poetry, prosetry, Uncategorized

Royal Jelly

honeycomb close up detail honey bee

Photo by Pixabay on Pexels.com

Our era

The anthropocene

Age of humans

Extinction soars overhead

We sit in chairs facing cocktails

Rising CO2 levels

Habitat destruction

We witness the 6th Extinction

Caused by a single species

Resetting the evolutional clock

And Mormons still ask us to have more children

Abortion a sin, the value of humanity

What’s the price of Extinction?

Are we value or flotsam

Bee or rat? Vector or Hunter?

Tearing down clean air

Adapting to plastic, drowning in toxic denial

We don’t need more of us

Maybe new species afterwards will

Enjoy deep time without

Devouring all the honey

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fiction, photography

THE EMPTY STATION

Chris R-1-78 Image by Christine Renney

The reception area is so vast that it easily engulfs all of those waiting. Each has found a space for themselves, somewhere to sit, to stand or to lean, even to pace, unhindered. Only he is unencumbered – he hasn’t a briefcase, no portfolio, no evidence of his brilliance. He has nothing to declare.
He watches the girl behind the desk and awaits his chance, the opportune moment to approach. Unlike the others, he hasn’t an appointment but instead a little insider info and a name and his plan is simply to wing it.
He isn’t sure if he is ready for what might be possible here and, standing in front of her, is suddenly aware of his ambivalence and casually he begins to improvise.
‘I don’t have an appointment.’
‘Oh,’ she looks up at him.
‘I know this is a little unorthodox but about eighteen months ago I worked with one of the employees here, freelance of course. He said that I should keep in touch, that I could contact him at any time. Well, I’ve been trying to reach him for days now, on the number I have for him, but keep hitting a wall and so I decided to come down here myself.’
This little speech rings in his ears, echoes in his head and sounds like utter bollocks. Even if it were true it couldn’t possible convince, could it? Surely not. But, yes, she asks it, the loaded question.
‘If you let me have your name,’ she says, ‘and the name of the employee I’ll see what I can do.’
And so he tells her and watches as she scrolls down the screen of her computer, searching for the name and number, for someone to call. He doesn’t bother to act incredulous, doesn’t pretend to be surprised when she tells him his colleague is no longer there. But although he isn’t really listening to the answers he already knows, when she asks him to go sit and wait he obeys.

It has all gone swimmingly and now that he is safely parked in lay-by a mile or so from there, he can give it some thought. It had worked like a charm; the name and his supposed association with a long since departed maverick. But his complacency had played its part, he had been impressive. They had repackaged their offer again and again. Coaxed him with the finer detail and all he had done was act aloof, as if he was about to get up and go.
Yes, without a doubt it had been the most auspicious of beginnings and eager to talk with his wife he reaches for his phone in the glove box, waiting impatiently for her reply.
‘It worked like a charm.’ It feels good saying it out loud but he now almost incoherent and the complete antithesis of his earlier self. Excitedly he blathers on, trying to tell it all at once, just what it will mean for them. A regular salary and the proposed bonus scheme, the health cover, the pension plan and the projected trajectory of promotion after promotion.
‘Are you sure about this?’ his wife sounds doubtful.
‘What do you mean?’
‘I mean are you absolutely sure about this?’
‘But we discussed this already, we decided together.’
‘Yes, I know, but aren’t you doing okay on your own? We’re all right aren’t we?’
‘Is it the deception? Because I lied?’
‘No, it isn’t that, well, yes maybe. I don’t know, I’m not sure. I know that you’re good at what you do and of course you will be good at it there and I know that it doesn’t matter, that we’ll forget but, I’m sorry, can we talk about it when you get home?’
‘Isn’t it a little late for that now?’
At her end she presses the red button and for a moment or so he sits with the phone clamped tightly against his ear to listen to the silence, to the highly charged static.

He is being led to his work station, not by one of the guys who last week conducted the impromptu interview. No, this is a fresh face, although following behind he hasn’t seen much of it.
The office is scarily large and he is reminded of a news room in one of those old black and white films, the chaos and the clamour. But he is mistaken, overwhelmed by the sheer scale and number of employees, all of whom are quietly engrossed at their screens. No, there is no chaos, no clamour here.
Up ahead, his guide is talking but he has fallen back and can’t hear. He can see the windows at the far end and hopes his desk will be in that area. At least then he will be able to look out.
And there it is at last – the empty station, his allotted space. He doesn’t stop but instead, forging forward, he pushes through the fire exit and wonders if it is alarmed.

