poetry, prosetry, Uncategorized

Seeking us

ix_russian_ballet-1495132891m

Some prefer before it happens

that exquisite wait

predating intimacy

a languor of instincts

long nights imagining

how you will taste

can reality ever compare?

with the violent longing of what is imagined

a teasing elongation of want, unfolding

into one outstretched blossom.

I had closed down that part of me

craving clawing keening wanting

put a ‘for rent’ sign on my dancing shoes

hung up the coat of neglect where it belonged

still damp with tinge of youth

you told me it was that way too

with you

when the calendar said – you’re now beyond the hour

to feel, to need, the touch of age too close

resigning yourself to occupations of the mind

swimming in your stifle

then

we found each other

you were the girl I’d been seeing when I closed my eyes

I had this pendant about my neck called fate

it seemed to be firing blanks

there was no chance a lily pond girl with shining cheeks

would step my way

but I have dreamed of everyone I have ever taken to my bed

that night as the bluebird stayed wakeful, clacking into sepia

I dreamed of you, sitting on the mattress in my mind

turning your perfectly shaped neck

and in that turn I saw my beginning

again

as if you were waiting in many forms and only one

for me to pluck up my instruments of courage

fortune favors the bold

your blood already coursed in me

I knew your lips, your eyes, your shoulders

as if intimately

we had begun that deep warbled song of desire

I heard the sound of your violin mouth

closing and opening on warm rushing air

perhaps I was watching from afar

perhaps I stood behind you, our senses enveloping

the proximity of chemistry

kissing without touching the pulse in your wrist

in time you would start to look my way

stay the true course of our wandering

I heard your voice calling, I ran as fast as I could

as if all my life I had been training on needles

for this very moment to come around

languid and slow motion half dream like

before it happened I was already seeking us

in the needs I had, told to no one but

my imagination

who painted at night

the shape of you

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life, poetry, prosetry

Fantasy girl

37945898_225058491668746_2704218410081845248_nShe

has a fantasy girl

her fantasy girl

who is not hers at all

doesn’t know she exists

because existence is

overrated

like a star struck teen

or perhaps not at all like that

more a wreckage that has refused

to completely destroy

that last ember that says

please have some hope

things can be different

she climbs outside of the

mistrust and inability to believe

all the lies people have told her

in such a short life OH how many there were

she puts aside this giant reality

which of course in the real world she never could

because it’s proven itself too many times

to be the most real thing she knows

in this fantasy land

she trusts and believes words people tell

which of course would be suicide

if she wasn’t making it up

but here she is untouched

by the horror of trusting a promise

having it burn through your skin

into your oily marrow

as a lie

here, she controls the fluted outcome

and it is golden

her fantasy girl

you may not look at twice

walking down the street

she isn’t the beauty some of those

she shared a bed with were

she doesn’t have the tawny hair of girl 2

or the azure eyes of girl 5

or the coltish legs of girl 3

she doesn’t even possess

a particularly pleasing shape

or long neck or soft bottom lip

but she is incapable of deception

won’t lie even under pressure

isn’t going to tell you what you want to hear

or feel pressured to appease your query

she will

take you in her arms

and honestly give a damn

if she had scars

missing hair

ingrowing toe nails

threadbare clothes

faded underwear with stretched out elastic

and an unflattering sag

she’d be the best girl she ever let inside

where once there was only bleach and scouring brushes

from cleaning out heartache

now, she can open

the latched window to the garden

smell the chasing breeze of fresh air

knowing she’s not going to be burned in some

unguarded moment

like you feel when

you put everything into a bag

give it to someone and say

here, here I am, TAKE ALL OF ME

but be gentle, I am breakable

the person nods and promises eagerly

because they have yet to

try you out

but once they do and it becomes

an old thing, a worn thing, something

already accomplished

you are the yellowed paper

of yesterday’s fish and chips

tossed into a cold fast running river

sinking … sinking … sinking

she will take anything

even a sharp knife or a thick rope

or two fistfuls of pills and a warm oven

over that kind of destruction

where you feel scouged and robbed

of any ability whatsoever to

believe a single WORD

about love and forever and promises

they are the sticky gooey false

stomach sickening lies

that close your wind pipe

keep you vomiting over a dirty toilet seat

in your pretty dress you stupidly bought

thinking it would be such a lovely day

no let’s not return to that place again

even if it means giving up on

all of it

living instead

in the barrel of a gun

when you fire

you turn to

silver

 

