life, poetry

As You Lay Dying

I got our ‘goodbye’ wrong.
All of those rehearsals and I got stage fright,
fluffed my lines, fucked it up on the big night.

What I said: Please, Dad, don’t die, I’m begging you, don’t leave us, don’t you dare fucking die on me, we need you, I need you, Dad, please hold on, don’t die, please, don’t let go, don’t die, don’t go

What I wish I’d said: It’s okay to let go, Daddy, it’s okay, you can let go, I’m here, I love you, you can let go now, you can let go, you’re safe, let go

There is no ‘next time’
in which I could get our ‘goodbye’ right
so I’ve been praticising our ‘hello again’,
making sure it’s perfect for the day we reunite.

@treacleheartx

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life, poetry, prosetry, Uncategorized

Our dark house

feet tattoo

Photo by James Ranieri on Pexels.com

Step high into your shoes remember 1997

religion is in the wind and the climb of dark

you swoop around me like fabric and rage

we dance in weave with each other my eyes are

closed and see

how you want and how i want and how neither of us

shall never get what we need

i am loose shouldered and my hair is indigo in

the winter time where people close their doors and

you hammer me open against cold grass

lattice clocks pressing their time

henna tattoos, a marriage of dark and light

the sight of you in circled moon glow

our motion and our resurgence

the way young bodies climb and fall against

the future

bare feet on splintering wood you say

look how your shape echoes against that glass

and you take a photo in your mind as I hear

the fast train we missed, rushing past

leaving its tossed exhaust

I held your head in my arms you talked like

people do after they are spent

we pretend we know everything when we know

nothing

whirling silently in space

the fabric of the world is torn and gaping

like clothes ruined by a furtive need to

be pleased against rage and sadness

proffering bouquets of need hidden behind

retreating shorelines

it is the chemical of your blood and mine

swirling behind our eyes lying to each other

and the stones are hard even when you

spread a blanket on them

just like you said it would be mama

gathering my hair and watching it fall like

words cut from meaning against shadows

breasts that hold their secrets press against

the burning beneath

and the world is raining

and we are missing

cut out silhouettes

rubbing their imprint

in memory

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life, prosetry

Strippers

1 / This whole “life” thing would’ve been a lot easier, for me and everyone else, if only my parents had kept a bottle of turpentine under the kitchen sink instead of premium Polish vodka. At least that’s what I tell myself I was looking for all those years ago.

1.5 / Rooting around in the cupboards, my hands covered in oil paint, a brush between my teeth, searching for paint stripper I discovered vodka instead. Art was long and difficult, and my desire to achieve perfection led to much frustration (ripping canvases to shreds, setting drawings on fire, etc). Alcohol was fun and easy and made me feel better: a revelation! Very quickly, drinking replaced painting. The painting went unfinished and the easel was dismantled (and then eventually exchanged for a £10 bag of weed).

2 / Vodka is a stripper in it’s own right. Here are some things that vodka strips me of: inhibitions / morals (some, or all) / worries / layers of my liver / senses (one, or all) / this fucking albatross (very temporarily) / memories / appetite / clothes (some, or all) / shoes (one, or both) / insecurity / fear.

3 / Drinking is affecting my work. Negatively. I feel that I’ve lost too many brain cells lately. I don’t know. But luckily for me, writer’s are “supposed to” have a drink problem so “it’s fine.” With every truth I write, every line I assemble, every poem I publish, I feel a little more naked. It’s like every story is a piece of clothing that I’ve been wearing for years and I’m boiling to death under all this fabric so I tell I story, I shed a layer, I get closer to the pure core of myself, to what’s underneath, to what’s inside. It’s frightening but liberating.

4 / Instead of stripping down, people today seem to be adding more and more layers to themselves, living further and further outside of themselves, silencing their naked truths, suffocating their reality with the strength of other people’s expectations. Perhaps the world would be a better place if we shed all the shit, stripped everything down, went back to basics, straight to the core.

5 / Your truth is all you have. Let it breathe.

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life, prosetry

To Love X Y and Z

Most of her sentences begin with, “I used to.” She used to be / to go / to enjoy / to do / to love x y and z. Now she dwells, angry and bitter, writing furious lists of all of the things that The Thief has stolen from her. She used to enjoy painting. She used to dance in crowds. She used to wear dresses. She used to be smart. She used to do sports. She used to like the sunshine. She used to have real friends. She used to be pretty. She used to travel. She used to enjoy sex. She used to speak several languages. She used to throw parties. She used to make people laugh. She used to be skinny. She used to be popular. She used to be able to do anything. She used to be a daughter, a sister, a niece, a granddaughter. She used to be brilliant. She used to trust people. She cannot get over Her [old] [true] [real] Self; she misses Her and grieves for Her. The person she is now is not a person, rather a half-human living a half-life. But The Thief cannot be caught nor punished. Already locked up in the prison of her mind, The Thief paces day and night, making her brain ache while waiting for an opportunity to strike, destroying her dreams before they can be realised, converting her hopes into fears, stealing her life one memory, one chance, one possibility at a time. The punisher cannot be punished. You can’t hang the hangman. The Thief will only leave when there’s nothing left to steal. The Thief will leave soon.