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life, poetry, prosetry

Fantasy girl

37945898_225058491668746_2704218410081845248_nShe

has a fantasy girl

her fantasy girl

who is not hers at all

doesn’t know she exists

because existence is

overrated

like a star struck teen

or perhaps not at all like that

more a wreckage that has refused

to completely destroy

that last ember that says

please have some hope

things can be different

she climbs outside of the

mistrust and inability to believe

all the lies people have told her

in such a short life OH how many there were

she puts aside this giant reality

which of course in the real world she never could

because it’s proven itself too many times

to be the most real thing she knows

in this fantasy land

she trusts and believes words people tell

which of course would be suicide

if she wasn’t making it up

but here she is untouched

by the horror of trusting a promise

having it burn through your skin

into your oily marrow

as a lie

here, she controls the fluted outcome

and it is golden

her fantasy girl

you may not look at twice

walking down the street

she isn’t the beauty some of those

she shared a bed with were

she doesn’t have the tawny hair of girl 2

or the azure eyes of girl 5

or the coltish legs of girl 3

she doesn’t even possess

a particularly pleasing shape

or long neck or soft bottom lip

but she is incapable of deception

won’t lie even under pressure

isn’t going to tell you what you want to hear

or feel pressured to appease your query

she will

take you in her arms

and honestly give a damn

if she had scars

missing hair

ingrowing toe nails

threadbare clothes

faded underwear with stretched out elastic

and an unflattering sag

she’d be the best girl she ever let inside

where once there was only bleach and scouring brushes

from cleaning out heartache

now, she can open

the latched window to the garden

smell the chasing breeze of fresh air

knowing she’s not going to be burned in some

unguarded moment

like you feel when

you put everything into a bag

give it to someone and say

here, here I am, TAKE ALL OF ME

but be gentle, I am breakable

the person nods and promises eagerly

because they have yet to

try you out

but once they do and it becomes

an old thing, a worn thing, something

already accomplished

you are the yellowed paper

of yesterday’s fish and chips

tossed into a cold fast running river

sinking … sinking … sinking

she will take anything

even a sharp knife or a thick rope

or two fistfuls of pills and a warm oven

over that kind of destruction

where you feel scouged and robbed

of any ability whatsoever to

believe a single WORD

about love and forever and promises

they are the sticky gooey false

stomach sickening lies

that close your wind pipe

keep you vomiting over a dirty toilet seat

in your pretty dress you stupidly bought

thinking it would be such a lovely day

no let’s not return to that place again

even if it means giving up on

all of it

living instead

in the barrel of a gun

when you fire

you turn to

silver

 

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prosetry

Another Time At Camden Lock

It’s a strange feeling, this. To be left alone in the middle of a crowd, to be abandoned by people that I’ve never met. The sun disappears and so do the strangers, and I sit cross-legged on the harsh concrete edge, lockside for the thousandth time, with my purple lipstick and my white wine eyes, wearing a garnet ring that was prised off the finger of a dead woman, with not even my faithful moon for company, and if I told you that I feel alive, it would be a lie, one greater than the lie I told you last night, the one that you will cling onto for the rest of your life, the one about loving you, the one about trusting you, the one promising not to die too soon.

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poetry

DON’T EVER

Chris R-0115 Image by Christine Renney

Don’t ever think that we are
So far gone and too far down
And that it doesn’t matter
That their voices, the others’ voices
Are louder and have more clout
That we are just a clamour
And that they are the clarion
And that only they can shout
That they have the megaphone
And all of the music
And are able to drown out our lyrics
Or that the street corner isn’t
A stage or the blank page
Or that the pen, a biro, isn’t enough
Or that they are a fact
And we are merely fiction

