fiction, photography

A TRYST

Chris R-0172-4 Image by Christine Renney

He had fallen for a girl on a hoarding, a bill poster. He was living in a tiny bed-sit close to the office.
He had begun to fantasise and obsess about this alluring young woman in a cocktail dress, advertising a perfume, the name of which he wouldn’t be able to remember. The hoarding was directly opposite the window to his room. It was big and imposing and in his isolation his becoming infatuated with her was inevitable.
The advertisements were changed once a month and over the summer he had lived alongside a series of gaudy images encouraging him to eat a particular breakfast cereal, to fly with a certain airline, to think seriously about life insurance, to choose wholegrain to look after his heart.
From the instant that he noticed her, he was mesmerised. After all those bright primary colours, the block capital letters and all those crude messages that he had tried so hard to ignore, this photograph blown-up to super-size of a woman turning away from a party in order to gaze in at him was wholly captivating and he couldn’t help but reciprocate. That evening he found himself drawn time and again to the window, where he stood and gazed out at her.
At the office he wasn’t able to concentrate and the following day felt like an eternity. But when at last he was back in his room and able to look at her the hours seemed to go by in a flash. It was past midnight when he realised that he hadn’t yet prepared his evening meal; that he needed to think seriously about going to bed and getting some sleep.
When she stepped from the hoarding he was startled. It wasn’t so much that she had suddenly taken form but he was amazed by how effortlessly and gracefully she managed in her high heels to climb down the wall.
She stood on the edge of the road and straightened her dress. Watching carefully he expected her at any moment to set off in search of a nightclub but when she raised her head she looked up and directly at him. Blushing violently he stepped backward but didn’t turn or look away. Making her way toward his building she crossed the busy street. He listened as she climbed up to the window and when she appeared he held out his hand and, taking it, she stepped into the room.
He remembered that she had been holding a wineglass.
‘What did you do with your glass?’ he asked.
‘Oh’, she replied, ‘ I put it down somewhere over there I think’.
He looked across at the board at the party scene she had deserted. The remaining revellers resplendent in their finery seemed unaware that she had disappeared but the photograph was hazy and blurred and he couldn’t see the wine glass.
The young woman studied him quizzically.
‘What’s wrong?’ she asked.
‘Nothing, nothing’s wrong’.
He realised that his behaviour was unsettling her and smiling he pulled the curtains. He wasn’t embarrassed, surprisingly. After the first flush he now felt confident and entirely at ease.
‘Come here’, he said and, taking her hands, he pulled her in close and they kissed.

In the morning she was gone and at first he was stricken. There wasn’t any trace of her, no forgotten earring, not even a dirty cup. He rolled over in the bed and then he could smell her, her perfume, the perfume he supposed that she was now promoting across the street. Pleased with himself he basked in it. It had happened and he didn’t doubt that it would again.
Stretching out he decided that he was going to ring in sick, that in order to ready himself for tonight he needed to take the day off.
He slept in until late afternoon and, after reading the newspaper, he watched a little television and when at last it was time he crossed to the window. Once again he watched her step elegantly from the advertisement and climb down the wall.

Over the course of the next week he was surprised to find he wasn’t phased by her astounding good looks. He soon dispensed with any attempt at small talk and the moment she stepped through the window and into the room, taking her hand he would lead her to the bed.
Afterwards, he slept soundly and when he awoke he felt refreshed and eager to the meet the day. And then suddenly one morning he couldn’t smell her perfume. How long had it been, he wondered, how many nights, how many mornings? He tried to count; five, six, seven, eight? But no, it was nine.
He sniffed at the sheet where she had been laying, sunk his face into her pillow. He bunched up the quilt from her side, pulled it up to his nose and inhaled deeply but there was nothing.
That night he studied her and, scrutinising, he decided that she had deteriorated. It was a strange word to choose, he was aware of this, but it felt like the right one. She was fading, losing her sparkle, her shine. He hadn’t registered before that she was wearing make-up but he noticed now where it had begun to run on her face, that her arms and legs were streaked and dirty.
‘Would you like to take a shower?’ he asked.
‘No’, she looked at him, incredulous, ‘Why?’ she asked and smiled.
He decided not to push it.
‘It doesn’t matter’, he said. ‘But do you mind if we just sleep tonight? I’m really very tired and I don’t know but I think I might be coming down with something. I hope you don’t mind’.
‘It’s okay’, she said and sounded genuinely concerned. ‘Of course I don’t mind’.

As she groped and grappled her way from the board, he wondered how many more times she would be able to manage it, how many more times he would have to watch her as she clambered and scrambled down the bricks. He expected her at any moment to slip but somehow she made it. At the bottom she stood with her back toward him. Her dress was torn and coming undone at the seams and her legs were spotted with what, from where he stood, looked like dried blood.
She turned and he stepped backward and remembered that he had done this before on the first night and he hoped desperately that this would be the last. He was, in fact, convinced that it would be but he had decided what he was going to do and he wasn’t about to back down, now now.
She started across the street and, lunging forward, he closed the window and pulled the curtains. He sat on the sofa and waited for what seemed like an age and when, at last, she began to tap on the glass he switched on the television and turning the volume high asked himself ‘how long?’. He was surprised to hear his voice, to find that he was talking aloud.
‘How much longer’, he mused, ‘will I have to put up with this?’

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fiction

Seasons’ Spell 2

Part 2 of 4. Read part 1 here.


