poetry, prosetry

She, in September

In all of her dreams
you are in trouble.

There is something about being in hospitals that makes her feel disgusting. The dirty handprints on the wall. The bloody cannula on the floor. The sticky plastic mattress. The smell of piss. The torn up tissues. The stranger’s identification wristband. The words WHY and HELP scratched onto the unopenable opaque window. The cameras in the corners with their blinking red lights. The stupid electronic calendar above the heavy locked door that said THURSDAY EVENING 18:12 PM 26TH SEPTEMBER 2019 26/09/19. She watched it change from morning to evening, and believed it was 2020. Also, the soap dispenser in the toilet was broken, but she couldn’t pee anyway because they were there at the window, watching her.

Who the fuck wants to live forever???

“I’m seizing up over here, I need my meds.”
“Okay I’ll call the doctor now, he’ll be with you in a moment.”
The doctor never came, the medication went untaken,
the seizures seized in her until she seized no more.
She woke up on the dirty floor.

She was fighting the men for 7 hours.
Apparently, it only lasted 40 minutes.

“What a strangely designed chair…”
“Yeah, it’s called a Rhino chair,”
“Why?”
“Well, it’s filled with sand so it’s extremely heavy,” says Claire or Cat or Clara or Cathy as she struggles to drag the chair into the cell, “it’s supposed to make the chairs harder to throw.”
“Oh,”
“People still manage to throw these chairs around though. You’d be surprised,”
“No, I really wouldn’t.”

Her town: all snakes, no ladders.

He brought her paper and a pen, knowing she’d want to write.
It was the single nicest thing he had ever done for her.
These items were not allowed anywhere near her.
He tried. She cried.

“So it says here you took 16 tablets, is that right?”
“Sixty.”
“Sixteen…”
“No, sixty.”
“Sixty?”
“Yes, sixty.”
“Sixteen?”
“SIXTY.”
“Look, if you’re not going to cooperate with us…”

Lightning on the left strikes the garden shed thunder above her head rattles in her bones purple toenails in puddles perfect rage enveloped she is cold and afraid and this doesn’t feel like home this doesn’t feel right this doesn’t feel safe but where else can she go?

Please just tell her that she’s gonna be alright.

She has never been so relieved to stand at the bottom of Highgate Hill, a sobbing Sisyphus with holes in her socks and shakes in her veins. She feels fizzy. When she was 18 she burnt her fingertips off. Her body is fizzing under its skin. On her 21st birthday she set her hair on fire. She spilled everything and she’s still not empty. She wore black to your wedding and will wear red to your funeral. Psht <<< that’s the sound of a can opening. North London has never looked so ______________. She thinks of you often and she hopes you are okay because you are not okay in her dreams. She feels fizzy and she is outside. She is outside and she is free.

She opens her notebook. The last entry says, “I lied. Apparently.” Then it’s just empty pages, a crushed Mayfair cigarette and a police memo with a phone number on it.

She is out. She writes:

I no longer have any faith in anyone, in the human race.
I need to leave, to escape, to find goodness again,
somewhere, in someone, anywhere but here.

She keeps doing things that are “out of character.”
She is too many characters.
She is full of villains and disasters.
She’s forgotten how to play the role of her self.
She’s lost the script.
She can’t be bothered to look for it.
(She is not even sure that such a script exists, because apparently, she lied).

They were there. They were real. She saw them with her own eyes.

She lied, apparently.

She didn’t lie. She saw them she saw them she saw them with her eyes.

She’s finally doing it, finally doing something for herself. She’s going to Mexico. Somebody said that she is “running away” to Mexico. She knows that her problems will wait for her in London, but she hopes the trip will make her soul feel better, stronger, less broken. She doesn’t recognise her self these days—she didn’t recognise any of them.

Death is a disappearing act. She thinks she will come back but she also thinks that nothing is ever certain until it is. And even when you are so fucking certain about something, like you’ve never been more certain about something in all your life, somebody will call you a liar and tell you that you’re mad.

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life, prosetry

On The Cusp

No bright light, no tunnel, no montage of childhood memories or “best bits”, no soundtrack, no loved ones, no dead relatives, no angels, no God. Just blood and guts and chemical reactions and la chamade and then             .

