life, poetry, prosetry, Uncategorized

Untitled #39

I forget

What I lived for back then

Maybe just hope

That indefinable future stretching unknown

It always baffled me how the young

Could give up and try to die

When there was always hope

And some sympathy for their tender years

I want to say to them

Wait until you get here

Then the going gets quiet

People don’t check on you

There is no sympathy for your failing

We’re supposed to be stronger

What doesn’t kill us, right?

Not true

Everything that’s destroyed me did not

Make me more resilient

That’s a lie we tell ourselves and our friends

Or maybe for some it’s a truth

Not for me

I feel with every battering less and less

Less willing to stand and fight

For why?

The illusion things will change?

The care that rarely solidifies

I am so good at lifting others up

So poor at building my house

Because I gave my faith to them

And made nothing for myself

Instead I hear, the voices of the past

Telling me why I’m worthless

And it isn’t just the past

It’s recent and the scar

Never heals

I am

Broken

I survived only to

Fall

I am hurt beyond description

I ache and feel pain every hour

Nothing I do seems to change

The sorrow of every day

It’s too easy to dismiss it away as

Clinical depression

It is not

I simply wish I could safely die

I wouldn’t even feel guilty anymore

I’m too tired to care

Maybe when you’re not cared about that’s what happens

I find it hard to understand why more don’t share my sentiment

I don’t enjoy life

I have no purpose

I have been left by those I loved

I stand alone

Not blaming anyone

Just seeing through

The bullshit

I wish right now

Life were a dream and death reality

An external sleep

No trespass no hope

It has long been gone

And I have tried for ages to hide my belief

There is no point

For whom?

There is a crack in my heart that runs so deep

Maybe it was all a mistake

I wish I could rewind until

I ceased and never had been

It is hard to want to undo yourself

As you continue to flourish

I am tired of trying

I feel that’s all I’ve ever done

It’s a bit of a delusion

Trying and being in pain

Why try? For whom?

If there is no one

I hear the bus

Letting off children

I remember

Being a child

I wasn’t happy then

It’s not who I am

My mother was right though she was wrong

Maybe I’m a lesson from which others learn

There isn’t as much meaning in everything

As we are told

Sometimes we just exist without meaning

And it’s ugly and long

Too long

I wish I didn’t know

How most books

End

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fiction

THE KNIGHT PERHAPS

chris r-1-56 Illustration by Christine Renney

Cocooned in my parka, head down, I walk. I keep to the edges of the pavement and I follow the cracks between the slabs and in this way I cover my patch. I tug at my hood just to be sure; a habit I can’t, or won’t, break, and I scan the ground at my feet. When I spot a cigarette butt, a good one, I reach down and snatch it and place it in my pocket along with the others.
I must appear erratic, resemble a chess piece, the rook, or the knight perhaps, my movements awkward and jerky. Any progress I make is difficult to determine as I trek the board, seeming to endlessly fail at making my way across.
But I don’t raise my head and I don’t know if anyone is watching. I suspect that when I am noticed it is fleetingly and that they steer clear. I am just somebody scuffling, a scavenger.
There are plenty of cigarette butts but I only collect the good ones. The best are those that have been pinched or stubbed out before being dropped and not stamped upon. But I’ll take any that might still contain a little tobacco rather than just dry dust and ash. And I have become adept at spotting these and I know when to reach down and which ones to gather. Throughout the day I fill my pockets and when they are full I leave, I abandon the board.
I never stray far from the Centre now and I settle behind the bins at the back of Pound Saver. I empty my pockets and set to work, rubbing with my thumb and forefinger I remove the burnt tips. Stripping the paper away, I pull out all the good tobacco and without wasting a single stringy strand I drop it, one pinch at a time, into the tin. When it is full and the tobacco is tightly packed, as I roll the first cigarette, just fleetingly I am content.