She sits in her chair at the same small square table by the same open window, a sultry, hazy sky beyond, air like bath water in both hue and temperature and stillness, air soaked up by the same hills and trees, same curtains, same oxalis, same tablecloth, now still and languid, though, same newspaper, but now laid flat, flat and folded on his side of the table. It’s how she feels too, she thinks, folded and flat, as she looks around the room with an almost purely peripheral gaze, almost at the paper, almost at his empty chair across from her, pushed in, then completely out the window, staring without seeing into the spaces around her.

There and with those thoughts she sits in her white cotton sun dress, a favorite of his, her thin arms crossed, long black hair held loosely up over her slender neck and lithe but sturdy shoulders. The day is waking hot and thick, soon to swelter. The heat’s ubiquity acts as a level, she imagines, aligning her with and to all the rest, and she feels ok enough, sort of, tells herself, for the moment, perhaps, looking up at the photograph on the wall above his chair, the small, dark-framed black-and-white photograph of a sidewalk along a foggy Paris avenue from the Past. It has been hung high at standing eye level so he, tall as he is, can give it a for-granted glance or even stop and peer in for a moment when he comes to sit or stands to leave. Sometimes he will gaze at the photo, lingering, caught, she often mused, by the cimmerian figure of a girl and her little white dog about halfway to the image’s vanishing point, standing and looking back at the viewer between a row of bare trees to the right and a corresponding line of store- and housefronts to the left, together forming a corridor of sight with the sidewalk as its floor, leading straight to the girl. Its origin unknown, he has carried this photo with him for years, and where he hangs it is home, marked.

It must’ve been winter there, she fancies each time she looks, or late autumn, perhaps. The trees are bare and a cold-seeming mist hangs, obfuscous, and a presence of something about three paces short of sinister seems to lurk, just a sense of what if, what if the frozen moment were allowed to play. What would we see? He never talks about the photo, never describes it, never says anything more than that it’s “one of his favorites,” keeping the rest, whatever it is, to himself in his customary self-keeping way. He has never been to Paris, she knows that much. It’s something from inside him, she thinks from time to time, and then placed on the outside, hung on the wall, open to view and most likely best left untrammeled by common language.

It is summer Now, though, no matter what it was in Paris or inside him Then, and her gaze drifts to the window and out to the sky, still thinking of the photograph, losing herself in the vapid, smoky blue marked with incidental clouds, some whisping, some cottoned, all hanging above inert treetops and a thought occurs as a crow swoops through the frame. Chekhov and necessity. “If a pistol appears in a story, eventually it’s got to be fired,” he said, she recalled, and it stuck with her the way her arm feels stuck to the table in the heat, the way she feels stuck now, though she knows implicitly that the stickiness has no meaning beyond itself, and is glad for Chekhov, glad someone has thought thoughts before, glad for thoughts of function and relationality, for necessity, for something more concrete than morals or principle. She sits, ruminative, and time hangs, floats, drifts, slow and quiescent, detached from space.

The dog barks outside—three times, two, then one—and she rises from her seat, draws the curtains, and slips on her shoes.

*

Afternoon now, late, but still not dark, and she sits on the sill in her white cotton sun dress, feet bare and dirty and knees tucked up to her chin, looking, just looking, and hearing without listening to the low, unpunctuated hum of the World. Her gaze drifts down from the clouds—fewer now, and their sky deeper and bluer and yellowing with early sunset—and settles absently on the hills and treetops extending as far as Forever and she wonders where he could be. Wonders, imagines, begins to fantasize that he’s lost in the great wild wonderland on some great wild wonder-adventure, even worries a little, for comfort’s sake, oh familiar and trusty concern, hoping he’s safe and well-fed and thinking of her, longing for her, hoping against a deep gnawing knowing that it’s just foolishness, but a sustaining foolishness nonetheless, she tells herself, her thoughts becoming as boundless as the emptiness she’s beginning to sense within and without. He should’ve been back by now, should’ve been back, this is not like him. But something more than nothing tells her he’s not coming, not all of him anyway, and in her mind their wonderland begins turning to mere land, coarse, tangled, verdant, and overgrown, as if a switch has been flipped in a dimly-lit room and the thin gauze of their swoon-myth evaporated.

No, no, breathe, she tells herself, breathe, remembering she needs a reminder, something essential and constitutive, a mantra against the nothing around and rising dismay within. She inhales and hears it fill her, thinks about the air in her lungs, how it’s hers and she’s captured it, how it gives her shape and for a few seconds she’s an origami swan floating there in the viscid air, then it’s expelled and she’s folded and flat again, like the newspaper still on the table, still untouched. She swings her feet to the floor and leaves the window behind, padding off to busy herself, must stay busy, make sound, motion, life, something against this slow summer crawl of time, this boundlessness. He’ll be back and it’ll be ok, like Before, air in and out, remember.

In the evening he returns, just past dusk, and a pale midsummer moon sits low in a star-flecked sky of majestic blue-black through the window. He is troubled, solemn, and distant, not himself, not at all. She is in her chair again; he does not sit, leaning on the doorframe instead. A few small words are exchanged, a few small glances, then he goes off to bed. She remains at the table, feeling smaller than small and still breathing small breaths, and the world Out There comes In Here and suddenly it seems that there are strange trees growing right up from a grass-covered floor, ivy snaking up the walls, and dark bushes in the corners with little eyes glinting from within, the room’s lamplight hushed and outshined by the night sky ceiling. There is a long howl somewhere off in the distance and a slow-stammered hoo-HOO-hoo-hoo in the branches and she feels the crickets in her bones. Afraid to move, almost afraid to breathe, it is all finally too much for her, and then she goes too, to join him, small steps with small, bare feet, almost silent, hoping the truth won’t hear her and follow and she can at least have the night.

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