fiction

STRANGERS

Chris R--10 Illustration by Christine Renney

Only a brief description of the Apartment Block will be necessary. How it is perceived by the Townspeople is far more interesting. By those who pass it each day to and from work and the shops, by those who walk in the park and feel they are imposing, trespassing even, within the grounds of some stately mansion. For it is here when they come to escape at lunchtime or on a summer’s evening; here when families gather at the weekend to picnic and play – this is when the Apartment Block antagonises them the most. From its vantage point at the edge of the park, with its black windows like hoodless eyes, it is all seeing and impossible to ignore.

The Townspeople are proud of their park and all have contributed to the restoration of its centrepiece, the Bandstand, now fully restored to its former glory, is a testament to their perseverance and dedication. To their hard work. But now, when they come here to bask in the sunshine, the Apartment Block casts its shadow from above, spoiling it for them. Its residents are constantly changing, an array of Young Professionals. It is rare that anyone stays here for more than a year but, to the Townspeople, they are indistinguishable in their fine clothes, with their impractical cars and well paid jobs in the City. Their lives are without commitment and seem, from afar, frivolous and their home is akin to the most modern of hotels. Its gardens, lovingly tended and painstakingly maintained are the Town’s parkland. The Bandstand is merely a trifle, a folly within the Apartment Block’s playground.

The Townspeople have not been colluding but all are moving in the same direction so of course it is inevitable they will converge. They gather in the bushes and watch the Apartment Block. Occasionally someone will emerge and each time the Townspeople become more agitated, moving involuntarily, eventually lurching forward, revealing themselves. An exiting couple, alarmed by the presence of the now all but motionless individuals littering the grass in front of them, move hastily along the path. They fail to notice the first of the Townspeople who, reaching the doors before they close behind them, slip into the building.

The Townspeople begin edging slowly forward and the couple, unaware of what has triggered this ungainly procession, are brought to an abrupt halt. Stranded on the path they cling to each other but are forgotten. The Townspeople, intent on the Apartment Block, keep on coming from out of the undergrowth, a veritable hoard moving toward and beyond the couple, who perhaps recklessly rush against the tide toward the exit.

Huddled beneath the Bandstand the young couple look back toward the Apartment Block. The crowd gathered, in front of the main entrance doors, appears as a leaden and lumpen mass. But it is thinning. Slowly the Townspeople are forcing their way through the doors and into the building.
‘Who are they?’ she asked.
Shaking his head he said nothing.
‘Where did they come from? What do they want?’ she shrieked.
Reaching out he placed his hands on her shoulders in an effort to still her.
‘I don’t know’ he said softly. ‘I have no idea.’

They began to pace, their footsteps beating against the shiny hardwood floor of the Bandstand. He began to wonder about their neighbours – how many of them were still at home, still in their apartments? Readying, as they had been just a few minutes before, for the day ahead?
They watched as the Strangers pushed across the threshold and the doors swung to behind them. Mesmerised, the young couple continued to watch and seemingly everything had returned to normal.
The Apartment Block glared back at them but the Park again was quiet, picture postcard perfect, until the faces began to appear at the windows. Everything then wasn’t so beautiful or quite so serene.

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life, poetry, prosetry

ventilator to the good darkness

And then there were those open spaces of my youth, stretched out between memory and oblivion like a birthmark. The mitochondrial spaces of summer, lush with hazy green vitality releasing isoprene that like magic mixing beauty and pain braided here and there to make the hills blue when you looked like we all did through air thick with sunshine and easy unknowns.

Spaces of forests explored and persistently wild with thick undergrowth cut through by streams and fauna and man, spaces of battlefields where we’d passively imagine finding traces of those who only a simple span of time before emerged from the stoic treelines to fight less for the glossed-over ideals in our second-rate historybooks than for old farm land by the snaking river that for millennia preceded the highway’s bifurcation, still holding claim though not through ancient custom or rite but through the anachronism of thick books with delicate pages that they eagerly yet without intention allowed to limn the past an impossibly remote, ever-present matter of romanesque words from a language other than their original and it’s all still there, still that, but I am not and never was though like those words I’ve been old and other all my life.

And the years advance simply, without us, like the soundscape of those spaces, humming a song that needn’t be as sad as it sounds, as it fades and I keep learning to speak.

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fiction, photography

SAVING

Chris R-0904 Image by Christine Renney

He is concerned now that he won’t finish, reach the end before he is dead or dying and too frail, that there won’t be enough space.
The newspapers are almost everywhere. He had begun in the spare bedroom, first in layers and then stacks against the wall, and working his way out into the room, first one side and then the other, leaving a gap in between.
The rest of the house had been reduced to a series of these narrow walkways, like tunnels they are narrowest in the places where he rarely needs to go.
There are no newspapers in the kitchen, nor the bathroom, not yet but of course it is just a matter of time. His bed is clear and he is still able to open the wardrobe doors. There is an armchair in the sitting room and a television on its stand pulled up much too close. He hasn’t blocked out the downstairs windows yet but they are almost impossible to reach and so the curtains remain permanently drawn back. After dark the rooms are bathed in an amber glow from the street lamps outside.

It isn’t so much the why, but the how, that concerns him. The very real possibility that his house won’t be big enough worries him constantly. The newspapers had changed over the years and they were still changing. Not just the content but also the way in which it is presented and he had wanted to save those changes and he was saving them. But twenty five years ago he wouldn’t have believed that newspapers could die, and yet they were and now he was running out of room.

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