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fiction

End Of a Story

Another time—yes, there was another time, but only one other time, and that not really—I saw her acting out some obscurely tragic final scene, rushing from room to room in a space not entirely unlike that flat but cross-sectioned like a stage, lamenting and gesticulating. The melodrama, the motion, the volume—oh the things I’d say if I could wake up, I thought. Like Sorry, just forget it, forget it all.

What if, when it came right down to it, I spoke less breathlessly but with the same fight, in a manner more contrasted to my hurried thinking, trying less adamantly to push it all out before it’s gone? Less, more, less—that’s how it always goes and all I can think to do is paint, I told my friend the next morning in order to have something to say, but there are only three or four colors at my disposal, looking at the walls and the one frosty window in our “living” room, but meaning something else entirely. Please look away. Who can even begin to imagine such passion tailored to their person, so perfectly trimmed and fitted, and such trouble speaking when each word reeks of fantasy. But it never comes down to it. It just goes and goes and that’s it. Or that’s that, depending how your crow flies.

The sun rose over ancient Crete in my boyhood imagination and I learned as if looking in from the outside that paradise is a construct of color and sound. That, of course, was well before I learned the first thing about crawling out from under the weight of my intentions, but I did know the myth of the Theseus and the minotaur. It was love that helped him get back out. Do you have any idea what I push through every day just to be here? To whom do these thoughts indeed belong? I’d ask her that, if I had another chance, and tell her I didn’t ask for this—none of us did. We were just born into a world arranged by madmen and madwomen and expected to find a way in and through some private-public unicursal when in fact the journey, the real challenge and struggle, is to find a way out. My friend is out of his mind, but he conforms—and he lives just fine right there in his center so he doesn’t know it, doesn’t have to. I am out of mine, completely, imagining anyone can hear me when I’m alone out here on the fringes because it’s the only time I can hear myself.

Goodbye, Ariadne, till the next time I need some literary device upon which to hang my isolation. You guys go right on without me.

 


These are the closing paragraphs of a story I won’t post here or anywhere in its entirety because I hope to publish it elsewhere, so there. Originally published on Art & Insolence.

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fiction, photography

THE TRAVELLERS

Chris R-0249-2 Image by Christine Renney

I follow the other travellers across the car park and toward the rest area. They reach the doors and they push their way through but I stop and hover in front of the entrance, where people step around me, hardly seeing I am there so intent are they on getting inside.
I move close to the plate glass and peer in at them under the bright lights and although what they can do in there is limited, so very, very limited, they falter. It is fleeting but they are disoriented and unsure, if only for a few seconds and then they are able to re-focus and move again. It is a glitch and I realise that this is how I feel, that I am unsure, but for me it isn’t a glitch.
I step away from the entrance and begin to pace in front of the windows. Intermittently I raise my head and gaze into the cafeteria but I am unable to concentrate and I don’t really see them, they are just a blur.

