It’s a strange feeling, this. To be left alone in the middle of a crowd, to be abandoned by people that I’ve never met. The sun disappears and so do the strangers, and I sit cross-legged on the harsh concrete edge, lockside for the thousandth time, with my purple lipstick and my white wine eyes, wearing a garnet ring that was prised off the finger of a dead woman, with not even my faithful moon for company, and if I told you that I feel alive, it would be a lie, one greater than the lie I told you last night, the one that you will cling onto for the rest of your life, the one about loving you, the one about trusting you, the one promising not to die too soon.
Image by Christine Renney
Don’t ever think that we are
So far gone and too far down
And that it doesn’t matter
That their voices, the others’ voices
Are louder and have more clout
That we are just a clamour
And that they are the clarion
And that only they can shout
That they have the megaphone
And all of the music
And are able to drown out our lyrics
Or that the street corner isn’t
A stage or the blank page
Or that the pen, a biro, isn’t enough
Or that they are a fact
And we are merely fiction
P.S. – Believe me, I’m not trying to embark on some regular correspondence, just offering a splat snap smattering of uncalculated afterthoughts and feeling Los Angeles as if it were a psychological condition but I’ll leave you to decide what that means
and what it means to ask more than wonder or think whether we—you and I, addressor and addressee—feel obliged to act like less because so many think they’re more, countermeasures and weights we must, it seems, imagine as some kind of silent unsteady change and there I went saying “we,” you’ll notice, you will, as if to even out the statement so… well… so its mass doesn’t feel all mine, if I have to be honest, looking for at least one other pair of kindhearted, tired shoulders for baring, some way to share the load
because I need help and won’t say it in the body sometimes but will in the afterword, hidden tacked on and down below where it can stand as said but might just as well be overlooked all the same, help feeling that it has to mean something beyond image or projection or—god forbid—market value, our thoughts and sentiments, our dreams and wonderment, our sentience, something, anything without the flying buttresses of ego mystification and all those self-ful things which look so grand in person but not on them
just like how it has to mean something—maybe two somethings—to say something dimly earnest and American with the brow furrowed and eyes wide and glazed like: Same loving kindness for “them” as for “us” and maybe even for a police force of lowly paranoids but these times make that maybe big and make that saying seem to mean more than the first fact of the speaking matter which is that I know more or less how to put the face on like all the rest of them the juxtaposers and equivocators yes them as opposed to us and where do you think the honest truth lies in that, in this the spirit of our age.
Or the spirit of our we-weight, for that more or less unspoken speaking matter, the spirit of rhetorical dissatisfactions word-turned mutual and voice-made real, we like two grains of sand in a scale pan held way up high in the clouds while the world of bricks and mortar and the hard evidence of scientized deceit keeps the other side grounded in a truthishness I purport to despise while looking straight at you and plagiarizing and no one is any much more the wiser even when I say, wide and furrowed, And that was no lie. It was instead the best kind of truth, the one that means at least two things, saying without quote or attribution and to you it just feels like déjà vu, just more talk and dream
of reaching to you from across an expanse I don’t acknowledge because fear makes the wolf bigger than he is and so in my fantasies I talk like this in these fits and stops and fragments all around and through the central thesis, an act like wrapping it up the fear for you, a gift in the darkness for both of us, creating a both of us, and so I go on and on recollecting, stealing, plucking anything that mind thought time brings, memories and phrases from over here on my side in the matted grass like so much rotten fruit but not without a sense of stench and a pinching twinge, if honest I must be, from the daemon close beside with “hypocrisy” whispers on his forked tongue, “hypocrisy,” he says, “you don’t wish to share, to be, only to be wanted”
and so I say these things down here like this in the post script on the under and back behind side nipping at your elbows, treading on your heels, nudging saying look, if you’re inclined to see, how interesting, see, imagining what you’d think of how some other grain of sand—or maybe salt—once said “The only minds which seduce us are the minds which have destroyed themselves trying to give their lives a meaning” and throwing it out there as a smoke screen signal from across that chasm to conceal the real question which is
what would you think if at the end of this if after this at the end of this I finally shut up and told you that when I try to write a poem all that comes out is bad prose and if literature is equipment for living then who am I outfitting with faulty gear and broken hinges and fraying bootlaces, wishing I had an ounce of the ability to destroy my mind trying to give my life meaning and wondering who else feels this way, if you do, and that’s the only reason I bother lacing up at all
using too many words and too few breaths to simply wonder what you think of truth and lies and equipment and selves and if how when maybe someday past it all in fact turned boring—all done, all said—no matter how much lag there is between you, the instant, and I, finding the middle ground within the circle we create to do something more than lie to ourselves and in the beds we make, if the truth with a capital T is only in reflexivity, in obverse, the way Z is not for Xylophone, it just sounds like that.
But I leave you to decide, and leave you now, sincerely, goodbye, so long, farewell.
She was the ultimate, unreliable narrator. Her words were a compromised version of credibility, even to her own ears. In the silent space that occupied the ever-growing void between her own voice and her friend’s supportive responses, she would inwardly chastise herself for uttering such obvious untruths.
In time, her circle of friends became one of passing acquaintances. Then, even that sphere shrank to the size of a little-white lie. Now, she reclines alone upon her little-white-bottle-strewn bed.
She thinks of the myriad of moments where she recognised “the feeling”, when she chose not to instruct herself to shuffle away from the precipice.
Now, as the selfish narrator of her own story, she tells herself the ultimate jet-black lie: a bodiless whisper to herself in the darkening room – “Jump, I’ll catch you.”