life, poetry, prosetry, Uncategorized

Spilt milk

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I don’t have your poise

or formidable intelligence

I haven’t inherited your coloring

or the savagery with which

you tear people out of your life

I used to believe I was weak

because I felt so much and could not

turn away in anger

a trait much prized and perfected

no, I was

clumsy enough to be feeling

and try as I may, the ice

did not stay in my veins

just as resentment doesn’t hang on me

an internal coat

nor grudges devour

my peace.

While i am not always happy

I do not fashion that unhappiness

to break and grind, the bones of others

I was told so many times

I was nothing more than a dumb beast

trying in vain

but those people were proven wrong

for this dumb beast

accomplished everything she attempted

perhaps just to prove them wrong.

It is my road

the one alone

and I ache for you when it rains

like the six year old

listening for the sound of your key in the door.

I cannot expunge the pain, I carry it, inherited, a scar of many faces

you were a pattern I mimicked, knowing nothing else

maybe now you are released from your bonds and I from mine

we will be free to make our own new lines

though if I could choose, I would return

to the feeling of loving you, within your murmur

for yours were the first words I heard

curled in a c within your body.

You can cut me out and there I gasp

but I am tied to you,  as the sun will

pay her travail and always love

the moon

climbing out of what we always knew

to lay wreaths of crimson in homage

to spilt milk

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poetry, prosetry

The Flies That Fasten That Shadow To The Ground

One thing is to be, another is to see, just the way I wish you’d see me. One too many phrases like that and they found themselves confused, adrift, and said my positions lacked grounding, something concrete, which in my head rendered cartoonishly into weighted feet sinking to the bottom of the Neva because, naturally, I like the facility of pseudo-homonyms and the presence and absence of consequence mixed with oblique references to macabre historicity. “You” can be anyone, so long as you’re an idea at heart with a questionmark head—how’s that, clarifying enough? I’ll start there, for want of any special introductions, transmitting these little vibrations to the ambient air no matter how “they” swing over “there.”

Speaking of specificity and tonewood, the server’s name was Azusa and she heard him say I don’t have any friends here, now, zero, he said, and in a split second the recognition, delicious and troubled, traversed her face. It’s like that when you read me, just that, word for word as if starting from scratch but tacitly knowing it all might as well be connected like how I’ve got four days off and you and I are right on time but twice removed. I should be overjoyed at those simple facts after three straight nights of deep sleep the likes of which just might make a person feel more settled and singular in their multi-selves. It’s not the qualities, anyway, it’s their fucking manifestation—how’s that for clarity and intention despite the maths and all that counting. The strength needn’t be audacity, the laughter needn’t be defense, the assertiveness needn’t be boisterous. These are the things we think about, independently, within and without definition, no matter what articularities we might share over dinner or through coffee or around spirits, here, there, later, now, so let’s stay in and eat some cheese and fish and a little drink and a little smoke and listen to music. A little. It’s only life so let’s have us an easy spectrum and see who we are where we land.


Originally published here on Art & Insolence. As some of you may have noticed, I’ve been “away” for a while. I hesitate to label this a return, but it is at least a reappearance. I hope you’ve missed me as much as I’ve missed you.

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poetry, prosetry, Uncategorized
KONICA MINOLTA DIGITAL CAMERA

KONICA MINOLTA DIGITAL CAMERA

My forearm

Has your fingers circled around it

My waist

Your hands meeting each other

The tattoo of your movement

Across the salt of my plains

You chisel my rise and fell my present

Into your eyes I tumble

As velvet dark becomes elongating heaven

Your fingers brush my cries with storm

I am beneath you, as infinite waterfall

In your shadow, from your shade

Eclipsing to return, cycles of moon

Blur what is real, against imagined.

Over time we learn

neither exist more than other

it is our capture of this moment

held in elapsing abeyance

within some sphere beyond consciousness

evoking mislaid emotion

flame lit against sulphur hearts

and we climbed the mountain, sweating and fatigued

thinking … why even bother?

Those wise voices, challenging us as children

take each experience, infuse it

with the richness of YOU

here’s the camera, snap a shot

twenty years later, we are still staring off

color changes over time and people

will leave and return like cuckoo dolls carved into

clocks.

Unexpected are the faithful and true

we smile because we’re told to

soon sides begin to droop, if held too long

spontaneous and a little dangerous

leaving the washing for another day

floors need cleaning, beds changing and perhaps …

if we stand still and instead, wait

they will see our outlines if

they’re not in a hurry

but everyone is too preoccupied

with staring at the red moon

to notice our climb

over the globes circumference

flying we take hold, of each others seek

a creature of bush fire and opal.

She told me once

don’t wear them, they are bad luck

I polish now, the angles of my semi-precious face

to ensure nobody knows my true thoughts

save you, you who built

the universe and with your existence

I have no need of foolishness.

We are what we are, because

there is a flower blooming

only at night and

the frangipani spell stays

rich and heady

all through the long

hours

of our union.

