life, poetry, prosetry

What is felt

If life is a series of tests

I ran one of my own tonight

As it grew dark I did not turn on the lights

In the dim outline I spoke to my ghosts

Especially you

I saw your face as it was

When I was consumed

Shadows passing like aching flamenco

Such a long time has passed

As if someone forgot to mention it was a joke

Cards written and never sent, collecting dust

Only a year went by, yet I remember all of it if I try

Watching our memories spool like wet silk, I no longer

Feel that sharp pinch in my chest

Now, when I think of your face

It doesn’t make me feel any pull of breath

Given a choice I wouldn’t do it over again

Then I turn away

Someone else fills me like an empty vase thick with flowers

Someone who crept up, month by month

Until I felt again, a feeling I’d given up

She may leave me in this dark room

With my vision touching braille among shadows

Or she may risk stepping out into light

See in my eyes

Something she’s been running from

For such a long time

When we push people away, sometimes

It’s because we want them so much

The fear of being hurt causes us to run

I have no power, can only believe as I always have

Should we find such longing, there is only one true course

Throw hesitations stranglehold aside

Take her hand, look into her clear eyes

Pray that she sees

What you feel

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poetry, prosetry

Inheritance

You left us nothing but your everything
You gave us nothing but your all

no bank account, no savings, just that envelope of drug-money:
enough to pay for a cab to the crematorium, your wicker coffin and a good old fashioned piss-up afterwards

your microwave, your hunting knife, a tin opener, a wooden spoon

over 40 years of poetry in smoke-stained notebooks

a box of photos of girlfriends past, birthdays celebrated, weddings attended, funerals suffered

that ugly glass squirrel statue that I always hated, that you insisted I must keep after you die, so that “whenever you feel sad, you can look at the ugly squirrel and laugh

morphine, temazepam, lorazepam, zopiclone: all the good ones I swiped before mother swept in and threw the rest away (she never saw an opportunity for money-making like we did)

your watch collection (for brother)
your guitars (for brother)
your records, tapes and CDs (for brother)

more notebooks, filled with the profundity of others, in your handwriting

I am angry that you destroyed your journals
but I suppose if I’d read them I would probably have begun to believe
that I didn’t really know you at all
and that would hurt more than any secret stashed in a suitcase

your denim shirt; your PROPER CORNISH jumper; your old fisherman’s smock;
none of which I dare wear, lest your scent disappear from the fibres

an unpaid electricity bill,
12 unsolved crosswords,
half a tin of Amber Leaf,
97 packets of Rizla,
5 lighters (2 working, 2 needing fuel, 1 needing a new flint)

no trust fund
but total trust
and so much fun

your good books, your good looks

the gifts of our gabs
the depression gene
the addictive personality
the grey-hair-in-your-twenties gene
the too-much-of-a-good-thing tendency
the “you’ve got laugh or else you’ll cry” mentality

a beautiful black Ibex horn
which fits perfectly in my grip;
which I use to shut my Velux because I’m too short to reach the lock;
which is solid enough to kill a man if I were to smash it against his skull

an address book with personal numbers for celebrities, royalty, tycoons, sports stars and political bigwigs

manners & morals

your blue Salbutamol inhaler
affectionately named ‘Sally’
that you used 30+ times a day instead of the prescribed 3 times a day
that I use about 3 times a month when I’m having a really bad attack
your voice in my head saying “Breathe, babes, just breathe,” and “It’ll all be over soon”
I fear the day that this inhaler runs out

no property, no vehicles, no investments
no valuable antiques, no precious heirlooms

but you were the valuable antique
and we were your precious heirlooms

passed down a generation
to be passed on to the next

the carefully curated wisdom,
the ferocity of our love,
our soft-boiled eyes,
our way of bearing our bones
to those who get close

the (hi)stories, the DNA, the surname

all of the skills
all of the lessons
all of the laughter
all of the memories

no “assets”

we were your biggest asset
and you left us us:
your chef-d’œuvre,
your magnum opus,
your greatest achievement:

you left us
us.

