life, poetry, prosetry, Uncategorized

Glinting yet unswept

jump

you and I

were never meant to age

or get sick

or fall apart like a moth will when you

touch its wings, rub off the magic

you and I

were supposed sway in the assurance

of that hot gaze we both had

it was as if the world were stopped

on its axil and only we two remained

entwined around the other like long grown ivy

from the first moment it was that way

affixed by some kind of telepathy where

even as the storm attempted to separate

we always came back

like magnets repelled and attracted

will find their centering

when I looked up

you were my first thought

in every aspect of life

I lived with you

to imagine this has shattered like a glass

unable to be mended, leaves behind shards of itself

glinting yet unswept

to prick the foot of unsteady walker

a reminder of what is fractured

what cannot be saved

I never thought it possible, to rinse you from my heart

or that I could truly exist without you

hinging my world

but there are some violences

there are some moments too ruined

and my shame in not knowing earlier

how long you had given me up

that undo even the strongest bond

so now, when I feel alone

I do not find myself yearning for you

when I wish to be touched

it is not you I imagine or want

when I cry over us

it is not with a full heart

or even bitterness

but something cold and twisted

that cannot quite remember feeling

it has done the unimaginable

and stopped calling out for you

(One Promise

when you had spent

eight life times and

nine nights

ten turns of moon

one promise

convincing me I was

yours

to want to throw myself

off the bridge we often walked

when your eyes told me

you had given up

was it presumptuous

when you had spent

all my life and half of yours

teaching me love

and its poetry

only to decide when something died

and kill it

headless and bleeding

there in the street

where pointing

people gaped and wondered

who is that girl

climbing the rail?

where is she going?

there she falls)

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poetry

Savage Dance

The scythe told me

Your depression is a choice and a weakness

If you are a writer there are no excuses only

Discipline

The scythe is a girl who has long been a cruel woman

She judges me worse than I judge myself

Her reason lies in anger

Not the rumpled clothes sort

The burning brand of not getting what she feels entitled to

And that is me

I have told her

But she holds me close and afar and plays me with her passive aggression

I am not able to exit the game

Though it exhausts me and is

A sharp tasting whip

Sometimes it feels like

She captains my life and I am a boat

Continually drowned by stormy seas

People would say

It’s easy … just break the chains

Walk away

Tell her to go hang

Lose my number

Go fuck yourself

But I can’t do it

I have a matchbook heart

Strike me once

And I’m in it for the long haul

The perfect patsy

A groveling bullseye

It only reinforces a sense of self hate

Which she stirs with bolognese

Sadists are usually unaware

Of how much they practice their art

In every card game

She pinches, pushes and pulls

I am a lopsided puppet

The times I tried to

Go it alone

Ended badly

Sometimes the Devil

Is the only hand in the dark

And not many of us are brave enough to release all toes

Fall away without harness

Especially when it takes most of what we possess

Just to survive

So she has my life in her rubber bands

Every day she yanks me to my knees

With the nostalgic ejubulence of a professional killer

It is I fear

A form of savage dance

And only one of us will survive

Sometimes I catch myself wishing

She’ll go first

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life, poetry, prosetry

The hands of the lost

Sometimes

You pick the sinking ship

Recognizing within

Carousel parts of

Your own visit on earth

There is much wrong

In repeating mistakes or

Returning to well worn habit

When outcomes have proven they are

Dead roads and broken boats

It is not that you are

A martyr

Or even a fool

You do not wish

To bring yourself lower

But if you imagine life

As a well worn stoop

And whom you should feel

Most comfortable sitting there with

Then you will fathom

The type who finds themselves

Supporting the broken-down and

The fractured

For the sheer honesty of their response

And that well earned familiar

That you have known over and over

In the apologetic eyes of your own

And that trembling hand teaching through time

Asking you to

Be patient with my mistakes

There is something

Comforting and real

In a flaw

When all the city lights try to attain pearly perfection

Something you’ve never related to

Another language for

Early risers without grime stains behind their ears

The kinds who are punctual and routine

And do not make shoddy excuses for

Why they cannot lift the weight of the world

From their shoulders

People who may

Go on to take office whilst you seek

To survive and advance by understanding

What keeps the world turning

Which

Can be discovered

In equal amount

From the hands of the lost

As those who are found

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poetry, prosetry

fading out under the ashes of the night

For the child, time stretches out immeasurably in all directions, and it’s as if nothing more is needed than unencompassed possibility. A little blonde girl walking down the sidewalk with her father makes eye contact with me as I sit myself down in the couch by the window in the deepening sunset evening to read. She gives me the warmest little girl smile and a friendly wave as if fanning simple kindness my way through thick summer air and I hear her say “the neighbor” to her dad over the cicadas’ divertimento, without hearing what came from him. Did she come from him? I wonder about her future, and, in doing so, think back to what was once mine and I remember the way it looked from the interior, seemingly infinitesimal like looking up at stars projected on the dome of a planetarium. For some of us, the ceiling is just another direction. For others, it’s a destination.

My friend has been dead for six years though I only found out today and I’m not at all sure what kind of friend that makes me but I am certain we once shared dreams like young friends do of being more than where we came from. Some nights are defined by lack. Some nights are just thoughts. Some nights are like tonight.

