poetry

Definition

THE DEFINITION OF
DRUNK IN LOVE:

I know you remember my
laughter as we drunkenly
cartwheeled down the silent
corridor of another nameless hotel.
You remember how my happiness echoed
all along the hallways. You remember
telling me to jump down that flight of
stairs, telling me to trust you, that
you’d catch me. And I did, and I did, and
you did. You remember how you promised me
you’d make me happy. And you did. You remember
how you promised me that you’d never let me go.
And you did.

4


Originally published on The Magic Black Book, April 2016

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poetry

Deep

You, me, empty beach
Lukewarm tea in polystyrene
Secret thoughts cast out to sea
On broken glass you fell asleep
I whispered, “Don’t follow me”
And swam ’til I was out of reach
Further from you
Closer to me
To madder ideas than you could ever conceive
And thoughts that are deeper
Deeper than this, deeper than me
To the might haves and the has beens
To separate futures and choreographed smoke screens
Your love for me like seaweed
Wrapped around my ankle, trying to kick you free
And then: a sudden clarity of mind and I decide
That comparing my moods to the changing tides
Is too benign, too simplified
You should think of me, really,
As all of that exasperated energy beneath
The kind that riles in whirlpools, in eddies
In tsunamis, in bed sheets
Or as a simple pebble that you choose, hold, and then throw back
Into the same situation from which it has just escaped
The harsh worn smooth, gradually
Your voice slowly eroding my sharp parts, the ugly,
The physical extensions of a psyche permanently lost at sea
How many years would it take for you to file down my edges
To wear me down with hits and kisses and all those near-misses?
I tried to drown but the ocean just spat me out
And out and out again
I emerged from the deep
Freezing
Free
Too shocked to speak
Bone-dry by the time you woke up and looked at me
You didn’t ask me where I’d been
You didn’t even know I’d left
But the next time I leave
You’ll notice,
Believe me.

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poetry

All Roads Lead To Seven Sisters (3 + 3.5)

All Roads Lead To Seven Sisters (1)

All Roads Lead To Seven Sisters (2)

(3)

One day when I walk the Seven Sisters Road
alone, I will see everyone
that I have ever known, and everyone that I
will ever meet in my various little lives
they’ll all combine and line
the street, here, where inertia
grows on trees, where a boy got killed
over a just-shy gram of coke, where the inhabitants
are broke but the system is broker, where I saw my
third dead body in the back of a Vauxhall Nova,
where Papa carried me to the football on his
denim-clad shoulders, my story will be laid out clear
for me here, for this, this is home
and it will always be
but I’ve got a long way to go
to get to where I’m meant to be.

(3.5)

Whenever I went down there
You would always say,
“Try not to get stabbed!”
It had always been a very real possibility
But now it’s no longer funny.

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life, poetry

All Roads Lead To Seven Sisters (2)

All Roads Lead To Seven Sisters (1)

(2)

I will be reborn
several times in my life.
I will be many different people
and wear many different faces
and I will get a thousand chances
to be better:
I will even take some of them —
when I’m being brave, I will pick
my chances like cherries,
roll them between my fingers,
undertake inspection for any imperfections,
and then (once I know that
the chance is a goodun)
urgently devour the possibilities
that dwell within the skin
and try to be better —
better at this business of living.
But other times,
when I am feeling weak
and tired from the fight,
I will gorge on the ugly ones:
I’ll wear the juice of those cherry-chances
like lipstick, let all the wasted opportunities drip
down my chin, and spit
out the pips and, knowing that I’ve
missed a chance to be better,
just try my best
to not to get any worse.

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prosetry

Smiles

​I stepped outside and you were right there, ground to a halt at the zebra crossing, left hand gripping the wheel, right arm slung casually out of the open window. Our eyes met for a moth’s wing-beat of a moment and then my legs stopped working. My lungs seized within their ivory cage; my skin recoiled, terrified, clinging on to its muscle beneath, trying desperately to appear less on fire than it actually was. You were so close that I could touch you. You looked the same: as before, as always. I looked unusually good, even better than you’d remembered: this excellent coincidence confirmed my suspicion that God is female.

Instead of speeding off, you stayed put, and everything around me came to a standstill. I looked in every direction apart from yours and yet all I could see was you. Without even looking, your face was all that I could see. I fell in love with you with my eyes closed in the first place, after all. You were smiling at me; you were happy to see me. It wasn’t your old smile though, the one I have chalked on the wall of my skull. This smile was heavy, so fucking heavy, anchored down by heartbreak and regret and shame. For the first time in some months, we were breathing the same air as one another. But this air was hot and stale, saturated with the vicissitudes of nostalgia. The memories that we had so carefully created and curated fell from the open sky and smothered us, a fusillade of love and pain and love and hate and love and loss and love.