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poetry, prosetry

’til Death

1. It looked like the scene of a crime and I suppose it was:
manufactured by a fucked-up mentality and fuelled by pity,
it was a crime against sanity, a crime of stupidity,
and now I’m gonna have to serve my time until one of us dies.

2. I’m stuck to you with claret glue but you are bad bad bad news.
I’m bad news too but you think I’m the best thing that’s ever happened to you.
That’s just one of the reasons why it was a fucking stupid thing to do.

3. Your dark red dabs remain underneath the fresh magnolia paint and I had to throw your jumper and my t-shirt away. It was a good idea at the time: the unification of two bedlamites, the formation of an everlasting alliance between the perpetually misunderstood, but the knife in the drawer and the scar across my palm reminds me that you do me far more harm than good. Blood smeared on our faces like war-paint and Eminem elected as our patron saint, how we laughed and thought we’d finally found our place in the world: together, against it.

4. “Dream Team, baby.” “Nightmare Pair, baby.”

5. Now that we are family, bound by loyalty, I can’t get rid of you. Well, I can. We always said we’d go out on the blades of glory and this is definitely gonna end badly. You think you’re Sid but, trust me, it’s more likely that you’ll end up like Nancy. Ah, God: it would be way too easy.

6. The problem with a blood pact
is that you can’t take it back:
you’ve got me as a friend
’til the bitter, twisted end.

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poetry

Heartlock

my heart: a chunk of amber
an ancient rock
washed up from the baltic
opaquely transparent
like us
our love: the mosquito inside
a moment in time, chaotic
stuck in perpetual flight
frozen in aberrant delight
preserved lust
trapped trust
your smile: fossilised
your lies: petrified
those years spent
were no accident
you’ve still got
my heart in a headlock
my head in a heartlock
unbolt the deadlock
let us see the light
of day
again

 

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life, poetry, Uncategorized

Night becomes us

pexels-photo-240174 - Copy

I push people away

as they pushed away from me when I first learned

that’s what people do

so run ahead and do it first

you might tell them your real age, or show them the scars in your skin, that usually does it

with online trolls who really only want a

mirror little narcissist

you might show them your face and all the welts that

lay invisible and divisible like trails of tears

finding only drought

you might reveal your defeats and play join the dots

with stories for each one and then you may

know me just a little

except I don’t want to be known and even as I write

I remain anonymous to myself

the perpetuation of a dream instead

where we dance sweaty and disordered with our hair

collapsed like flamenco skirts in rivers of ruffles

two people with thick manes and thin skin

I taste blood on your lower lip and the depth of it

makes a vampire of me

your pulsing neck is salty from your keening

we interlace our hands like church mice and bad girls and best friends and artful dodgers

I feel your fingers pulsing within me as together we cleave

so much comes from a body who wants and so little from one who does not

when I see you, I want to close my eyes and hold onto the image

how you stand, the light caressing your flawless skin as

oil might run her rivets down your elongation

If choice were a bird, I’d choose you again

And once more, with the release of my lips from yours

A song passed between mouths like a key

Open my heart, keep yourself there

If choice were a thought, I’d choose you again

And once more, with the capture of your ebony and ivory

You, who is seamstress to my soul, play your flute

I hear it behind my eyes in the vault of my trust

If you were a dream I should better wish to wake

Our drowsy love may keep us drugged by its tempest

Sleeping in the passion of your touch

As sun sets and night becomes us

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life, poetry, prosetry, Uncategorized

Moving toward light

adult alone anxious black and white

Photo by Kat Jayne on Pexels.com

When I am sad, a voice, not unlike my own

chastises the impulse

if it is that, wishing to rise beyond, crush of emotion

when I am sad, I make myself sadder

by listening to those inherited echoes, telling me how I should feel

shutting down the validity, condemning feelings less than

knocking walls already fragile, disqualifying the emotion

when I am sad

I think of your disappointment

how much you wanted me to be

a thing of steel

reflecting only brightness

nothing dull or sorrowful

how I became in irony, almost everything you loathe and detest

I would say I am sorry, for your distress

but I learned instead of words, to be sad

maybe in part, because I saw, that flint in your eyes

nothing else was there

though in truth I was sad, at six years old

watching kids bully each other

knowing then, inequality and inequity

imagining the fight before I had, grown tall enough

hoping The Magic Faraway Tree

was real but knowing if it were

children grown to adults, would cut it down

when I am sad

sometimes it helps to think

love cannot be broken

by sadness or loneliness or grief

love stands as our first flower

even as it no longer exists the scent remains

to save us from disappointment

of so many other things

including each other and our infinite ability to be cruel

I am still the child with the blue rabbit

watching adults lie to each other

and kids emulate and pinch, the very stuffing out of hope

for if there is a Magic Faraway Tree

I think it would not be

for you or thee or me

like all magic things

only reveal itself to those pure hearted enough to know

sadness is manufactured by what we do to each other

with each cruel act it grows

if we let it and if we don’t

then next time I am sad

I will think on other things

like your voice and how

you make my heart quicken, just in your use

of words, the familiar cadence a worm

reaching deep into my heart

moving toward light.

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