life, poetry, prosetry

The hands of the lost

Sometimes

You pick the sinking ship

Recognizing within

Carousel parts of

Your own visit on earth

There is much wrong

In repeating mistakes or

Returning to well worn habit

When outcomes have proven they are

Dead roads and broken boats

It is not that you are

A martyr

Or even a fool

You do not wish

To bring yourself lower

But if you imagine life

As a well worn stoop

And whom you should feel

Most comfortable sitting there with

Then you will fathom

The type who finds themselves

Supporting the broken-down and

The fractured

For the sheer honesty of their response

And that well earned familiar

That you have known over and over

In the apologetic eyes of your own

And that trembling hand teaching through time

Asking you to

Be patient with my mistakes

There is something

Comforting and real

In a flaw

When all the city lights try to attain pearly perfection

Something you’ve never related to

Another language for

Early risers without grime stains behind their ears

The kinds who are punctual and routine

And do not make shoddy excuses for

Why they cannot lift the weight of the world

From their shoulders

People who may

Go on to take office whilst you seek

To survive and advance by understanding

What keeps the world turning

Which

Can be discovered

In equal amount

From the hands of the lost

As those who are found

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art, life, prosetry

On Writing & Suffering

Pain depends on me to be its host:
suffering is the needy child,
and I’m the parent who never says no.

*

As long I write, the pain is necessary. If I stop, the pain becomes unnecessary, pointless, all for nothing apart from what it is, which is inherently bad. I am a hostage, and if I stop transforming the pain into something better I will essentially be throwing away all chance of survival: I will not make it out alive, merely allowing myself to become another casualty of a sinister, seemingly unstoppable higher power who tortures me daily even though I have nothing to reveal, nothing it wants, nothing it needs. The pain becomes sheer cruelty with no objective other than to destroy me. As long as I write, I stave it off, I delay my death day. The narcissist in me likes to think that my torturer is secretly looking forward to reading what I write next.

*

I don’t invite the badness but once the pain decides to stay, it becomes hard to turn it away. The pain of unhooking it from my skin is enough of a deterrent. Easier to let it stay: less bloody that way. So I turn it into something else – something creative, perhaps even something beautiful, or helpful. I try to, anyway.

*

I’ve been given a life sentence.
I’ve been punished, blacklisted, labelled evil.
But it’s not me. It’s not me.
I’m not the villain.
It’s my mind!
My mind is the guilty one.
I’m not the evil one, my brain is!

My decisions are not mine to make.
My actions are not mine to take.

Everyone called it “attempted suicide” but it wasn’t,
it was attempted murder, my mind tried to kill me,
it was my mind, it was my mind, not me!
My mind is the one that did it!
Why can’t you see?
Don’t you believe me?
I have proof.

*

And the evil things that it does to me, all that badness, I try desperately to turn it into something creative, into words on a page. All of these filled notebooks, all of these poems, all of these scraps of paper: the proof. The proof. The proof that I have suffered for two decades, against my will.

*

Writing feels to me like an attempt to prove my innocence. They all have me down as guilty and I’m stuck on death row. My execution date is drawing ever nearer and writing is my last ditch attempt to prove my innocence. It feels like gathering evidence from the confines of my cell and presenting it to my unsympathetic lawyer:

Look.
Look at how I’ve been tortured and beaten and terrorised.
See?
Look at all these years of misery.
You’ve got to listen to me.
I deserve to be free.
I’ve done nothing wrong.
My mind made me do it, made me do all of it, and all of the stuff that I didn’t do, too. They’ve got it all wrong.
Look at all this pain.
Look at it.
LOOK AT IT.

But it’s too late. I myself have been forgotten, and only ever remembered as mad, sad, bad. I stay locked in my cell, sharing a skull with the real danger, a bed with the real monster. I swallow my pills and eat my greens and am polite to those unfortunate souls whose jobs have led them to encounter me, the ones that are always unable or unwilling to help me, the ones who have written me off as mad, sad, bad, bad, bad. I play sudoku and collect smiles of pity. I keep writing and suffering, collecting my evidence. I suffer and I write, night after night after merciless night.

