You can’t even think straight. Cleanly, that is. It’s straight enough, but so coarse and asperous I must put it in the shell of another—hence this “you” and its rhetorical undressing. You, tell me something funny. Ok, well, earlier there was pure despondence, that utter undesire for the substances of your life as you stood surrounded by linear narratives like sweaty shiny dudes at the gymnasion in tank tops for bearing tribal arm band bullshit tattoos doing bicep curls in incidental unison, their grimaces of exertion gaping back at them and that’s when irony got its hooks in deep around the vainly lathered notion of so little being left to the imagination when in fact the ancient Greeks were the ones who trained naked. Has our sense of the aesthete changed so much, or merely the gods in whose honor we do compete.
Our stories shape us and we shape our stories, you cried, as if in objection or acceptance—‘twas difficult to tell; it all depends on the angle and the context. The commercial break reminds in no uncertain terms that this particular loneliness has been brought to us by double caffeine coffee pods and home security systems but says nothing not a thing at all about extremism. Oh the places I’ve been, and left, reaching out from fate, trying to remember the crumbling Olympia of people within.