poetry

The Pleasure Of Perpetual Communication

No matter the number by which you decide
to split
the dividend of times I lied
to myself
you’d still have a quotient I wouldn’t know how
to pronounce.

Good sides are derivative and I know mine
suggests communication equals a judicious need
to see
the language of my circumscription—that, in other words, needing
to write
means needing
to outstrip
my speech, leaving only immodest thought to bare.

Once upon an otherwise ordinary
evening, I found I didn’t have
to seek
out and retrieve the telltale slant that, with (despite)
everything, alive is so simply good a thing
to be
no matter the manner of calculations
behind what I may feel or find
to say
or do, blithely adding myself up
to you.

 


Originally published on Art & Insolence.

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poetry, prosetry

To Be All Eye And Eye Alone

I have four windows open around me this morning, a sigh on every side—everything I am is a commingling of question and answer. How to live. Life’s worthiness is a matter of constant consternation. Oh, to see where it might lead, unambiguously.

These would-be pundit people and their long-winded self-flattery through the ostensible virtue of openness, though—everything I am seems at uncertain times to exist on some one-step-removed meta level. How tiresome. But what else is there? Setting out to create something—great—I find myself filling the air with the same species of noise and hoping, selfishly, that some number of those same people and an unknown sum of others will notice all the hyphenations and language-ardor and call it art, for my sake.

One night not long ago I had one of those nighttime darkness world-muted realizations and this one said you’re more into something when you’re half out of it anyway but I was too tired from being so daytime-busy “earning” a paycheck to do anything more than jot it down for later—everything I am says every mistake I’ve made began with a concession. I really should take it down a notch. I’d been reading Moravia’s Boredom, just starting, in fact, with my thumb stuck in the intro after a brief spat of indecision over where to begin, marking the page as though I might jump back out of the text at any moment and spoil it with background and situation, a hovering intermediariness which, to my astonishment, held my attention firm and strong, unburdened by any here-I-am.

 


Originally published on Art & Insolence.

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life, prosetry

Without Faltering For Reason Or Commentary

The perfect autumn day—by evening, when my toes are cold despite socks and slippers, I might not be so fond. So goes the erosion of goodwill. It’s fifty Fahrenheit degrees and sunny, gusting, and the trees are spreading color everywhere—rain is on the way, though, and the temperature is dropping. It’s fine to not be very good at something, like work, and to be much better at something else, like reading. Sincerity, I once read, is an inability to connect one thing with another but they don’t pay me to be sincere.

 


Originally posted on Art & Insolence.

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prosetry

Beauty Has No End Or Edges

A person can be internally consistent and absurd at the same time, like a comedy skit. Our imagined summaries make us lifelike, or so I heard on television. Don’t mind me, I’m just looking for permission, filled with suppositions about self-preservation through simple perseverance and tricky transposition mixed in blender-wise with kind attentions to the scratches on the table and the streaks on the glass as though I really believe I’d dissolve my fears if I could only embrace the imperfections of my style. Style­—ha! When I set out to write I expected each stanza would begin with an abstract observation followed by a loosely corresponding question but here we are in the middle of yet another goddamn paragraph because I don’t stick with anything and slip on Freudians—a fact which you, conscience, always somehow saw as something akin to sin. In the end it was a party that pulled Styron out of his second round of depression, a fucking party, can you believe it? You could tread upon enlightenment and suggest all human achievement amounts to an elaborate mating game, though some pleasures, you’d surely concede, are incrementally higher than others, while others still are far. Sometimes, for instance, you sit nude before a keyboard looking for a compelling way to resist invisibility and silence through the publicizing of one’s life’s truths—a foolish pursuit, no doubt, when you’re so overwhelmed by unreality that you cover your face and refer to yourself in the second person because distance and non-knowledge appear to offer the only way through. But who knows the unwritten rules till we write them and then reject the limitations of language, opting for the ubiquitous lure of second-rate visuals of ritualized identity since it sometimes seems skin is all the world cares to acknowledge in the first place.

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prosetry

The One Flatterer Of This Base Despair

Tears in the morning at the slightest provocation—the inconveniences of sensitivity, the troubles of necessity, and the opportunities to oppose it. The rain falls or it doesn’t, and coarse tabloid judgments are hurled at everything in between. I grow weary of trying to be definitive so I set the glass on the windowsill and avert my eyes from screens, doing my best impersonation of choosing stillness.