*

I dream of my grave and always smile when I see it. You dream of your name in lights, I dream of mine engraved on a marble headstone. Sometimes it says I died in 2008, sometimes 2015. It varies. The stone is always clean, polished. Someone’s been looking after it. Lush green grass has always grown over me perfectly, evenly, even beautifully; the first true natural equilibrium that has ever befallen me. The world is a better place. I smile until it hurts my face.

Upon waking from my latest grave dream, I reach for the box of evidence that is stowed under my bed. I unlock the box for the first time in a long time, so long in fact that I almost forget where I’d hidden the keys. Starting in 2003, I begin to read. Even though it is my own story, I am shocked at what I read. Look at all this pain. Look at all this trauma. Look at all this sadness. Look at all this writing. Look at all this suffering. Look at it. “Look,” I say to no one. “LOOK.”

*

My biggest regret is taking myself for granted. Appreciate your intelligence, your personality, your abilities, your beauty. You may wake up one day and find that your own brain has decided to take all of your goodness away.

 

 

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poetry

Deep

You, me, empty beach
Lukewarm tea in polystyrene
Secret thoughts cast out to sea
On broken glass you fell asleep
I whispered, “Don’t follow me”
And swam ’til I was out of reach
Further from you
Closer to me
To madder ideas than you could ever conceive
And thoughts that are deeper
Deeper than this, deeper than me
To the might haves and the has beens
To separate futures and choreographed smoke screens
Your love for me like seaweed
Wrapped around my ankle, trying to kick you free
And then: a sudden clarity of mind and I decide
That comparing my moods to the changing tides
Is too benign, too simplified
You should think of me, really,
As all of that exasperated energy beneath
The kind that riles in whirlpools, in eddies
In tsunamis, in bed sheets
Or as a simple pebble that you choose, hold, and then throw back
Into the same situation from which it has just escaped
The harsh worn smooth, gradually
Your voice slowly eroding my sharp parts, the ugly,
The physical extensions of a psyche permanently lost at sea
How many years would it take for you to file down my edges
To wear me down with hits and kisses and all those near-misses?
I tried to drown but the ocean just spat me out
And out and out again
I emerged from the deep
Freezing
Free
Too shocked to speak
Bone-dry by the time you woke up and looked at me
You didn’t ask me where I’d been
You didn’t even know I’d left
But the next time I leave
You’ll notice,
Believe me.

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fiction, photography

CHEAP HOTEL

Chris R-0067 Image by Christine Renney

I lay back on the unmade bed and stare up at the ceiling. I trace patterns in the damp, find faces in the decay. Alien and immobile they stare back.
I have lost track of time and am unsure how long I have been here in this room. How many days have I managed to lose, writhing on the thin white sheet, trying and failing to grip the mattress beneath.
My mind is a cavernous blur and in my listlessness I have left no markers. I haven’t been reading and can’t add up the pages or count the stories.
I realise I am hungry, painfully so. I push myself up and, twisting around, I sit on the edge of the bed. I place my feet on the ground and clutching my stomach I gaze down at the carpet. But it is a good thing – this wanting, a need for something other than alcohol. But have I been here too long, for longer than I can afford?
And what will I do if and when my credit card fails.

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poetry

Sandwiches

No, ​I don’t mind making the sandwiches

for our piss-up picnic in the park:

it’s strangely satisfying to slice

the cheddar for your Ploughman’s

using the same knife I hack

away at my wrists with, the one I keep

hidden up my sleeve on days when I’m

not safe in my own skin, the one I sleep

with on nights when you’re away and I don’t

trust my own heartbeat, the one I reach

for when I need clarity to shine through the insanity,

with its unfailing black handle and mirrored serrated blade.

Honestly, I don’t mind making the sandwiches

at all, babe.

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