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life, poetry, prosetry, Uncategorized

Burning without fire

close up photo of red candles

Photo by Aloïs Moubax on Pexels.com

Last night I scalded myself Mama and as the boiling water ran down my arm

I saw you through the pain and you were smiling and everything was wrong

how you are alive and yet gone, how you exist and yet don’t, how I was never right

and somehow always mistaken

If I don’t come from you then who? My mitochondrial existence and all the women before us

seem to pass into memory and then detached, by our severing

every day I wake and I think of you and then I remember

you’re not thinking of me

What tenderized my heart so? Pounding it until it cried out

I know it’s futile and still I yearn

What compelled it to continue beating even after the obvious?

I loathe that about myself and I love that about myself

I am like a ship in a bottle, you cannot figure out how I came to be

full and whole, encased in glass and yet

I am neither full nor whole, but hungry and drowning

a featherweight, a word, something you created and then said

no you can take it back, I don’t want it any more

(I never did / I pretended / it was the mask of a mask in a mask)

and so I went far and nowhere

near and not close

wondering what will come first? The last loss of you, or the first diminishment of

my eternal want?

Who am I kidding? With endings there remain

more scabs to pick off, prayerful knees and bowed heads

no amount could achieve

forgiveness or whatever it is I need to be to

change everything that cannot be changed

so I watch myself and you

I watch nothing and no one

empty their expressionless pockets into water

watch the colors of us turn dark and indistinguishable

as if we’d never been and I am not sure

where or who I am without you

like a glass blower who stands on the quayside

wondering if

the boats will come today

marking the horizon with their

dusky forms

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life, poetry, prosetry, Uncategorized

Sunstroke

close up of couple holding hands

Photo by Pixabay on Pexels.com

Oh love

Your dispossessed erstwhile vowels

My clamoring for meaning

When we are both, slung over a giants shoulder

Soil carried to replace the old and build future

Timorously and then bold, holding bit between teeth, gritting and grinding down

Sensible molars, well protected in childhood

While voices of reason chime midday bell

We hear only the inside out sound of skin and bones
Our own scraped bare-faced challenge

Hot in the sun captured in bottles without secure tops

Ready to burst, I observe in the minutes lacing themselves forward

The steeped joy of owning this private glance into your fickle heart

Where many times it does not rain but still you never age, nor

Run out of the substance making you strong and bright

Like hammered silver bends only to the implement and wears its
bruises well

You are well. And I am well. Deep down. In the stir of our marrow.

Where we recognize that weather vein casting our fates together

Your pianists fingers crisscrossed against my loss of inhibition

Who am I kidding? I’m never absent from the purchase of passion

Long it has been the fiddle that gets my jig

And the moment is stretched long and elastic against mutual want

We breathe the same, dissimilarity leaving her clothes in the doorway

I cannot say after this long staring into you

Where we leave off being separate

The whisker and fall of our mutual song

Sprints ahead into unpaved road

And I am left with pictures

Of the young girl I was

And the woman I became

Beneath you and running through you

A river without dam

Claiming her hot land

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life, poetry, prosetry, Uncategorized

Possession

bonfire burning camp campfire

Photo by Vlad Bagacian on Pexels.com

A house without visitor

a life without notice

the invisible among us

silent behind their walls

we think nothing of

in our hour of mirth

trying instead to catch the tailcoats

of that good feeling as long as it lasts.

For some of us, if we are lucky

we never run out

of brightly colored days and regard

for others, life is a jigsaw of incomplete moments

too much spent unnoticed and forgotten

behind structures that do not speak

the words too hard to say.

We are not selfish for wanting to stay

free of sadness, and shrugging it off when seen

though it compounds those many weary souls

alone so often it begins to feel

like a waking death.

I used to wonder at their fortitude, why

they continued on, what kept them going

if anyone ever gave them a thought

never imagining I could become myself

their neighbor in isolation.

There is nothing to be done for it

some of us are by our natures and fate

passed over, left behind, forgotten

no pity required, we sustain ourselves

on the very grief felt, sitting at single tables

trying to open our mouth to sustaining.

Sometimes, even breathing is

an effort

perhaps, when we die early

and unremarkably

this is why

for the body responds to sadness

shutting down, closing off

turning out the last light.

I think of childhood and how I should have known

it was a preparation, or a warning, depending

but then I had hope

and now you cut me off

with not so much as a whisper

and I see my own reflection fade

from all memories and all common ground

to become what maybe it always was

before I ever existed, before

time itself, counted down

loss

though loss is not the right word

for you cannot lose what you

never possessed

 

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