Miłosz observed the inescapable influence of historical context at a time when that context was quite literally governed by historical context’s inescapability, suggesting that acceptance, meaning, and possibility are dependent upon the extent to which our expressions of them reflect the zeitgeist with “scientific exactness.” Today, limits on time and attention breed anxious “musts” which branch out in all directions and frequently send us headlong into tranquil, violent, and utterly mundane abysses of pure diversion. Are they one and the same? Chaos and authority? Meaning and meaninglessness? Escape and captivity?

In the twentieth century, it was the dialectician, with his towering rationalisms and tunneled threads of theoretical consistency, who controlled the rhetorical landscape. Now, it’s the petty carnival ringmaster megaphone-spouting from every angle of every corner but I keep talking in code for lack of anything expressly geometrical to say, at once both caught and cozy in little brick and A-frame languages of home and shelter. To you I simply said part of what I felt, more or less knowing it would stack up and you’d understand. It could’ve been this way but it was that, or is, or however.

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prosetry

Revealing the Fullness of Their Pretense

The ground outside was littered with crab apples the day I found a dead dove in the grass behind the house—is their tartness merely a feature of our gustatory perception or is it absolute? This is the kind of thing. I can fight it or sit it out or I can reason and wait, again, for peace.

On the edge, or closer to it than realized, freely mistaking association for identity: near/gone, ok/not, me/you—who am I to say life is other than what one writes? This is my code, it’s what’s under the hood, my piece/peace for flexing fake emotion and unlearned nostalgia when my fuck-you energy is out on the town like an average dromomaniac splashing around in his own little personal puddle of poshlost left over from a three-days-ago downpour.

For all the effort at wakefulness, I find my solace lies in sleep—what depth is deep enough to escape the carnal thrill of words? I hope you’ll stay and read each line twice, once for identification and once for all the stories you’ll tell yourself later, layering response after response to question after question, need after desire onto person after image, brushing sophistries over underlying truth with the brightness down and exposure up and contrast set on apprehensive frequencies that cause the sort of muscle twitching we’ll all mistake for action.

The world is only as large as you can comprehend; I understand, now, what I was doing all that time when I wanted to be awake—where does this end, where does that begin? It takes a village to meet such needs and the body count is high and rising, overtaking composition on principle if not by sheer volume while, really, the only question worth answering is whether the headstand is for me or for the moment’s desire for inversion, whether what’s sought is an end or a beginning.

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prosetry

Every Mirror Holds Different News For Me

For a good twenty-five minutes she some young unknown sits in a blue Camaro parked with the engine running on the street in front of my house putting on makeup in the sun visor mirror while I contemplate the tree leaves and the idiosyncrasies of conversational American diction—they are changing color, the leaves, imperceptibly, as if each night deep in the middle under dark and cover yesterday’s foliage is replaced by today’s, fickle as interests and grammar. It’s the second time this has happened, this curbside dolling by this same someone on the way to someplace from somewhere else, once on a Saturday night, now on a Sunday morning, the only immediate difference being that I am no longer consumed by the small problems of sanity as I try to imagine what possessed her and for whose benefit these last-minute preparations are made.

Eventually she drives off—“in a small town everything is quickly over” yet some of us like to wrestle with incidental eternity as if it’s the converse though I usually wear Vans to front on the fact that I’m a poor hustler because I don’t know why, don’t know why there must be such fear in me, such small town awareness, here, made up, then gone, the intoxicating thrill of necromancy wafting superfluous like bad analogies and perfume on careless breezes before the maddening ice cream truck jingle monotony of ease, comfort, and simplicity snuff out these little conquests of attention. Let’s start this story over. Welcome to the city, to the refuge and the pulpit, where whatever gets rid of the terror will get rid of the wonder as well and, well, it’s fair field and no favour to suggest we here are tethered to the past by knowledge like anywhere else though the future grows up through cracks in the concrete like imagination and young women in blue Camaros who stop on side streets to put their faces on. But that’s just so much distraction. Where did you go, normalcy, and what will you be wearing when you read this, I wonder, superficialities of attitude and style subverting any comprehension of why honesty full and brutal is so hard to imagine out on the town without rejection while a life of sufficiently partitioned duplicity is well within reach. Yes, let’s start this story over, this time without the constraints of contradiction, each part and every to its fullest free and ready to embrace the impermanence of some great singularity.

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