fiction, photography

TREMORS

Chris R-1-74 Image by Christine Renney

He wanted desperately to pinpoint when it began, the exact moment that he had felt the first tremor. But it hadn’t happened like that, suddenly and revelatory. No it had been slow.
Ever so gradually he became aware of something happening beneath his feet. Slowly he had become more and more attuned until he was able to anticipate when the next tremor would occur and, readying himself for it, he could prepare for the impact.

He wondered if there were others who felt the tremors and suffered as he did. He watched his family and friends. He studied people in the street, in the supermarket and on the bus, people anywhere and everywhere. He concluded that if they did, if there were others who felt the tremors, then they were much stronger than he and better at hiding it.

He sensed that he had always sensed them, subconsciously at first of course, and then consciously. They were buried deep down in the ground – the faintest of flickers, dying torches in the darkest mine shaft. The tremors hadn’t surprised him, hadn’t shocked him and this, in itself, was shocking. And now they were taking their toll and he could no longer stand firm and continue as if nothing was happening. He could no longer pretend

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epistolary, fiction, life, poetry, prosetry, screenplay, Uncategorized

Something real

(A PROSE INTO POETRY EXPERIMENT)

strangest statement;

think the world of you

too good to be true

really needed to hear that

reeling for months now

suffocating on mortality emotions

lost that courageous love for life I think I once had

half in and half out

then you came and you were

fantasy figure

intoxicating and unreal

feel like all her light is pulling me out of this darkness and I’m having hope again
wait? You’re having hope again?
that was the thing I had lost
funny how you really can’t go on without hope
but it is so damn fragile

you know how when you are young you feel like something good is going to happen it’s just around the corner? And then sometimes (not always) as you get older you feel like the corner gets longer and longer?

I always believed we make our own fortune, our own hope to some extent. Our own outcomes

but sometimes it’s nice to have the fantasy too

when you live inside an iceberg and nobody really really adores you, then it’s damn tempting to believe it

I felt suddenly like I wasn’t this dull girl

depleted, At the general lack of care people have toward one another

I like the intensity we feel as teenagers where our best friend is our world and we are so passionate. I like the feeling of mattering and of it being something really strong and unshakable. When you are kids and you promise something and it means the world. I don’t like the feeling of tepid disinterest

A friend I had doesn’t have emotional space for friends. They complain about not having any but they really doesn’t have time for them. They are one of those people who is obsessed with and lives through their child

oh there was such a lovely moment where I wished it were!

she seemed to think I was like them but I’m not like them 

I cannot compete with and cannot keep up with, the A list. That is okay

I am not a glorious incredible person and that is okay

struggle some days just to get through a day. I am on a different track. I don’t know why I wasn’t made more for shining but I am who I am. I am the person in my poetry, if you want to call me dark and lost then so be it. I have to be myself I can’t be someone else anymore

nothing worse than someone finally seeing who you are and rejecting you – better to get it out in the open and let them decide

sometimes you can look good in photos, happy even, but behind the smile there is a person who is trying really, really hard just to make it through the day. I admire shiny-happy-people I really do. I don’t condemn them. I guess I envy them. But I am not that person

It is funny though how when your fantasy comes true even for a moment, you start asking yourself again, can I try to be that person? Maybe it would work?

sometimes you know your limits. And you know from experience when you try to push them, you will crash and burn to a husk

I may end up being nothing more than some girl who wrote a few easily forgotten books of poetry to add to a huge list of inconsequential people who wrote and thought they’d BE something. What is it to be?

I try hard every single day to get through the day and that alone is a battle

like I told the girl, I come from broken people and I saw the broken world long before I saw the shiny world. I happen to be proud of not being cruel and uncaring in response to this. If that is my only claim then

so

be

it

but what a funny experience…. To for just a moment, feel like a girl again, on the verge of something, turning a corner. I almost forgot myself and turned. I almost believed it would be something real

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fiction, life, poetry, prosetry

Magic trick

There is something wrong with the post man

he forgets my house

drives away in that flimsy cart

humming to himself, oblivious of

my need, he be wrong

return and fill

the emptiness with

some approximation.

There is something wrong with the phone

it lays silent and sleeping

unlit and needful of

nothing rung or called

I shake it and stare

in the absurd notion

by doing so will cause

something done, to be undo

a knot we can pick

with stiff fingers and

urging pretend

all is well when

it is broken and lost

to the gravity of

changing seasons

flickering, mirrored, illusionist light

turning fear into something golden and bright

then just as fast, back again

taking away certainty

with deft slight of hand.

