poetry, prosetry

Now You Are 71

In the darkness I swayed, numb and unsteady in platform heels, outside the place where you used to live, looking up at the window where so many hours were spent smoking, people-watching, daydreaming, counting how many motorists weren’t wearing seatbelts.

The lights were off: there was no one home.
This statement can be applied
to the apartment and your brain
in your final days.

I tried the gate:

locked.

Wriggled a shaking hand into your old mailbox:

empty.

Looked for the label with your name

taped next to the buzzer for Flat 1:

gone.

With my heart in my throat
I turned and walked away
into the warmth of the pub next door
where so many friendships were made
where your laughter once roared
where memories were shared
of you, an extraordinary man,
and glasses were raised
to you, my darling Dad,
on what would have been
your 71st birthday.

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life, poetry

As You Lay Dying

I got our ‘goodbye’ wrong.
All of those rehearsals and I got stage fright,
fluffed my lines, fucked it up on the big night.

What I said: Please, Dad, don’t die, I’m begging you, don’t leave us, don’t you dare fucking die on me, we need you, I need you, Dad, please hold on, don’t die, please, don’t let go, don’t die, don’t go

What I wish I’d said: It’s okay to let go, Daddy, it’s okay, you can let go, I’m here, I love you, you can let go now, you can let go, you’re safe, let go

There is no ‘next time’
in which I could get our ‘goodbye’ right
so I’ve been praticising our ‘hello again’,
making sure it’s perfect for the day we reunite.

@treacleheartx

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poetry, prosetry, Uncategorized

Present and glad

person with tattoo holds python

Photo by Sean Patrick on Pexels.com

We talk about the past

I used to like talking about the past

it was a favorite drink warming my hands

when Winter first called

this time what has gone before now feels

sad and heavy like wet wool blanket left to dry

in insufficient heat

it leaches the warmth from my lavender bones

I feel sorrow and weighted down by metal reminder

who was that girl? Who absorbed

grief and laid it on her arms in shapes and symbols

to be read years later by Rune interpreter

did she really? Think she had no worth

so much so the days became years and the pain

soaked so much of her blood she longed to eat

meat

you craved her up and steaming you fed on her

badly wound lassitude

she forgot herself as she pretended

love means forgiving time and time again

she forgot, she was worth something

that girl who didn’t have hands uplifting her from

the clamoring downpour

lost her way in cavorting storm

the spooling moon, a snake wrapped against tattooed branch

this way and that, the even keel of life forgotten

some days it took everything just to stand up

she mislaid the memory, she was not there to be crushed into

tiny pieces of herself and thrown for white breasted sea birds

to swallow whole

love should not force you to your thin knees

it should not destroy the tender parts of you

capable of feeling

fingers playing fiddles with tempura emotion

love is not a white flag of surrender

at times it needs to be a pirate ship

fast on its feet, answerable to nothing but

the truth of vanquished things

torn and shredded in haste

we talk about the past and

I used to like talking about the past

comforting me like a one-night-stand

until I became tired of hearing how I accepted

less and took nothing

raging against the dying light

life is after all

short and painful and full of unexpected turns

do not add to it by self-hate or diminishment

if I could go back in time, this is what I would say

to the girl who got used to having empty pockets

I would take her by the hand and remind her

you may have been broken or forged incompletely

darned with a yarn too coarse for fine needle

you may have been told this was your lot in life, you did not

deserve equality

but just as it seems true, the world will be submerged

when rain comes down pitiless and hard

it is not so

we rise then

we always rise

for one more chance and when it offers itself

hand in your bad habits and leave that moth eaten coat behind

take the tall steps upward

feel the sun on your throat

smile even as you don’t know

what lies around the corner

present and glad

for your very existence

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life, prosetry

To Love X Y and Z

Most of her sentences begin with, “I used to.” She used to be / to go / to enjoy / to do / to love x y and z. Now she dwells, angry and bitter, writing furious lists of all of the things that The Thief has stolen from her. She used to enjoy painting. She used to dance in crowds. She used to wear dresses. She used to be smart. She used to do sports. She used to like the sunshine. She used to have real friends. She used to be pretty. She used to travel. She used to enjoy sex. She used to speak several languages. She used to throw parties. She used to make people laugh. She used to be skinny. She used to be popular. She used to be able to do anything. She used to be a daughter, a sister, a niece, a granddaughter. She used to be brilliant. She used to trust people. She cannot get over Her [old] [true] [real] Self; she misses Her and grieves for Her. The person she is now is not a person, rather a half-human living a half-life. But The Thief cannot be caught nor punished. Already locked up in the prison of her mind, The Thief paces day and night, making her brain ache while waiting for an opportunity to strike, destroying her dreams before they can be realised, converting her hopes into fears, stealing her life one memory, one chance, one possibility at a time. The punisher cannot be punished. You can’t hang the hangman. The Thief will only leave when there’s nothing left to steal. The Thief will leave soon.