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life, poetry, prosetry

Morning after

A few years ago I used to get off on

drinking from the bottle

torn fish nets

bar flies who told me

little baby you look so young

then the apocalypse came

we ran out of liquor

bare legs grew chaffed

I felt every year

sometimes it takes a storm

to see through your own bullshit

and coming out the other side

look around for those who

held on

attracted to a pinch of sleeze

nothing too clean

if you couldn’t understand me

what was the point?

I’d rather you had lines around your eyes

showing trace of unbearable moments

than a smooth face

acknowledgement of our plunge into pain and its returned baptism

I’d rather a portion of sickness in your blood

than clean without trace

we smoked ourselves until we were ash

stayed up all night breaking beds with rocking pelvises

my nipples the color of damson wine and indigo bites

you hurt me in ways holding rapture of delight

your tattoos stung my eyes with the fierceness of needles

pushed too deep

don’t hold me to promises I can’t keep

you whisper in your sleep

and I was told I’d die at 50 once

so time is ticking down

Fat Tuesday for the sober

a turquoise kitchen clock

in some distant home

where people make their beds and leave their

dirt beneath the surface

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poetry, prosetry

In search

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Age crept up on me

it seemed sudden when I noticed

the lines on my hands, how

every joint had folds

mouths down turning ever so slightly

as if regretful on our behalf

we bathe in the sunlight of youth

for as long as we dare

sometimes untouched so we do not

know how much we should have used

the oiled machine of us

more

then one winter

when it has been longer than we can recall

we think of

desire

wanting to be

set electric

the mirror says

you should have used your time wisely

now you are like a line

growing less straight and thicker

about your waist

your mane of hair losing

heaviness

breath, a little mistrusting of gravity

I think of how I waited

all the time in the world

now hiding from inspection

unable to overflow

that girl who sat on her chances

should have leapt up

licked the sunshine

when it played over her smooth

untroubled skin

like a lover

in search of

secrets

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fiction, prosetry

Fear and a Spirit of Hateful Accommodation

Yes, all those things are lovely, but it’s boring when all is said and done at the end of the day eventually in the final analysis after all—indecision can be a like standing in the middle of field of lilacs and sometimes we simply say too much. Speaking of lilacs and sometimes, I don’t do well on the fly, too little meaning caught in too many words, with “do” and “fly” being the operatives here, deep down undercover with fake mustaches and mirrored aviators for obfuscation. We all know “well” well enough, or so I tell myself, to hold the sentence together with minimal disambiguation. The sentence—life, with no possibility of parole, unless you’ve got a little imagination. We all step away sometimes, needing to, receding to or from or for with grimy presumptions of stiff finality all around, creeping up the walls like rot till they seem darker than the corners and we can’t remember how or why we serve the question, but we do. Insistent on the peculiar merits of placement, I seem predisposed to point to the energy and the process like it’s blame I’m placing, not credit, clinging to rhizomatic enthusiasms rooted in contexts so specific and references so obscure that the truth can’t go unnoticed. The truth. What is this appetite for absolutes? Strip that away, and what—the positive qualities of illusion suggesting that the walls and corners aren’t in fact closing in, that they simply have spirit? Having seen it done and having done it, I strain to model myself on something definitive, over and over, ever and ever, ever stepping away to return all over, mumbling mawkish mantras like Destroy, and piece it back together but this time with gold at the seams. Kintsugi, yes? and how appealing, no, how improving, with an orange-juicer twist drop of idealism plus the pulp. Each answer is formed of countless questions, as variegated as the languages with which we pose them, so thus I ask: Do we spill because we break or does our spilling do the breaking because we get too full?

Everything has to go somewhere (that’s definitive-infinitive); there’s action in the outpouring, but I could see it working either way, or both, finding a comfortably uncertain trajectory regardless, whether of containment or release, a course, of course, if you will, running roughly from vulnerability to repair and so on, with voice, agency, embodiment, and destruction all packed in and cozy snuggled between. And so on, and back again. Till it breaks again and I’m back here on the fly again, going nowhere till it feels too right to not be the wrong words for a story.