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prosetry

Post, Scripted

P.S. – Believe me, I’m not trying to embark on some regular correspondence, just offering a splat snap smattering of uncalculated afterthoughts and feeling Los Angeles as if it were a psychological condition but I’ll leave you to decide what that means

and what it means to ask more than wonder or think whether we—you and I, addressor and addressee—feel obliged to act like less because so many think they’re more, countermeasures and weights we must, it seems, imagine as some kind of silent unsteady change and there I went saying “we,” you’ll notice, you will, as if to even out the statement so… well… so its mass doesn’t feel all mine, if I have to be honest, looking for at least one other pair of kindhearted, tired shoulders for baring, some way to share the load

because I need help and won’t say it in the body sometimes but will in the afterword, hidden tacked on and down below where it can stand as said but might just as well be overlooked all the same, help feeling that it has to mean something beyond image or projection or—god forbid—market value, our thoughts and sentiments, our dreams and wonderment, our sentience, something, anything without the flying buttresses of ego mystification and all those self-ful things which look so grand in person but not on them

just like how it has to mean something—maybe two somethings—to say something dimly earnest and American with the brow furrowed and eyes wide and glazed like: Same loving kindness for “them” as for “us” and maybe even for a police force of lowly paranoids but these times make that maybe big and make that saying seem to mean more than the first fact of the speaking matter which is that I know more or less how to put the face on like all the rest of them the juxtaposers and equivocators yes them as opposed to us and where do you think the honest truth lies in that, in this the spirit of our age.

Or the spirit of our we-weight, for that more or less unspoken speaking matter, the spirit of rhetorical dissatisfactions word-turned mutual and voice-made real, we like two grains of sand in a scale pan held way up high in the clouds while the world of bricks and mortar and the hard evidence of scientized deceit keeps the other side grounded in a truthishness I purport to despise while looking straight at you and plagiarizing and no one is any much more the wiser even when I say, wide and furrowed, And that was no lie. It was instead the best kind of truth, the one that means at least two things, saying without quote or attribution and to you it just feels like déjà vu, just more talk and dream

of reaching to you from across an expanse I don’t acknowledge because fear makes the wolf bigger than he is and so in my fantasies I talk like this in these fits and stops and fragments all around and through the central thesis, an act like wrapping it up the fear for you, a gift in the darkness for both of us, creating a both of us, and so I go on and on recollecting, stealing, plucking anything that mind thought time brings, memories and phrases from over here on my side in the matted grass like so much rotten fruit but not without a sense of stench and a pinching twinge, if honest I must be, from the daemon close beside with “hypocrisy” whispers on his forked tongue, “hypocrisy,” he says, “you don’t wish to share, to be, only to be wanted”

and so I say these things down here like this in the post script on the under and back behind side nipping at your elbows, treading on your heels, nudging saying look, if you’re inclined to see, how interesting, see, imagining what you’d think of how some other grain of sand—or maybe salt—once said “The only minds which seduce us are the minds which have destroyed themselves trying to give their lives a meaning” and throwing it out there as a smoke screen signal from across that chasm to conceal the real question which is

what would you think if at the end of this if after this at the end of this I finally shut up and told you that when I try to write a poem all that comes out is bad prose and if literature is equipment for living then who am I outfitting with faulty gear and broken hinges and fraying bootlaces, wishing I had an ounce of the ability to destroy my mind trying to give my life meaning and wondering who else feels this way, if you do, and that’s the only reason I bother lacing up at all

using too many words and too few breaths to simply wonder what you think of truth and lies and equipment and selves and if how when maybe someday past it all in fact turned boring—all done, all said—no matter how much lag there is between you, the instant, and I, finding the middle ground within the circle we create to do something more than lie to ourselves and in the beds we make, if the truth with a capital T is only in reflexivity, in obverse, the way Z is not for Xylophone, it just sounds like that.

But I leave you to decide, and leave you now, sincerely, goodbye, so long, farewell.

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life

The Reliable Unreliable Narrator

She was the ultimate, unreliable narrator. Her words were a compromised version of credibility, even to her own ears. In the silent space that occupied the ever-growing void between her own voice and her friend’s supportive responses, she would inwardly chastise herself for uttering such obvious untruths.

In time, her circle of friends became one of passing acquaintances. Then, even that sphere shrank to the size of a little-white lie. Now, she reclines alone upon her little-white-bottle-strewn bed.

She thinks of the myriad of moments where she recognised “the feeling”, when she chose not to instruct herself to shuffle away from the precipice.

Now, as the selfish narrator of her own story, she tells herself the ultimate jet-black lie: a bodiless whisper to herself in the darkening room – “Jump, I’ll catch you.”

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