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fiction, photography

THE BOOKS IN THE BASEMENT

Chris R-1-63 Image by Christine Renney

The bookshop is busy and bright. Pushing against the throng Daniel moves toward the back of the store and down the rickety wooden staircase. Once below, he is able to breath again and, taking in the stale and musty but familiar aroma, he begins to relax. He finds making the short trip from the plate glass doors at the front of the shop to the basement so stressful. Daniel worries that he will be apprehended by one of the sales assistants, that they will demand to know what he is doing, why does he keep coming back and why does he spend so long down below?
Daniel has been coming to the bookshop every day for months now and he must have been noticed. But he hasn’t been stopped yet and no-one seems to care. And why should they? After all, the books in the basement have been forgotten and abandoned, left to molder and fade. And so why should he warrant more than a cursory glance and a fleeting thought.
Daniel is thankful for this. It means he is left alone to his own devices and he can read. It also means that at least some of the lost books will be rediscovered.

Daniel doesn’t have to worry about making the return trip for hours. He has a flask of coffee and sandwiches in his backpack and, if he wants, he can stay down here all day and quite often he does. Once settled on the old and cracked leather sofa in the far corner he loses track of time.

There are a lot of books in the basement. The shelving units run its entire length and the walkways are narrow, just wide enough for two people to pass each other sideways. But Daniel suspects that this has never been necessary, or at least not in years.
The shelves are tightly packed, mostly paperbacks and all have been read at least once. Most more than this judging by the creased spines and the dog-eared pages between the covers.
There are so many stories stored down here, so many ideas. It is an archive, an accidental one maybe, but an archive nonetheless.
Daniel wishes that he could reach all of the books but even if he were gifted an extra lifetime he knows he could not achieve it. But Daniel is determined to keep reading for as long as he is able, he is convinced that, eventually, someone will notice him, that someone will decide to care. After all, this is a bookshop and not a library and he is breaking the rules.

Occasionally others do venture into the basement and whenever Daniel hears someone on the creaking staircase he jumps up from the sofa. Although he is entirely hidden from view he tries to act nonchalantly, as if he is just another customer, casually browsing.
It is dank down here and poorly lit. No-one ever seems to venture more than a few metres into the basement. This time, however, he hears someone moving purposefully along one of the passages. Daniel is intrigued and, emboldened, he moves across until he sees her.
She is searching for a certain writer, maybe even a particular book but it isn’t there and Daniel sees the disappointment on her face.
Still she lingers, scanning the titles and occasionally reaching out and touching the books. Daniel moves closer but she doesn’t seem to be aware he is there and, turning, the woman stares right through him. And he realises that she doesn’t see him, that as far as she is concerned he isn’t there.
Staying with her, Daniel glides along the aisle until at last she works one of the books free and pulls it down. She studies the cover and flicks through it and, turning again, she doesn’t put it back. Daniel realises the woman is going to take it, that she is going to keep the book.

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fiction

THE KNIGHT PERHAPS

chris r-1-56 Illustration by Christine Renney

Cocooned in my parka, head down, I walk. I keep to the edges of the pavement and I follow the cracks between the slabs and in this way I cover my patch. I tug at my hood just to be sure; a habit I can’t, or won’t, break, and I scan the ground at my feet. When I spot a cigarette butt, a good one, I reach down and snatch it and place it in my pocket along with the others.
I must appear erratic, resemble a chess piece, the rook, or the knight perhaps, my movements awkward and jerky. Any progress I make is difficult to determine as I trek the board, seeming to endlessly fail at making my way across.
But I don’t raise my head and I don’t know if anyone is watching. I suspect that when I am noticed it is fleetingly and that they steer clear. I am just somebody scuffling, a scavenger.
There are plenty of cigarette butts but I only collect the good ones. The best are those that have been pinched or stubbed out before being dropped and not stamped upon. But I’ll take any that might still contain a little tobacco rather than just dry dust and ash. And I have become adept at spotting these and I know when to reach down and which ones to gather. Throughout the day I fill my pockets and when they are full I leave, I abandon the board.
I never stray far from the Centre now and I settle behind the bins at the back of Pound Saver. I empty my pockets and set to work, rubbing with my thumb and forefinger I remove the burnt tips. Stripping the paper away, I pull out all the good tobacco and without wasting a single stringy strand I drop it, one pinch at a time, into the tin. When it is full and the tobacco is tightly packed, as I roll the first cigarette, just fleetingly I am content.

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fiction, Uncategorized

Contemplating Gender Roles while Following my Wife around Marshalls

There is a man standing at the door, I don’t know whether he is lost or left, he is staring at a table of FAB-YULE-OUS LAST-MINUTE GIFT ITEMS; a bottle cap dart board, an essential oils reed diffuser, a bundle of three cheeky-Christmas T-shirts, an array of Yankee Candle Holiday collections, and so on. He is still wearing his jacket, bundled to the neck.

I follow my wife passed him, he smells cold as we pass.