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life, poetry, prosetry

The hands of the lost

Sometimes

You pick the sinking ship

Recognizing within

Carousel parts of

Your own visit on earth

There is much wrong

In repeating mistakes or

Returning to well worn habit

When outcomes have proven they are

Dead roads and broken boats

It is not that you are

A martyr

Or even a fool

You do not wish

To bring yourself lower

But if you imagine life

As a well worn stoop

And whom you should feel

Most comfortable sitting there with

Then you will fathom

The type who finds themselves

Supporting the broken-down and

The fractured

For the sheer honesty of their response

And that well earned familiar

That you have known over and over

In the apologetic eyes of your own

And that trembling hand teaching through time

Asking you to

Be patient with my mistakes

There is something

Comforting and real

In a flaw

When all the city lights try to attain pearly perfection

Something you’ve never related to

Another language for

Early risers without grime stains behind their ears

The kinds who are punctual and routine

And do not make shoddy excuses for

Why they cannot lift the weight of the world

From their shoulders

People who may

Go on to take office whilst you seek

To survive and advance by understanding

What keeps the world turning

Which

Can be discovered

In equal amount

From the hands of the lost

As those who are found

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poetry, prosetry

just deserts

If deserving matters then it must be a matter of not anti- but non-matter like aridity and openness and that’s all, starting there in minimal sparse-seeming but full life teeming and lit up neon sun subtle as whispered nothings meaning everything glowing warm in deep dark spaces after sunset words, following and preceding, follow and precede and sometimes most times in between persisting, arid and open, persisting to subsist and subsisting to persist sometimes barely more than barely, sometimes feeling only clinging for dear full life, at times clinging to and at others tumble-blown across parched surfaces but nevertheless delved deep with élan, don’t forget, delved deep and diving into mirage pools like we’re alive and barely there, really, ever, only sometimes passing through on no name horses, slow and sun-drenched and soul-scorching and feeling fooled for having hung hopes on lucky herradura, hopes that rain will come and come down and pour and run into all the cracks and ravines on time lapse like science and there’s nothing to do but slow down and soak up, soak in to exquisite, raw in between, never all but most, at least some, almost free from before and after, and at least we have that, at least, that to almost look forward to, at least at last, looking through heat wave distortions at far-off mountain horizons like backdrops dropped in to place us, to locate, offering a silent reference reminder that time thieves each seemingly motionless, progressless step toward away and stakes are high and rising, they say, with each moment traversing the sublime, teeming wasteland, they say, as if there’s a course or a goal in mind and the steps count but no matter, no matter that each moment of precede and follow might be the last in between, the last steps out away down and around where the jackalopes roam and electric desert butterflies flutter

out where eyes shutter snap capture dichotomies seen felt known in roam and flutter, sun to one side, clouds to the other and no idea what’s next for nom de plume I visible in cracked mirror and strung together, figurative-like like these figures of cacti and coyotes as silhouetted and representational as I am.

The desert we deserve—sounds clean-slated and Cartesian, something as if something for the first time something and you do, are, easing in and that’s why we’ve been found in the midst of the rainy downpour deserving desert season,

that’s why thunder and lightning strikes,

that’s why flash floods and grey-black skies

hopeful and daunting, promising something, promising relief and replenish, promising something big because you didn’t try to earn it and it just is just like you, rolling through, alluring lonesome you of the always undone and unfolding in between but not lonely, never truly but just meandering along beautiful and on occasion dashing for the cover of daydreams or standing in a swoon for exposed sky-watchings while I try to speak through storms we fully secretly believe we’ve caused, remembering storms I’ve been and bringing, been and bringing but no longer being, no longer being brought but just bringing and bringing everything

and I know I deserve—

but what?

The chance, right?

The chance, yes, because chance is all there is, mostly, the chance of the good bad everything in between with all its electric energetics behind it, coursing and moving and holding on for rainy seasons like these and I defy those who tell me it can’t be lived this way like deep desert crossings under storms rolling with pen name You joining me in visions of oases and real mirage mood pools for full life feeling, arid and open but soaking and soaking, soaking up here today and there tomorrow and all time felt in flutterbies and shutter-flies captured caught and for the time being I feel I’m no longer catching the heat of the devil’s kiss like I earned it.

And the grey-black and flashes and rumbles closer getting closer and the heavens part and down it all comes, with you.

 


This was written at the end of July 2016, published on Art & Insolence.

Standard
poetry, prosetry

with the demented enthusiasm of full-fledged existence

I am the monster lurking on the hillside, chased by something even more terrible. I am watching myself be the terrified monster. I am the mirror that sees clearly but refuses the truth. I am the shadow behind thin curtains at night, lenient light from an unseen source playing on the softly undulating folds, imagining essences, routinely absurd. I am the reality harassing works of art, browbeating them into mere signs.

If only I were the beauty in the things I see and touch and hear and smell and want. I am what’s left of my sense of humor.