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life, poetry, prosetry, Uncategorized

She predated the moment of her autopsy

1234908_469437609824109_1609513967_nWhat you don’t know, can’t know, won’t know

is she flushed it all

and now she’s ten pounds lighter

no womb

no baby

it’s been carefully dissected and left for students

to place in formaldehyde and trot out when exhibitions

are in town

rather like her

with her avuncular spirit that even when pissed on

from a great height

keeps joining the circus

you wouldn’t have wanted her if she was the last girl in the room

and she was and you didn’t

but fornicate you did

the way young skin seeks anything for a thrill

even the mildly disgusting

where did you get the scar? you asked without needing a response

but she told you everything, the whole dirty bag of it

because she wasn’t going to last. and you

weren’t going to listen

when they came knocking on your door

inquiring if you knew her

at first you said no, I haven’t heard that name before

but of course you hadn’t, you never asked

she didn’t volunteer much besides

the opening and closing of her legs

scissors chopping the thin thread

they showed you a photo

someone who had light in their eyes

not her with darkness on her breath

but it was

those scars

the dissected girl who was cut open

and *audience cheers*

found to be empty

of life

she predated the moment of her autopsy

with a slow smoked cigarette and some warm cum

leaking between her legs

giving her the courage to believe she’d been alive

before she fell like a weight seeking reclamation

the air rushing and pulling her down

to where she lay in an impression of sleep

I don’t know why she jumped, you said

feeling no guilt for nameless sex

it was just two consenting adults

hooking up after a night of drinking

I couldn’t even tell you anything about her

other than she didn’t say no

he closes his eyes and he feels her hands

touching his shoulders softly

pulling him inside her as if she were

hungry and full at the same time

no I didn’t sense that she was sad

or wanted to take her own life

I smelt her perfume it was

like flowers

left in water

too long

 

(photo credit: Nona Limmen)

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life, poetry

Crash

In the split second / Before we crashed

I finally discovered / What it feels like / To be alive.

It is a peculiar existence / For those of us

Who only feel alive / When on the cusp of death.

In the minute / Before we crashed

He took off his seatbelt off.

He was not afraid of death / For he was alive / And he knew it.

He had lived for a long time / And had been alive all the while.

Death can do a lot of things / But it can’t undo

All that living.

And Death knows it.

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art, poetry, prosetry

On Art

[Free-written at the Tate Modern, London, 2015]

ONE

Art is about shaking things up,
subverting everything that is safe and familiar.
Art sends you a link to a video
of your cosy little norms cheating on you,
in your own bed, with a handsome amalgamation
of everything you loathe
and then when you cry about it, Art just shrugs.

Art is about,
“Shaking up the still”
“Art as an extension of the body”
“Describing without describing it”
“Disrupting the settled”
I write these things down as I wander through the collections.
I am not settled, I will never be settled.
I am disrupted, severely, unfortunately.
Settled. I do not know the meaning of the word:
this truth makes me feel unsettled.

TWO

I’ve been told before that I’m a work of art –
each person who has said this meant it in a different way –
it doesn’t matter how, not really –
subjective, objective, neither.
But if art is about disrupting everything that is settled,
what am I? How am I? How do you disrupt the already disrupted?
Can you break the broken?
Maybe it would be real, true, genuine artistry to settle the unsettled.
Perhaps to rectify the disturbed would mean to
uncover the masterpiece underneath.

But no. This canvas may look pretty
but still been stretched and abused and exploited,
stared at, gawped at, criticised.
The framework in the centre of this sculpture
has crumbled; I fold in on myself
because I can’t hold this brain up anymore
with of all of its heavy thoughts and mind-fuckery.
But as long as my outermost layer stays easy on the eye
it’s fine for me to be ugly inside.

THREE

Art may well be about disrupting the disrupted
a test, an experiment,
to see how much disruption the disrupted can take
before they break
another layer of paint
let the cracks show
gloss over it all
keep piling on the paint
like the pressure that we’re so used to…
am I talking about art or psychiatry?
You can’t hang me on a wall
if I’m hanging from a tree.

We are disrupted daily hourly
subconsciously subliminally
tirelessly
effortlessly
cruelly
above all, wholly.
We are entirely disturbed.
If art is about shaking things up,
I am the pre-packaged subject.
Life has rattled me, and
I am still shaking
recoiling from the things I’ve seen
with eyes, in dreams
running from my archive of deleted scenes
shuddering in my pathetic tent where I live
wedged
reluctantly
between the edges of some temperamental tectonic plates;
the tremors, the tremors, the never-ending tremors,
they are like noisy neighbours, disrupting me at all hours.
It is possible to disrupt those who are unsettled,
it’s just a little less easy.

FOUR

Nobody pays to see me anymore.
I am no longer part of the collection
although I am still on display
in a lesser, unassuming way:
I have morphed into a nameless metal figure on a toilet door
I am bald, I have a triangle dress
and all of my scars have been polished off –
plus, I have no eyes or ears,
so no more lies and no more tears.
No longer the exhibitionist I was before
when I was a whore
when I was adored
when I was unconscious on the ballroom floor.
Things are quieter now.
But I’ll never be settled.
No, never settled.
Forever rattled, never settled.

FIVE

If someone hears that I’m settled
they might decide to disrupt me
to shake me up
to make me into art.
My coffin in the ground
will be the grand finale
The cemetery will be the gallery
and people will come to see me again
not as a life form, but as an art form, immortalised.
A masterpiece that’ll take the art world by storm
see here, one who was ultimately unsettled who now lies settled!
My body in the ground
six feet under
a cheapo headstone bearing the official details
of one of my various personalities
some yellow roses, a pack of JPS and a vodka miniature
perhaps some rain
My most disrupted self, finally settled
The opposite of art
This final installation is named
“Girl, died
in pain,
in vain,
in sane.”

Maybe then
Art will seek to settle the disrupted
before it’s too late.

SIX

It is probably the case
that art saves more lives than psychiatry.
But when you’re standing graveside saying
what a waste, what a waste,
you won’t think of my soul at all
you’ll just think of my pretty face.

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