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Uncategorized

Black book

Apparently

men can gather bed notches and

this elevates them socially

whilst women of the same history

are sluts plain and simple

therefore

I am a whore

not because you tell me so

or for any notches or black books

but for the raspy feather in my chest

when it tickles

I gather up my fancy

and I imagine

all the rides I’ve taken

which is as far as I go today

given my propensity for not coming back

but there was a time

I let four boys into my room

not all at once or even

in the same afternoon

they were as different as

the rules for men and women

one I found ugly and angular

his penis was a sharp hungry thing

that burned the desire out of me

another was vain and glorious

a cheshire cat apt to lap his own cream

his was large and unwieldly and

whatever they say about size isn’t really true

it’s about what you can do with what you got

the third had a penchant for drugs

and redheads and he had the best music collection

and the prettiest member

but I will when I die

think on the fourth most of all

short and a little fat with a tiny prick

that boy knew the secrets to loving

and we climbed all night

on divine ladders to heaven

where I briefly told him I loved him

and he bruised my womb

with his insistence I was his alone

which sadly I never was

by then my counterfiet heart

had been scattered like confetti

I was no more able to trust

than a painted lady selling her wares

It was the cheapened version of me

I let hook herself out on a line and dangle

you do that sometimes not for attention

but the disgust you have for yourself

and all the smut that got you to that point

and all the grubby fingers that wouldn’t quit

invading your right to peace

by then I had no feelings other than

roll another one, turn the record up

come here and let me suck

that pain away

it seemed the perfect solution aside

knowing the world would brand me a slag

concubine at best

but there is it

like the condom filled trash

stinking and real

though if you get stoned enough nothing

lasts long enough to peturb

including grateful boys who give their all

and in that five minutes of bliss

you learn a thing or two about transactions

how they salve the pain you never reveal

how being abused can make you turn around

and do the very same thing

though they’d never understand why

molested girls will open their legs to strangers

it’s one of those sad dichotomies

that’s also got a gender inequality label

for don’t you know it’s not always

piss and vinegar

makes a young man rut and rut?

we’re all carriers of some brand of pain

and those damaged souls

recognize each other

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fiction, photography

THE CLAW

Chris R-1110182 Image by Christine Renney

I have become so adept at it, the getting close and yet maintaining a space, a divide. It is flat here, a desperate patch without a roof and no walls. Apart from the one I have built and that is sturdy enough and tall. But there is the slightest of cracks and I can see through and if I press my ear against it and concentrate I can hear.
They tend to the old woman, bringing her food but mostly drink. Cans of “Super Strength” lager. One of them opens a can and places it in her hand. If she would allow it, he would help her to drink from it, steadying and guiding her head, in order to limit the spillage. But she won’t be helped and motions for him to back away, which he now does and, at a safe distance, he sits and watches her. He watches the can. She is gripping it but her hold is weak and it is cold and the can is slick.
Bundled in her dirty woollens and, unsupported on the hard ground, her movements are jerky. The can slips between her fingers and the lager, sloshing, froths at the rim. But somehow, tilting and tipping, she manages to hold on.
I think about those old arcade games, the ones with the claw attached to a tiny winch and I remember standing and staring through the glass, frantically turning the little wheel and trying desperately to grab one of the fluffy toys.

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fiction, photography

THE GRID

Chris R-0602 Image by Christine Renney

The cars are predictable. They crawl through the narrow and crowded streets at a snail’s pace searching for parking spaces. As soon as one moves away from the kerb, another is readying to take its place. This battle is almost constant. It is an elaborate board game, play pausing just briefly in the early hours of the morning when a stalemate of sorts is achieved and all of the vehicles are locked in tight and there are no spaces on the grid, on the streets and, for a brief spell at least, none of them will move.
I keep walking and find reassurance in the line of cars jammed along the pavements. Occasionally I come across a space and if it is big enough to take a car I feel anxious. I am even unnerved but of course it won’t be long before the players return and the game commences.
I observe the drivers as I walk. They are all so desperately focussed that they hardly notice me. They are usually alone but if there are passengers they are just as centred, just as determined and desperate to find a space.
I am passing alongside a pale blue estate car. In the wintry light it is the colour of cement. The windshield and windows are tinted and I can’t see in. I feel a little uneasy about this but I can see quite clearly that there is a place just up ahead. It will be tight but I am sure that this driver, like all the others, is skilful enough. That he will be able to manoeuvre his vehicle quite easily into position. But he doesn’t.
This perplexes me. I step down from the kerb and out into the road. Standing in the middle of the parking space I look back and there are no cars coming. It isn’t too late, he can still back-up but he doesn’t.
At the crossroads he turns right toward the City Centre. I cross at the junction and I stop and I stand and I wait. I expect that here, where the road is wider and there are no cars parked on either side, that he will turn himself around and begin to make his way back. But he doesn’t and, brake lights ablaze, he carries on, albeit awkwardly, down the hill.
When I start to follow he seems to speed up. I am running now and at the end of the road he turns left, onto the ring road and he is gone, leaving me stranded, anxious, here at the edge.

 

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