A freight train gradually slowing down, the application of the brakes, finally grinding to a total halt after a couple of miles. Careering forward towards that stop with no way to stop the stopping.

No thoughts. Inability to think about anything. Only able to feel your body in its entirety, the weight of it, its structure, how you [have always] live[d] inside of it. Heartbeats and skin and bones and muscle and fat and blood moving. You feel exactly where your organs are housed: they’ve always worked so hard without you asking them to and now they are slowly, slowly shutting down (over 1 minute? 10 hours? 2 days? you will never know and it doesn’t matter because time isn’t matter so it doesn’t die).

No control. You cannot think, so you cannot will your body to fix itself or will it to speed up the process. No cerebral functioning, at all, only corporeal dysfunctioning.

Feeling your body in a way that you have never felt it before. Such heaviness in your limbs. Your spine weighs a tonne. Your muscle melts off of you like ice-cream and then sets around you like concrete. Weight weight weight, the weight of your matter, and gravity keeping you tied down in whatever position you decided was your last, stuck in that way, feeling your body dissolve, feeling yourself falling off your bones. Unable to open your eyes. No thought to even try.

No sound, no background noises, no internal monologue, no voices, just nothingness, a vacuum, a black hole located in your centre, where your sternum ends, right between your floating ribs. No fight, no struggle, just being: you are in your body and it is slowing down, bit by bit, over an incomprehensible period of time, until it stops completely.

The brain does not go last, as we have been led to believe. The brain goes first. You cannot think, you cannot do. You just be until you stop [being]. The heart goes last. Dying is not peaceful or scary or wild or magical or painful. It just is. Like you just are and one day, you won’t be.

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fiction, prosetry

Fear and a Spirit of Hateful Accommodation

Yes, all those things are lovely, but it’s boring when all is said and done at the end of the day eventually in the final analysis after all—indecision can be a like standing in the middle of field of lilacs and sometimes we simply say too much. Speaking of lilacs and sometimes, I don’t do well on the fly, too little meaning caught in too many words, with “do” and “fly” being the operatives here, deep down undercover with fake mustaches and mirrored aviators for obfuscation. We all know “well” well enough, or so I tell myself, to hold the sentence together with minimal disambiguation. The sentence—life, with no possibility of parole, unless you’ve got a little imagination. We all step away sometimes, needing to, receding to or from or for with grimy presumptions of stiff finality all around, creeping up the walls like rot till they seem darker than the corners and we can’t remember how or why we serve the question, but we do. Insistent on the peculiar merits of placement, I seem predisposed to point to the energy and the process like it’s blame I’m placing, not credit, clinging to rhizomatic enthusiasms rooted in contexts so specific and references so obscure that the truth can’t go unnoticed. The truth. What is this appetite for absolutes? Strip that away, and what—the positive qualities of illusion suggesting that the walls and corners aren’t in fact closing in, that they simply have spirit? Having seen it done and having done it, I strain to model myself on something definitive, over and over, ever and ever, ever stepping away to return all over, mumbling mawkish mantras like Destroy, and piece it back together but this time with gold at the seams. Kintsugi, yes? and how appealing, no, how improving, with an orange-juicer twist drop of idealism plus the pulp. Each answer is formed of countless questions, as variegated as the languages with which we pose them, so thus I ask: Do we spill because we break or does our spilling do the breaking because we get too full?

Everything has to go somewhere (that’s definitive-infinitive); there’s action in the outpouring, but I could see it working either way, or both, finding a comfortably uncertain trajectory regardless, whether of containment or release, a course, of course, if you will, running roughly from vulnerability to repair and so on, with voice, agency, embodiment, and destruction all packed in and cozy snuggled between. And so on, and back again. Till it breaks again and I’m back here on the fly again, going nowhere till it feels too right to not be the wrong words for a story.

I had a rough day, she said, barely holding back tears and looking smaller and more defeated than she’d ever permitted herself to look. A hug and kiss were proffered as preludes to a word or two of unconvincing edification as I, draped in coat and bags, walked out the door and down the hallway to the elevator and another hallway to the parking garage so I could warm up the cold little car with rust spots on the hood and drive cautiously through heavy nighttime snow already covering the highway despite evening weeknight traffic to a hotel way out west of the city where there was a meeting of the old white minds that I had to endure the following day. The following day arrived and I woke up from an uncomfortable half-sleep with the outlines of a migraine that would gradually color itself complete as I tried to take notes and look like I gave a shit in a windowless conference room thick with recirculated air and coffee breath, wanting only the essentials of sleep, hydration, and a proper breakfast. The rest—freedom, love, pain—would have to wait.

