Image by Christine Renney
Trapped with insufficient light he tends to his wounds. Tracing with his finger tips, finding the hardened, healed and healing skin. The etchings on his arms are intricate, far too complex, and he can’t read them in the dark.
He clambers from the bed and sits on the edge and leans toward the window. Reaching out, he peels back the curtain and gazes at the road. It has been raining, in fact it is still raining. He can see it now, stalled just above the street lamps.
If he had something with which to write he would begin again, start afresh, but he doesn’t have a blade. Of course, there are other ways and he glances at the empty Coke can sitting on top of the nightstand. He could crush it and twist it and twist it until he had fashioned something, something pointed and sharp.
He stands and, turning, he moves alongside the bed. He stumbles in the confined space, steadies himself against the wall and feeling his way he grapples for the light switch.
He flicks it and in the harsh glare he sits on the floor. He looks down at his arms and studies the scars. He is trapped in a cube where it is too bright and he closes his eyes. And he won’t see the Coke can, not unless, not unless he decides.