Uncategorized

Live again

The day I stopped feeling

It wasn’t a tap turned all the way to halt any drip

or wet socks left on radiator until cardboard stiff

through muslin sheet I felt a wistfulness

like poignant ending of a film

or sad story of someone else’s life

but you did not feel part of me anymore

when I touched your hand, it was flesh and blood

not a girl I was connected to

neither stranger, but some

distance stood solid like forging tree limbs

seeking electric charge from rain after storm has passed

I had moved beyond you without

marking the spot, I put down my heartache

this is surely the most human thing about us

our ability to keep going, not fall down and wither

knowing we are finite and fallen

watch a child lose a friend on Friday

gain another come Monday

grief is a litmus test

a sorrow we shrug on and eventually off

I convinced myself of devastation

when Tuesday brings change even as we don’t seek

it comes drawing out like elongated stretch

I never thought

I’d feel nothing

looking into your eyes

but you closed yourself off

In time, I began to look away

Into the distance

where the unknown glistened

like a mirage

of things bidden

by places within us

that say

O please

live again

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poetry

Savage Dance

The scythe told me

Your depression is a choice and a weakness

If you are a writer there are no excuses only

Discipline

The scythe is a girl who has long been a cruel woman

She judges me worse than I judge myself

Her reason lies in anger

Not the rumpled clothes sort

The burning brand of not getting what she feels entitled to

And that is me

I have told her

But she holds me close and afar and plays me with her passive aggression

I am not able to exit the game

Though it exhausts me and is

A sharp tasting whip

Sometimes it feels like

She captains my life and I am a boat

Continually drowned by stormy seas

People would say

It’s easy … just break the chains

Walk away

Tell her to go hang

Lose my number

Go fuck yourself

But I can’t do it

I have a matchbook heart

Strike me once

And I’m in it for the long haul

The perfect patsy

A groveling bullseye

It only reinforces a sense of self hate

Which she stirs with bolognese

Sadists are usually unaware

Of how much they practice their art

In every card game

She pinches, pushes and pulls

I am a lopsided puppet

The times I tried to

Go it alone

Ended badly

Sometimes the Devil

Is the only hand in the dark

And not many of us are brave enough to release all toes

Fall away without harness

Especially when it takes most of what we possess

Just to survive

So she has my life in her rubber bands

Every day she yanks me to my knees

With the nostalgic ejubulence of a professional killer

It is I fear

A form of savage dance

And only one of us will survive

Sometimes I catch myself wishing

She’ll go first

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life, poetry, prosetry

The hands of the lost

Sometimes

You pick the sinking ship

Recognizing within

Carousel parts of

Your own visit on earth

There is much wrong

In repeating mistakes or

Returning to well worn habit

When outcomes have proven they are

Dead roads and broken boats

It is not that you are

A martyr

Or even a fool

You do not wish

To bring yourself lower

But if you imagine life

As a well worn stoop

And whom you should feel

Most comfortable sitting there with

Then you will fathom

The type who finds themselves

Supporting the broken-down and

The fractured

For the sheer honesty of their response

And that well earned familiar

That you have known over and over

In the apologetic eyes of your own

And that trembling hand teaching through time

Asking you to

Be patient with my mistakes

There is something

Comforting and real

In a flaw

When all the city lights try to attain pearly perfection

Something you’ve never related to

Another language for

Early risers without grime stains behind their ears

The kinds who are punctual and routine

And do not make shoddy excuses for

Why they cannot lift the weight of the world

From their shoulders

People who may

Go on to take office whilst you seek

To survive and advance by understanding

What keeps the world turning

Which

Can be discovered

In equal amount

From the hands of the lost

As those who are found

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fiction, life, poetry, prosetry, Uncategorized

For as we live, we hide the place we found

In polite society, I was born before 1999 and know

You oughtn’t make mention of wanting to be fucked

Then behind your clean starched mask, you tilt wildly

Stringing sentences with unevenly matched Japanese pearls

Wanting to reduce the sauce and toss your marrow

Spilling on good clean table cloth

Pent up urges

Good girls with breeding

Even those with tattoos and bar bells

Have no karaoke for the need to be sexed

It’s unacceptable

Unless you’re a muse of Mira Nedyalkova

To show your keening before nightfall

If indeed there is a room for

The un-beautiful cast offs

Dampening their secret gyrate

When the door bell chimes

And lust must be folded against bedtime book

Empty beds, careless marriages

They stopped touching you, as the record ended

Scratching against needle in the sleeping dark of disinterest

Still you had unquenchable thirst

Standing by the window watching swallows gather force

You thought of your own lost voice and that place

Between your legs aching to be emptied

Of a bright star

Only women past the loving hour

Who do not possess tight arse and foals legs

Can hope for nothing better than a vibration of their own hand

Where did you come from then?

As I zipped myself into a drawer and prepared my flattening

The ache of years, a library of unread self-possession

So long the gaze averted in the mirror, I only saw

A ghost and the moonlight, casting shadows in drawing gloom

You paid me a kindness

Took my urges to the silent place beneath time

Where I was a girl again, wet against your silky hand

And I felt your mouth measure my climb

Into the breast of a cloud, oxygen deprived, no cry is heard

But the cymbals of holding back are loosed

Falling a great weight, your fingers entwined into my roots

I waited beyond my lifetime for someone like you

To open my need, pull me into you, set me free

For as we live, we hide the place we found

Ourselves that first time the sky splitting wide

Beneath the tree with fingers inside, stroking to climax

That unbearable feeling of being alive

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prosetry

To My Knees You Do Promote Me

As an act of living, everything I write is a little record of feeling alive, no matter the struggle or syntax, but there’s something vital about you and I wonder in my less presumptive junctures if it’s always and where it comes from.

With me, though, it’s always the same, taking what presents because I willfully—even dutifully—confuse the enunciation and usage and then later only finally later do I walk away to start over, inverse Indian-giving it back despite the scientific impossibility of doing so without some kind of receipt

—but this is not science it’s a synopsis of trivialities.

At dinner at the Italian Restaurant on Christmas Eve I overheard the establishment’s patriarch as he surveyed the bustling, clinking room say to the manager standing to his right beside him “it’s the way he carries himself, even fast like this, he has style” and when I heard it I felt alive and was reminded that I love living so much I’m afraid to let it out of my sight

—I must I keep watch, keep taking, keep giving, even if my motion turns more to speed than velocity.

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