I had a rough day, she said, barely holding back tears and looking smaller and more defeated than she’d ever permitted herself to look. A hug and kiss were proffered as preludes to a word or two of unconvincing edification as I, draped in coat and bags, walked out the door and down the hallway to the elevator and another hallway to the parking garage so I could warm up the cold little car with rust spots on the hood and drive cautiously through heavy nighttime snow already covering the highway despite evening weeknight traffic to a hotel way out west of the city where there was a meeting of the old white minds that I had to endure the following day. The following day arrived and I woke up from an uncomfortable half-sleep with the outlines of a migraine that would gradually color itself complete as I tried to take notes and look like I gave a shit in a windowless conference room thick with recirculated air and coffee breath, wanting only the essentials of sleep, hydration, and a proper breakfast. The rest—freedom, love, pain—would have to wait.

 


Originally published on Art & Insolence.

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art, fiction, life, poetry, prosetry, Uncategorized

Pure & broken

Emily-DiDonato-Nude-Narcisse-Magazine-Spring-Summer-2017-Cover-Editorial03Lie in bed

Child

Lest what stands beyond threshold

Threatens calm

Waking to the sound of winter silence

Clutching at inanimate objects

The seen friends who do not reply

Delve deeper into the mind

Where disturbance is held away

By merciful imagination

How long can a child

Pretend

And make-believe?

The sounds of fighting through the walls

Even the deaf hear

The crack in plaster grows wider

Each day carpet higher

Till jungle swallows child

Alone

Her own words ingrowing

Dance when no one is looking

For nobody did

Turned faces absentees

Hunger for attention

At first an annoying shame-faced thing

Then the end of longing

Acceptance

You placed me in a room of my own and said

Thrive

I did not

Instead

Half of me turned into plaster and chipboard and carpet fibers

And half climbed out windows and got lost

Letting her feathers be plucked early

By stranger fondling hands and false words

Prophet’s without prophecy

Girls born without reason

Growing in one ache

The silence their lover and their torment

Sliced in half

One, a creature straining to survive herself

One the albatross of finely dressed humans

Absenting themselves from responsibility

She says

You damned me

You shut me up

You expected me to thrive and grow in darkness and coal

As you closed the door and said entertain yourself

She switched the camera on and let them come one by one

Watch her fall beneath the lights

Mayhap dancer, mayhap pornographer

No words escape her

She moves her pain

Above you like light streaming down

Pure and broken into prisms

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life, poetry, prosetry, Uncategorized

Wordless & Spoken

1516979922624549-Helmut-newton-8

I looked for you

as my eyes squinted into fog

I saw your luminescence

a beacon lighting way forward

unwittingly becoming life raft

I tried not to cling to the wreckage

but swim deeply through water unafraid

did it matter what direction or where

I would end up?

without you there is a drowned map of the world

made of hide and slick with oil

if you look carefully you can see the outline

of where you drew your location

like a red circle with closed eyes I can

feel the pulse

drawing us ever closer and ever apart

a wave upon wave in an ocean of sadness

there was a time when I believed

we were separated only by

our will

and if we so desired

nothing could really keep us separate

a chain of silver running through water

linking us irrevocably

it helped to feel less alone with you at the end of myself

as if we were bound and raffiaed like Viennese masks

waiting for wearing to bring them alive

you possessed the key to my firmament

you lit beneath my intransigence a fire

through your eyes I was alive

my skin burning for your touch

driving fast down empty roads

your fingers playing splendor beneath my skirts

the bruise of hours

ellipsing sense

you my patchouli girl

rendering me senseless with your unexpected strength

painting our together with shades of unfolding passion

as if we were Bedouin and all we have is the tent of us and our journey

deeper into the delta of the other

where secret streams convey a woman’s urge

wordless and spoken

lying beneath the way to heaven

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