You were waiting for me to acknowledge you: with a wave, with a smile, with a middle finger, anything. And I’m sorry, I’m sorry that I ignored you but my heart was being fed through a paper shredder and I didn’t want you to see me suffer, or rather, see me still suffering because of you, tragic and dismissible like a half-mangled fox dying by the side of the road. It would’ve been kinder of you to run me over, to put me out of my misery. That would have hurt less than it did to see you smile.

I realise now after all these years that that smile you wore was saying “I’m sorry” but, back then, I didn’t want to hear it so it fell on deaf ears. Now I want to listen to all you have, to all you are, to all you have become without me. We are older but none the wiser. Love is love, no matter the style of our smiles.

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art, poetry, prosetry

On Art

[Free-written at the Tate Modern, London, 2015]

ONE

Art is about shaking things up,
subverting everything that is safe and familiar.
Art sends you a link to a video
of your cosy little norms cheating on you,
in your own bed, with a handsome amalgamation
of everything you loathe
and then when you cry about it, Art just shrugs.

Art is about,
“Shaking up the still”
“Art as an extension of the body”
“Describing without describing it”
“Disrupting the settled”
I write these things down as I wander through the collections.
I am not settled, I will never be settled.
I am disrupted, severely, unfortunately.
Settled. I do not know the meaning of the word:
this truth makes me feel unsettled.

TWO

I’ve been told before that I’m a work of art –
each person who has said this meant it in a different way –
it doesn’t matter how, not really –
subjective, objective, neither.
But if art is about disrupting everything that is settled,
what am I? How am I? How do you disrupt the already disrupted?
Can you break the broken?
Maybe it would be real, true, genuine artistry to settle the unsettled.
Perhaps to rectify the disturbed would mean to
uncover the masterpiece underneath.

But no. This canvas may look pretty
but still been stretched and abused and exploited,
stared at, gawped at, criticised.
The framework in the centre of this sculpture
has crumbled; I fold in on myself
because I can’t hold this brain up anymore
with of all of its heavy thoughts and mind-fuckery.
But as long as my outermost layer stays easy on the eye
it’s fine for me to be ugly inside.

THREE

Art may well be about disrupting the disrupted
a test, an experiment,
to see how much disruption the disrupted can take
before they break
another layer of paint
let the cracks show
gloss over it all
keep piling on the paint
like the pressure that we’re so used to…
am I talking about art or psychiatry?
You can’t hang me on a wall
if I’m hanging from a tree.

We are disrupted daily hourly
subconsciously subliminally
tirelessly
effortlessly
cruelly
above all, wholly.
We are entirely disturbed.
If art is about shaking things up,
I am the pre-packaged subject.
Life has rattled me, and
I am still shaking
recoiling from the things I’ve seen
with eyes, in dreams
running from my archive of deleted scenes
shuddering in my pathetic tent where I live
wedged
reluctantly
between the edges of some temperamental tectonic plates;
the tremors, the tremors, the never-ending tremors,
they are like noisy neighbours, disrupting me at all hours.
It is possible to disrupt those who are unsettled,
it’s just a little less easy.

FOUR

Nobody pays to see me anymore.
I am no longer part of the collection
although I am still on display
in a lesser, unassuming way:
I have morphed into a nameless metal figure on a toilet door
I am bald, I have a triangle dress
and all of my scars have been polished off –
plus, I have no eyes or ears,
so no more lies and no more tears.
No longer the exhibitionist I was before
when I was a whore
when I was adored
when I was unconscious on the ballroom floor.
Things are quieter now.
But I’ll never be settled.
No, never settled.
Forever rattled, never settled.

FIVE

If someone hears that I’m settled
they might decide to disrupt me
to shake me up
to make me into art.
My coffin in the ground
will be the grand finale
The cemetery will be the gallery
and people will come to see me again
not as a life form, but as an art form, immortalised.
A masterpiece that’ll take the art world by storm
see here, one who was ultimately unsettled who now lies settled!
My body in the ground
six feet under
a cheapo headstone bearing the official details
of one of my various personalities
some yellow roses, a pack of JPS and a vodka miniature
perhaps some rain
My most disrupted self, finally settled
The opposite of art
This final installation is named
“Girl, died
in pain,
in vain,
in sane.”

Maybe then
Art will seek to settle the disrupted
before it’s too late.

SIX

It is probably the case
that art saves more lives than psychiatry.
But when you’re standing graveside saying
what a waste, what a waste,
you won’t think of my soul at all
you’ll just think of my pretty face.

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