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art, poetry, prosetry

On Art

[Free-written at the Tate Modern, London, 2015]

ONE

Art is about shaking things up,
subverting everything that is safe and familiar.
Art sends you a link to a video
of your cosy little norms cheating on you,
in your own bed, with a handsome amalgamation
of everything you loathe
and then when you cry about it, Art just shrugs.

Art is about,
“Shaking up the still”
“Art as an extension of the body”
“Describing without describing it”
“Disrupting the settled”
I write these things down as I wander through the collections.
I am not settled, I will never be settled.
I am disrupted, severely, unfortunately.
Settled. I do not know the meaning of the word:
this truth makes me feel unsettled.

TWO

I’ve been told before that I’m a work of art –
each person who has said this meant it in a different way –
it doesn’t matter how, not really –
subjective, objective, neither.
But if art is about disrupting everything that is settled,
what am I? How am I? How do you disrupt the already disrupted?
Can you break the broken?
Maybe it would be real, true, genuine artistry to settle the unsettled.
Perhaps to rectify the disturbed would mean to
uncover the masterpiece underneath.

But no. This canvas may look pretty
but still been stretched and abused and exploited,
stared at, gawped at, criticised.
The framework in the centre of this sculpture
has crumbled; I fold in on myself
because I can’t hold this brain up anymore
with of all of its heavy thoughts and mind-fuckery.
But as long as my outermost layer stays easy on the eye
it’s fine for me to be ugly inside.

THREE

Art may well be about disrupting the disrupted
a test, an experiment,
to see how much disruption the disrupted can take
before they break
another layer of paint
let the cracks show
gloss over it all
keep piling on the paint
like the pressure that we’re so used to…
am I talking about art or psychiatry?
You can’t hang me on a wall
if I’m hanging from a tree.

We are disrupted daily hourly
subconsciously subliminally
tirelessly
effortlessly
cruelly
above all, wholly.
We are entirely disturbed.
If art is about shaking things up,
I am the pre-packaged subject.
Life has rattled me, and
I am still shaking
recoiling from the things I’ve seen
with eyes, in dreams
running from my archive of deleted scenes
shuddering in my pathetic tent where I live
wedged
reluctantly
between the edges of some temperamental tectonic plates;
the tremors, the tremors, the never-ending tremors,
they are like noisy neighbours, disrupting me at all hours.
It is possible to disrupt those who are unsettled,
it’s just a little less easy.

FOUR

Nobody pays to see me anymore.
I am no longer part of the collection
although I am still on display
in a lesser, unassuming way:
I have morphed into a nameless metal figure on a toilet door
I am bald, I have a triangle dress
and all of my scars have been polished off –
plus, I have no eyes or ears,
so no more lies and no more tears.
No longer the exhibitionist I was before
when I was a whore
when I was adored
when I was unconscious on the ballroom floor.
Things are quieter now.
But I’ll never be settled.
No, never settled.
Forever rattled, never settled.

FIVE

If someone hears that I’m settled
they might decide to disrupt me
to shake me up
to make me into art.
My coffin in the ground
will be the grand finale
The cemetery will be the gallery
and people will come to see me again
not as a life form, but as an art form, immortalised.
A masterpiece that’ll take the art world by storm
see here, one who was ultimately unsettled who now lies settled!
My body in the ground
six feet under
a cheapo headstone bearing the official details
of one of my various personalities
some yellow roses, a pack of JPS and a vodka miniature
perhaps some rain
My most disrupted self, finally settled
The opposite of art
This final installation is named
“Girl, died
in pain,
in vain,
in sane.”

Maybe then
Art will seek to settle the disrupted
before it’s too late.

SIX

It is probably the case
that art saves more lives than psychiatry.
But when you’re standing graveside saying
what a waste, what a waste,
you won’t think of my soul at all
you’ll just think of my pretty face.

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poetry

Effigy

When asked

Why did you burn the candle so hard?

She could have said

Running from myself

Sprinting from emptiness

Falling into a comfortable void

Embacing the unwashed boys and heroin eyed girls

Their empty bellies and mouths of hurt

Rolling her razor hips to electronica

Slack red mouth and mocca skin

Racetracks in silver running like rivers along her wrists

She inhabited sound as a moonstone glows brightest in darkness

Teaching me to welcome letting go

Whispering, stop the neglect eating you 

Slip into me

This injection of freedom

Two red lipped matches rubbing against skin

Taste the sulphur, inhale till you can catch dragons tail

She liked to dip her toes in fridgid water

Mastering length of endurance like a tightrope walker

Her strength wound tight like tigers breath

How can you emerge from such a world?

Returning to normalcy as a virgin loses blood

Forever changed

I still glance up, a little too fast

When I hear fast footsteps run across my heart

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