My wife stops in the ceramics and begins perusing. A large man passes me, a child holding the end of his jacket, his wife speeding ahead with the cart, he is playing something on his phone. His hat is on and his beard is unkempt.

“Should we get this for my parents?”

I turn, my wife is holding a ceramic jar with a plaque on it that says “MILK.”

“Sure,” I tell her.

She picks up something else, I wonder about the last time I saw a milk carton and what must have happened to all of the runaways.

“Or this one?” my wife asks.

“Sure,” I tell her.

She frowns, “which one?”

“That one.”

“You’re not pointing at either of them.”

“The milk one.”

“They are both milk ones.”

I refocus. “Oh, that one.” I point.

“That one is for tea,” she cries.

I shrug, and she waves her hand at me, annoyed. “You’re annoying, go away.”

“Okay.”

I head back for the door. I pass a younger man in a display chair. He has a patriot’s jacket on and is staring into an aisle of discount lotions. I head for the exit. Someone has collected the man who’d been by the door. Good for him.

I stand outside the door looking out on the parking lot. I notice a spot three rows from the exit. We parked about ten rows back. I go and get the car, move it to the empty spot and sit in the heat. I notice in the rear-view that someone has moved from a spot in the first row. I reverse out and straight into it, cutting off a PT Cruiser.

Who the hell still owns a PT cruiser, I think, as the man behind the wheel flips me off.

I sit in the car another twenty minutes before slowly making my way back inside. As I pass the shoe department, I see an old man sitting on one of the stools, he isn’t trying shoes on. He is just sitting, two hands on his cane as an older woman bustles around him with an armful of sandals.

“Eight dollars, dude!” I hear someone cry out. I turn, two teenage boys are looking at a pair of sneakers.

“Eight dollars! Merry Christmas!”

“Merry Christmas, eight dollars, dude!”

“Dude, ZOLA.”

“Merry Christmas, ZOOOOLLA!”

They run off with the sneakers.

I find my wife in pet accessories.

“We should get the cats something.”

I nod, watching a Hispanic man help his wife pick from a giant pile of Buy three get one free Christmas socks. Another man walks by on the phone, “WHICH ONE!—That one? You have one of those!—because you’re always THROWING IT TO MY SIDE OF THE BED!”

My wife has a Santa cat outfit held up to her own body, she is looking down at it.

“Should we get this?” she asks.

I smile and nod.

It isn’t enough.

I give her a thumbs up.

She rolls her eyes. An old lady, digging through a table of hand-creamers, laughs.

“Men are so useless, huh?” she tells my wife.

My wife laughs.

Ha-ha

The woman laughs.

Ha-ha

I laugh.

Ha-ha

Am I living in a sexist narrative, I wonder? Do I only not want to shop because I have grown up in a patriarchy? Would helping pick out a cat outfit make me a better, more gender inclusive? Is that what that means? It doesn’t seem to have impacted that guy over there.

I glare at the Hispanic man who has just made his wife laugh after hanging a pair of socks off each of his ears.

I look back at my wife. She is fingering through a rack of cat treats. I walk over and grab one off the rack.

Christmas Turkey Dressing

I open it and take one out.

“Hey babe, watch.”

She looks up at me.

I pop the treat in my mouth.

She stares at me as I chew the treat. Her face goes very quickly from curiosity to disgust, and by the time I swallow, concern.

“Why the fuck did you do that?” She asks.

I look down at the bag of treats, then to my other empty, then back up at her.

“I thought it would be funny?”

She looks at me, then to the old lady who’d also stopped, arms deep in the pillow-pile, to watch me eat a treat. They share a look. The old lady smiles sympathetically.

My wife hands me her armful of goodies and pats me on the arm.

“Go find somewhere to sit by the registers sweetie, I won’t be long.”

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fiction, Uncategorized

The Time Travel Artist

I love my job.

Someone managed to change something. They shouldn’t have been able to. But, that is the company’s problem. Someone needed to die, again.

Killing someone is not an easy thing. Killing them again is even harder. Killing them the same way as before.

That is art.

Her name was Mary Harris. Nineteen years old. Strangled.

19:23 exactly. My hands are already around her neck. Not too soft. With passion, as before.

19:24 she is dead.

On the dot. Man, I’m good. I stand up and look around. The room hadn’t been wrecked. That is always an annoyance. A simple strangulation. I look down at her. Turning blue.

“Sorry, darling,” I lie.

I would feel sorry for her, really. Her savior is in jail. Her killer is still unknown. But, I don’t. I feel hungry. I’m a professional. Only professionals know when they are hungry.

I study the room. I study the body.

One of her eye-lids is shut. I bend down and open it wide, just like in the picture. Sadness and terror, it says. I smile.

“Now, that is art.”

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