Ah, what good does it do. Could mine meaning from every last phrase but sometimes it just fills space.
I told you that and you said you like the way(s) I talk and I heard the parentheses. We sat on the big brass bed in the old white house on the hill where so many of my dreams seem set, recurring stage, varying scenes, and I talked about kissing you and you moved closer on instinct, still sitting up, us both.
The comforter was pillowy and soft and I thought the same of your lips, knew it, didn’t that time say so though. I said instead something annoyingly poetic about the inability to imagine a room you weren’t the center of, hazily depersonalized as if it were some first principle, still thinking about a couple somethings you’d recited earlier, memories and a dream, and I forgot the order and quantities and wondered like I usually do what the difference was, is, and what it makes.
But all I said was even the rooms you’re not in revolve around you, your beautiful energy. It sounded almost too good, the feeling almost too easy, too clear, too shallow, too too true, almost, the echo of my own words in my head making me cringe conscious self and I turned it around to get it out—energy, beautiful—and said so and you said “sometimes the truth’s like that” and I started to tell you the whole of it, soft and low.
So, we’d been standing at a red light corner in the daytime, I said, another scene, a brand new different setting seen, new city, it was, not ours but could easily one day home become. Who knows about these things. Skies grayish like a storm coming or just past or both and we were of course in between laughing about the story you heard about the former navy man from Florida who was found unconscious in an LA motel room and only spoke Swedish and called himself Johan Ek when he woke up, which I heard as Johann Eck and said that’s some funny ridiculous impossible shit and that made it feel a little more like it. Home, I mean, like home.
The light changed and we crossed the street on a slight decline, short caterpillar string train of stopped cars to our right, cab at the lead with its blinker on in that dim broad daylight, rows of silent empty vessels parked down each side like bowling lane gutter bumpers from where we were doing our us thing hand-in-hand, down each side to vanishing like the sea was out there and I for no apparent reason said from time to time I defect from time and this is the result and you looked at me like it meant something which made me feel good because I wasn’t sure it did, just that it came from somewhere and had been floating around my head for a while. It came from somewhere and a “from somewhere” always to me meant a thing must not be nothing so I’d developed a penchant for bugging people about sources and origins and preceding thoughts and you were the only one who ever really went along, really and truly wondered and knew because you did too.
Midstreet I told you I can’t be anywhere when I’m with you because being with you is everywhere at once and you stopped walking and turned me to you in some unfelt gesture about three paces past mid and I could feel the cabby’s dead eyes on us from behind his bowling ball’s steering wheel, staring down the spare, could hear his blinker out of the corner of my eye and then I came to, came back, went away, woke up, however you’d call it, before I could find out if we’d get knocked down and swept away, drearily mad at my alarm or consciousness or daylight or whatever I could think to blame for the abrupt cessation.
That’s where I started and truly could’ve stayed, where I picked our big brass bed talk up, with that chopped off cliffhanger, telling you about waking up from the sleep that brought it all, still caught on and trying to prattle us away from that dream of yours you’d recounted about seven minutes before, give or take, the one where you came to stay with me and found another woman there as though she were your rival and in the dream I ignored you and kissed her goodbye in front of you (that time I heard the punctuation) as if that was just a regular thing to do and she was skinny and not pretty and you walked with her down the hall to the elevator bank and she was mean and cold and cruel, rubbing your face in what you’d just witnessed like she lived for that.
Then you had a hard time getting back to my apartment because you couldn’t get the elevator to go to the sixteenth floor I don’t live on unless you break that out as six plus one and so you were scrambling around the terrible Vegas hotel-type maze labyrinth mystery dream building and couldn’t get back to where you were supposed to be, lost and upset and you said you weren’t sure even in the dream sure why you were working so hard to get back up to me and that stung a little because the truth is sometimes like that.
But I understood, dream considered, and who wants to get lost in a Vegas hotel with a skinny little nasty bitch rubbing your nose in ugliness where there’d once been pure beauty, vast and open an untarnished by either word or deed. It’s ok, you said, you’re here now, we’re here, together, only for life.
When I’d finished my retelling and finished dwelling for a quiet blind minute in yours from before as if I’d done you wrong in sleep I came back again at the thought of those together words, for life, back to a lifetime of desire sitting in front of me at the old white house on the hill in the daytime still.
