fiction

Seasons’ Spell 3

Part 3 of 4. Read part 1 and part 2. Or don’t, it’s up to you.


She sits at the small square table by the half-open window, now in his chair, trying to feel his angle, again wearing the white sun dress but now with gray wool leggings below and a crimson cardigan unbuttoned above. Her hair is down and a single silver strand glints in the gradually approaching dusk. The sky beyond the window is sharp and cloudless, and the fading embers of day are being pushed down over the edge of an uneven horizon of autumn treetops now turned red, orange, yellow, brown, pushed down by the ever-deepening purplishness of evening’s onset. The sweet, pungent aroma of decline is carried into the room by cool air like an offering of resting peace.

She has before her a torn-open envelope which moments ago contained the letter which is now on the floor beside the chair, her left arm hanging at her side above it, hand limp and useless. Her right hand is in her lap and her heart beats slowly, as if out of pure, ignorant reflex, knowing nothing else but beating, and she’s looking, staring out the window to her right, crumpled. The oxalis is wilting and the corners of the tablecloth are as still as painted life.

The house, too, is still and silent, as if it holds the breath that has just been removed from her lungs. There is only the autumnal near-nervous whisper and swish outside, its indifference providing some cover for the dull, pointless beats of her heart. At least it’s not winter yet, she thinks, breaking free from her trance, at least these beats don’t sound like a hammer on cold steel. Because they will, the longer I stay, they will. And in that thought she realizes she does not feel lonely, she feels alone.

It’s the sound. The quiet is different when you’re alone, she thinks—you can hear it like a living, breathing, watching, thinking thing, a bigger thing than you by far, teeth and claws and eyes and all, virulent and terrible. Deafening, near-deathly—the quiet of aloneness, not lonesome presence, only absences drowning out all else, keeping you disclosed and defenseless because it knows no one is coming, knows it has you all to itself, knows how piddling and afraid. How does it know these things, how does it get through like this, she implores, at the edges of frantic, heartbeats hastening, feeling cornered and muted by the vacuity around her. Everything is so loud when there’s nothing in it.

The menacing quiet begins to recede, its work seemingly complete, giving way now to Silence, a silence which she is certain radiates from inside her, pure and terrifying. The wonderland has closed in, closed off, worn thin, turned colors real and sorrowful, but almost apologetic in a last gasping, pleading breath of beauty, a tease of remembrance and a hint of hope for yet another chapter, another turn, at least another page, just one more page, and for a moment she begins to dare to believe that that page has already been composed and lays helplessly, cruelly on the floor beside her, written for her rather than by. She steadies herself, steadies her heart, and closes her eyes and turns inward to face the Silence, seeking its source, much as she had once turned outward to him, opening, she had thought, to the source of Love like an alchemist to her prima materia.

It pains her now, all of it, everything around and within—the crispness and the clarity, indescribably profound in its extraordinary this-ness, teeming with absolutes, the colors, the smells, the turn, the radiating silence, the tease and the hint, the faded coffee stains on the tablecloth, the chipping, peeling paint on the sill, the sight of her own empty chair, as if it is she who has departed, now haunting her own home. What does it mean now to be here, to be where they once were and were They, she wonders, but she cannot make herself move. He has taken the life with him, she thinks, feels, knows, all the life, so she just sits, one hand hanging and the other dead in her lap, dark eyes seeing straight through to nothing, astonished it has come to this. I did everything for you and you just took it, took it.

She brings her right hand to the table and traces her index finger along a familiar groove, halts, lays her palm flat on the envelope, and reaches without looking for the letter on the floor with her left. Once retrieved, she summons her right hand to help fold the letter back up and return it to the torn envelope as if retracing her steps, maybe even rewinding time, then places the mended missive on the table before her and smooths it flat. Winter is in the air, she thinks, inevitable and portending, but the details have yet to be written.

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