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life, poetry, prosetry, Uncategorized

Burning without fire

close up photo of red candles

Photo by Aloïs Moubax on Pexels.com

Last night I scalded myself Mama and as the boiling water ran down my arm

I saw you through the pain and you were smiling and everything was wrong

how you are alive and yet gone, how you exist and yet don’t, how I was never right

and somehow always mistaken

If I don’t come from you then who? My mitochondrial existence and all the women before us

seem to pass into memory and then detached, by our severing

every day I wake and I think of you and then I remember

you’re not thinking of me

What tenderized my heart so? Pounding it until it cried out

I know it’s futile and still I yearn

What compelled it to continue beating even after the obvious?

I loathe that about myself and I love that about myself

I am like a ship in a bottle, you cannot figure out how I came to be

full and whole, encased in glass and yet

I am neither full nor whole, but hungry and drowning

a featherweight, a word, something you created and then said

no you can take it back, I don’t want it any more

(I never did / I pretended / it was the mask of a mask in a mask)

and so I went far and nowhere

near and not close

wondering what will come first? The last loss of you, or the first diminishment of

my eternal want?

Who am I kidding? With endings there remain

more scabs to pick off, prayerful knees and bowed heads

no amount could achieve

forgiveness or whatever it is I need to be to

change everything that cannot be changed

so I watch myself and you

I watch nothing and no one

empty their expressionless pockets into water

watch the colors of us turn dark and indistinguishable

as if we’d never been and I am not sure

where or who I am without you

like a glass blower who stands on the quayside

wondering if

the boats will come today

marking the horizon with their

dusky forms

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fiction, life, poetry, prosetry, Uncategorized

her inferno

suicide-in-art-rosie--high

a voice

something still alive

someone trying not to scream

they make a sound that could only be described as an

oral ache

stretch of sinew, wide mouth, no noise, neighbors hear

nothing

there has been too much pain for sound

still tears come, when you think there could be no more

nobody knows, nobody knows, nobody knows

behind well constructed facade, beneath masks

the woman with her head in the oven

probably wrote a decent poem before she expired

smoothed her apron down, sent her kids to school

before turning the dial high

her own sounds of anguish and the hiss of gas

a sigh of sighs

the postman can knock on the door and you can open with a bright

false smile and he will think to himself as he departs, she is such a happy

woman always with a nice thing to say and a bright grin, I wish my wife were

half as content

close the door, gather the rope, sling it securely

the same woman who turns the dial high

prepares her demise with thoughtfulness

she is tutored at deceiving

sickness overwhelms her and she is on the floor tearing at herself

watching from ceiling, a woman unravel and be unable to re-knit

she feels in her solar plexus, in her very marrow, the scourge of loss

she can’t stand it, she can’t stand it, she can’t stand it

the idea time assuages pain, is a falsehood

hers is a road that will always be wet with tears

her eyes are closed and she is imagining how it is some of us

never stop hurting and others can brush off betrayal like lint

walk on unperturbed.

in the silence of her house, the clock in the hallway unwound

she feels the walls closing in, the very sky descend

all her madness like balls of yarn, have no where to pretend

they are okay

she is demented with hurt

voiceless, personless, no-one to reach out to

her arms are cut again and again with the switch of abandonment

she was once someone’s baby

she was once someone’s love

lapsing into unconsciousness in hot overflowing bath

crimson for her unshed horrors, streaking clean floor

did not need to use her own hands in sterile afternoon

washing line blowing emptiness like fallen maps

now she is dirt and dust and a woman without bones

she is sinking into the soft hiss of gas escaping gratefully

if she had the courage she’d light a match to guarantee

her inferno

she left one last message on one last machine

lost in time and the rolling hours curling their faces to the wall

her tinny voice breaking and crackling over distance

saying goodbye without saying goodbye

for even in death she pretends

everything is okay

and when you come home at 6

the table will be laid, your shirt for tomorrow pressed

hanging like a specter

its loose arms waving

in mute appeal

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