughs, eyes down, embarrassed. She replaces the knife with a glass of wine and sips with a wide smile.

“Yep!” he says, relieved, remembering why he loves her, “sounds like you’re right, babe,” he quietly places the mallet down on the counter, “so let’s watch some comedy on the box tonight then, shall we?”

Potential For Violence leaves the room as quickly as he arrived.

“Sure,” she replies cheerfully, and goes back to skinning the bright orange cocks.


*Society for Cutting Up Men

Standard
poetry, prosetry, Uncategorized

Former regard

adult black and white body female

Photo by Pixabay on Pexels.com

I am weary of giving you access to my heart

emptying and filling

milk turning to wine

dark to light

nipples hard to soft

your fingers across

my hungering skin

I audition

in the morning against

tempura and gold gilt

shivering for the slick hot movement

of you within me

time stands quivering

stars a little closer

cheeks reddened with warble

I hear languages I cannot decipher

we ache and release together

splitting atoms

my throat if it could

would act as flute

climbing keys

touch into touch into loss

I am weary of giving you access to my heart

if this is temporary and restless

we disconnect as you

reduce the moment

walking with your sharp shoes

beyond feeling

as we cool down and ardor

is replaced by greed

a starvation for control

I want to say

I am just a bird

you cannot cage me

I must see the light

in order to thrive in darkness

flames come hottest

in the fragmenting

of former regard

Standard
prosetry

The Dream House

I should’ve realised that we weren’t going to make it on that sunny June afternoon when we were wandering around that big empty house in Essendon. Your eyes, those topaz stones I could never get sick of studying, were watching our future children playing in the garden (a boy first, you’d insisted, then a daughter). Your own face was childlike that day, so full of excitement and hope. You were babbling, saying things like, “Can you see yourself cooking me dinner in this kitchen?” You were envisioning a future that I couldn’t imagine, let alone see.

I tried. I wanted to want it too. All I really wanted was you but if having a kid or two was what I needed to do to keep you then that’s exactly what I’d do. But I was terrified. I was terrified of a tiny version of us growing inside me. Panicking over my sudden assumed role as “wife and mother” with no time to write, no room to breathe, no space to be. Internally screaming at the prospect of relentless mortgage payments. Fearing that our babies would inherit my sadness or my madness or both. Worrying about hypothetical meals not being served on time, accidentally murdering my orchids, forgetting to pick the children up from school and never getting used to the absence of silence. Frightened that I would be forever stuck in a life that isn’t truly mine, but reasoning that it’d be fine because I’d be stuck to you. Did I even really want you forever, or had I tricked myself into wanting what I was supposed to want? Had I merely deluded myself by dreaming someone else’s dream?

As I wandered around the house alone, I quietly considered which room I could end my life in if I chose to, assessing which fixtures I could hang from and wondering what the freestanding bathtub would look like with red water spilling over its edges. At least the crimson flood would complement the nursery which we are going to paint lemon yellow.


‘The Dream House’ is a rewrite of an earlier work.

Standard
poetry, prosetry

Not A Mother

“You can’t say anything It’s not your problem Don’t get involved”

Sometimes I want to knock on your door
and grab you by the shoulders and shake you
and look into your eyes and say:

Listen to me I know it’s hard I know you’re tired but you’re doing it wrong

I’m not allowed to because I am not a mother

I can only watch (silently) and worry (secretly)
and I do every day because although it’s none of my business
although I’m not a parent although I shouldn’t care at all
although the crying always stops eventually
I was a child once

“You don’t know what goes on behind closed doors”
“Well, I do I can hear it Through the walls All day long”

And I wish someone had shaken my mother and told her
warned her of the type of future
that she was forging for her daughter
through her maternal ambivalence:

a future fraught with fear fear fear so much fucking fear
a future of pain and anxiety and confusion and doubt and misery and rejection
a future in which her daughter decides so adamantly so young
that she will never ever become a mother:

a future promising no future at all
promising nothing but fear

“Who are you to question someone’s parenting?”
“You’re right I’ve got no right I’m not a mother and I never will be”

I can only smile and wave and worry and pray that one day
your kid finds the tools from somewhere
learns the skills from someone
to nurture her own future
to forge her own way

“You can’t say anything”
“But—”

“Promise me Promise me that you won’t get involved?”
“Fine”

Standard