poetry, prosetry

Parapraxis

I worry that you lie awake beside me
Listening to me breathe
Wondering with whom and where I’ve been

And I am afraid that it’s his name that I speak
Aloud in the dark
When my brain is steeped in drunken reverie.

He features so regularly now
That the odds of his name escaping from my mouth
Are stacked against us on the nightstand

With the unread books,
The stolen looks
And the conversations you don’t know we have.

*

Does his name hang above our bed,
A mosquito net with human-sized holes in it?
Have my drug-induced murmurs hurt your heart,
His name a subconscious stab in the dark?

*

When I wake from my drug-addled sleep
Your side is empty, you have already gone.
I don’t know what damage has or hasn’t been done,
But I send you a message saying,

I had horrible dreams last night 😦

Hoping that if indeed I did say his name aloud
You’ll think that it’s all okay
Because I meant it in a bad, bad, nightmarish way.
But really,

I think my dreams about him are horrible
Because they’re not reality
And I really want them to be.
(I’m so sorry).

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prosetry

And We Return To The Earlier Discord

When was the last time I just watched rain fall without feeling the need to be understood on others’ terms? In youth I learned to notice and, like you, I learned silence from the talkative, flipping back and forth between metaphors and delusion leaving snowdrifts of sawdust in my head because nothing is traceless. Nothing is traceless—I say it twice for double meaning, leaving less to the imagination, sickened as I am by our constant struggles over goodness, as ridiculous as the time I traipsed through NYC in flip-flops feeling perfectly alien and all in.

Not wishing ill but feeling it, Styron feared feeding the evil person within and therefore starved himself by swallowing his perceived failures and eschewing the sustenance of his success at touching people, for better or worse. There’s such a thing as writing to prove your sanity, I confess. I was the one who killed them, he and she, the two of us, perhaps, but it was only a dream and in the dream I stood hesitating in a small room of a three-steps-down-from-the-street garden flat with my finger on the trigger of a gun that belonged to someone, a gun which had just a moment before put a bullet in her. I pointed the gun at him as if to say here please take this before there is no going back to prove anything, counterfactualizing the past before it happened and that loathsome duality was rendered single, killing me.

We left the bodies in the bathtub and I left by the back door, plunging into the dark, blue-green water of the small harbor there, alone. Submerged, I opened my eyes to navigate the subaqueous opacity, white boat hulls floating above, a forest of black dock pilings all around, and green seaweed rising from below slowing the going as I swam through the underwater labyrinth of my final moments of freedom without coming up for air or needing to. Now, I wondered with resigned disillusion, how to negotiate the terms of my latest armistice: wonderment, fear, and awe, all in the same held breath—that’s the future, gray, my second favorite color, though more so from familiarity than appeal. Gray is cover and blend, possibility and lack, the native hue of indecision and liberation. Give me blue or absence, all in or all out, I thought, kicking my foot flippers to keep from sinking deeper into darkness and pulling myself forward with cupped hands, anything but this in between, clutching both and going nowhere, on the run from the ghosts of us.

This, here beneath, is both my refuge and my pulpit, where I float and drift through embryonic muteness, where my voice bubbles and rises to the surface, giving me away, a blessing and a curse. Soon, my body will follow, ill-made as it is for such environs, and I will rise while there’s still time, still time, time still to believe in the strange virtues of freedom and evasion within the context of an undetermined certainty that our days are toe-tagged and body-bagged and on those tags are the names of our teachers and the volume of our ingratitude, right down to the last gasp of asking why we can’t stay.

It’s windy tonight, and fateful. The trees sound glad. If they were more consistent, they’d sound like the sea, I think, and I feel it: be happy, choose to be, choose rare, true, and free.

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prosetry

groping for attention’s instruments

Have you ever fallen for someone at the sound of their voice? No, he said. But I’ve created it. Sometimes you need something, so that’s what you do. It’s not always good, mind you, maybe not even often. Be excited, though—that’s why thoughts end up meaning so much. Enlightenment is not just caring whether what you do is of any value, it’s acknowledging that it probably isn’t. The things that sidetrack us online reveal what we’re really after anyway.

I was looking for a video of Derrida describing the moment before sleep when he’s the closest to truth but found myself searching sheepishly, distraction-blind to the thread of thoughts between, for a skeleton I’d kissed in a dream standing on a plateau beneath a giant sky, taken by my dream-lack of astonishment at the absolute-ness of her fleshless recognizability and acknowledging the parallel impossibility of knowing whether I’d actually found “her” and couldn’t hear her “speak,” settling instead on a strange and roving spellbinding “piece” about apparitions, fodder for more to make.

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prosetry

Context

I woke up and my face was bruised and a front tooth broken half off and I couldn’t recall a thing. Then it came the way fear does that I’d just seen a man I knew get fired without ceremony or ostensible circumstance and all I’d done was walk along beside him down the anywhere corridor in some kind of semi-nosey, commiserative gesture of shoulder-patting reprieve though the shoulder-patting was completely figurative and the reprieve quite literally limited to two widened eyes and one furrowed brow of neighborly inquisition since I had no idea at all what a plain person in my shoes—or his—might do or how they’d lace them because mine had been criss-crossed and tangled since birth.

And I wondered without asking why he’d been canned with such abruptness while my lowly station I for the moment did appear to retain and I couldn’t shake the pesky sense of at least maybe somehow even more than partial responsibility, as if my existence within the situation we by nothing, I to myself insisted, more than chance shared meant—and by “meant” I mean “equated to”—complicity, apologetically aware as I nevertheless couldn’t help but be of looking down on him from sheer stature though surely many’d say it was in fact a more emblematic sort of looking down from some manner of privilege, relative, menacing, atrocious privilege poking through readymade apertures of irony, privilege which (they’d say) my privileged subconscious conveniently misunderstood as owing to certain innocuous superficialities of appurtenant physiognomy and meaningless coincidences rather than the harder, deeper-buried archetypal essences on which our fates are veritably determined, thinking it could’ve been me but it wasn’t me it was just he.

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prosetry

Scenescence

My dad was sick and we were trying to get the house ready and a cow got stuck in a tree and we thought we might have to put it down before it died up there and our only help was a young man like a young woman with whom I once worked who couldn’t be counted on for shit and the house seemed SoCal, the land of now.

I said, to no one in particular, that this was like “jumping from the pot of absurdity to the fire of the ridiculous” and the young man turned to me like I’d caught his cheek with a fish hook and pulled hard so I said one day you’ll read that book and it’ll change your life and threw him back into his babbling brook.

My dad didn’t make it because none of us do, but we did manage to get that cow down once the world turned back over to ordinary believable neological sensicality and, everafter, we made our truth of the whole thing simply by telling it, each and every time he came back to the house to see me. Remember when… And he’d pour me another, a look of deep, melancholic tenderness spread evenly across his kind face, and tinged with a sorrowful pity of which I was always sure he was never aware.

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poetry

Flow

Esmeralda, how much of what we do is out of fear of humiliation?
I fill people up with my secrets like little pools and walk away
when I can no longer stand to see what they reflect.

All I ever wanted was to make it out of Texas out of that dream
like Texas vast and hopeless where I dropped my last two pills
in a sink full of dirty dishes and couldn’t fish them out.

Make it to the land of sea and sand and sunshine, to paradise,
where you dance like in the stories. So I can remember my name
and all the nights from all my past lives will have been worth it.


Originally published on my personal blog, Art & Insolence, back in May. Sorry to be a self-recycler (again) but I don’t have any new bits done today and I like this one.

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