You got up to take a shower and mix a drink and I laid myself back on that big brass bed to fall back into the soft duvet like it was a fantastic cloaking cloud till monkey mind did again what it does sometimes when you’re away and I’m out of bananas and turned stormy, replaying bits and pieces of what you’d told me about some guy from before who misread all your poetry, trampled your prose, and was more or less deaf to your speaking spokens and heartfelts with eyes always half-elsewhere on nowhere else and nothing much but who knows what besides his vacant self and I thought “figures, typical” and said it breaks my heart to think of you unheard, unseen, unfelt, un-anything and you said he didn’t care enough for it to really matter or harm and in my stormy replay head he started getting mixed on theme with that arrogant, cocky asshole other I too once knew and knowing he more than knew you made me wish him dead while a not small part of me simmered in self-deprecating resentment that either he or the unlistener ever had the chance, their differences made no matter, that anyone ever had anything even remotely like the chance but me, as if the chance was all and only ever mine and they’d stepped in and trampled my you like how I felt coming out of that other dream that other time where I almost had you and then lost you and woke up dazed and thinking in the waking of who am I to own you who am I to own you who am I to own you.
But that was just a song from the night before.
And the monkey wondered mid-scatter if he, the cocky asshole other, was somehow the one I’d been standing beside in my rueful nighttime darktime imagination when you rushed up out of nowhere and hooked his arm and said hey stranger with a big beautiful smile beaming and he turned like I had and you kissed him a friendly hello lip-wise right in front of me and I thought I’d release my insides mouth-wise and later I told you so and got some odd not-you vague dismissive rejoinder about how you noticed my bother but it was a non-issue though we could address it if I thought otherwise and my misreading mind’s eye saw that as “non, issue” in modest Francophilia but all I said was “ok.” Like me. And like me I didn’t at that moment get up and come tell you in the steamy bathroom what I wondered.
But that was just a dream, too, mine, from the night before.
That’s ok, she’s here now, we’re here now, for life, awake. And in a few minutes you came back into the room in that short green robe and towel on head with a fresh sweating glass in one hand for the both of us and shook me from my trance looking like love and stunner-smelling, talking as you entered about one of those shower musings along all the same lines we’d been tracing and clinging to since words broke into day and proceeded to tell me about a time when … that’s ok … his place … she’s here now … back when … we’re here … beside him … here together … unseen unheard unfelt undressed … for life … and it took us both back in the telling, then.
I listened but only heard pieces, went back in parts cut with parts because parts were all I had to go on and more than enough, my parts and pieces cutting in to that remember dance, and a smaller, sicker part of me was sick at my small sick self for being in any way conscious of what I gave as if the giving were only a countermeasure to counterbalance and tarry with some negative and I thought of Žižek and how melancholy obfuscates, how what we never possessed can also never be lost and of Proust on how the immensity of what’s immediately before us leads the rest of the world to assume the insubstantiality of a dream in comparison and I always liked to wonder if it wasn’t the reverse, knowing my chosen refuge, reveling in the irony and the solace of literature and theory.
I listened, though, stubborn and stuck. I heard and kept hearing till you leaned over to me on that big brass bed and lips on mine erased my mind and in my head I knew that nursery-rhymed and didn’t at all for a second care, because we were back to where nothing else mattered like in the middle of the bowling lane and behind closed eyes I saw pieces of us back in that night the one night the real night the great wide waking night in the pool under stars and my hands under your long back so you could float sky parallel and watch the heavens while I should’ve kissed your stomach but didn’t the same way I didn’t tell you I loved you long ago and only looked and missed and then in the water that night holding you I looked up at the pin-prick holes we might fall into and felt the nighttime flight that brought me there under those same sky specks and over the electric ones around us, all the patches and clusters glowing down below between departure and arrival and the relief inside of simplification and silence, the falling away shedding of peripheral pieces, images discarded from a central all-that-truly-matters-whole that’s always been because I was coming home, finally coming home to where a mountain and a desert were waiting for me, hot, arid, clear, glorious, and as infinite as infinity needs for all intents and purposes to seem.
Fall into these pin-pricked holes; just not seeing right; defect from time; sometimes it just fills space. Say something beautifully, ugly. Say something ugly, beautiful. We found each other in dream, you in night and I in day and in the end I can hardly remember where it started anyway, setting down the shovel and the pick-axe and the troubles they unearth and freely choosing instead to find all the meaning there’s ever been in the finger- and tongue-tip tracing of the soft contours of now, falling apart, together, and back again, no thought, no dream, no fear, no house, no room, no robe, no cover, no bed, even, nothing but it all. For starters, for finishes, foreverything in between and again.