 


Originally published on Art & Insolence.

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art, fiction, life, poetry, prosetry, Uncategorized

Pure & broken

Emily-DiDonato-Nude-Narcisse-Magazine-Spring-Summer-2017-Cover-Editorial03Lie in bed

Child

Lest what stands beyond threshold

Threatens calm

Waking to the sound of winter silence

Clutching at inanimate objects

The seen friends who do not reply

Delve deeper into the mind

Where disturbance is held away

By merciful imagination

How long can a child

Pretend

And make-believe?

The sounds of fighting through the walls

Even the deaf hear

The crack in plaster grows wider

Each day carpet higher

Till jungle swallows child

Alone

Her own words ingrowing

Dance when no one is looking

For nobody did

Turned faces absentees

Hunger for attention

At first an annoying shame-faced thing

Then the end of longing

Acceptance

You placed me in a room of my own and said

Thrive

I did not

Instead

Half of me turned into plaster and chipboard and carpet fibers

And half climbed out windows and got lost

Letting her feathers be plucked early

By stranger fondling hands and false words

Prophet’s without prophecy

Girls born without reason

Growing in one ache

The silence their lover and their torment

Sliced in half

One, a creature straining to survive herself

One the albatross of finely dressed humans

Absenting themselves from responsibility

She says

You damned me

You shut me up

You expected me to thrive and grow in darkness and coal

As you closed the door and said entertain yourself

She switched the camera on and let them come one by one

Watch her fall beneath the lights

Mayhap dancer, mayhap pornographer

No words escape her

She moves her pain

Above you like light streaming down

Pure and broken into prisms

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Uncategorized

Live again

The day I stopped feeling

It wasn’t a tap turned all the way to halt any drip

or wet socks left on radiator until cardboard stiff

through muslin sheet I felt a wistfulness

like poignant ending of a film

or sad story of someone else’s life

but you did not feel part of me anymore

when I touched your hand, it was flesh and blood

not a girl I was connected to

neither stranger, but some

distance stood solid like forging tree limbs

seeking electric charge from rain after storm has passed

I had moved beyond you without

marking the spot, I put down my heartache

this is surely the most human thing about us

our ability to keep going, not fall down and wither

knowing we are finite and fallen

watch a child lose a friend on Friday

gain another come Monday

grief is a litmus test

a sorrow we shrug on and eventually off

I convinced myself of devastation

when Tuesday brings change even as we don’t seek

it comes drawing out like elongated stretch

I never thought

I’d feel nothing

looking into your eyes

but you closed yourself off

In time, I began to look away

Into the distance

where the unknown glistened

like a mirage

of things bidden

by places within us

that say

O please

live again

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life, poetry, prosetry

Easy is the slip to nothing

Some have too little love

Like hunger they scrape and search

Pealing the skin from their fingers in want

Looking until emptiness becomes full

For just a glimmer of compassion

The thing marking human

Quick to turn to hate

Like a fickle madness

Or held diving breath

So alive and quickening

A carefully guarded amber flame

Proof of life

For if cold, we are surely dead

Dormant to feeling

Impervious and keening

Easy is the greased slip to nothing

Feelings a weary bead counter

Chanted prayers, wishes forging hope

Touch, warmth, caressing tangible

Not remote

We were not made to stand alone

Though if you set your mind

On climbing chalky cliff side

Be sure there is purpose

For some are made of granite

They release radium

And the unmoving possession of their heart

Is surely worse than never knowing

The hot dulcent murmur

Of poison with purpose

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life, poetry

Crash

In the split second / Before we crashed

I finally discovered / What it feels like / To be alive.

It is a peculiar existence / For those of us

Who only feel alive / When on the cusp of death.

In the minute / Before we crashed

He took off his seatbelt off.

He was not afraid of death / For he was alive / And he knew it.

He had lived for a long time / And had been alive all the while.

Death can do a lot of things / But it can’t undo

All that living.

And Death knows it.

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