life, poetry, prosetry, Uncategorized

Wordless & Spoken

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I looked for you

as my eyes squinted into fog

I saw your luminescence

a beacon lighting way forward

unwittingly becoming life raft

I tried not to cling to the wreckage

but swim deeply through water unafraid

did it matter what direction or where

I would end up?

without you there is a drowned map of the world

made of hide and slick with oil

if you look carefully you can see the outline

of where you drew your location

like a red circle with closed eyes I can

feel the pulse

drawing us ever closer and ever apart

a wave upon wave in an ocean of sadness

there was a time when I believed

we were separated only by

our will

and if we so desired

nothing could really keep us separate

a chain of silver running through water

linking us irrevocably

it helped to feel less alone with you at the end of myself

as if we were bound and raffiaed like Viennese masks

waiting for wearing to bring them alive

you possessed the key to my firmament

you lit beneath my intransigence a fire

through your eyes I was alive

my skin burning for your touch

driving fast down empty roads

your fingers playing splendor beneath my skirts

the bruise of hours

ellipsing sense

you my patchouli girl

rendering me senseless with your unexpected strength

painting our together with shades of unfolding passion

as if we were Bedouin and all we have is the tent of us and our journey

deeper into the delta of the other

where secret streams convey a woman’s urge

wordless and spoken

lying beneath the way to heaven

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Uncategorized

On the chapped lips of lovers

Somewhere

Forgotten over time

A place that hurt

So terribly an ache

Felt like a fresh burn

Has been badly covered over

With paving stones uneven

Moss and lichen veiling crime

If someone deserning of pain

Saw

They’d immediately recognize

A broken, disturbed surface

Jagged and ill repaired

Lake without mirror

Time, a sad blessing

Where grief is concerned

What you thought you’d never recover from

Cut like totem in marrow’s deep

Doesn’t cease to be devastating

You simply forget the intensity

In order to not fall dead

The lessening is like laying a road, or putting up wallpaper

Layers and layers

You think it’s insulation

In many ways it works

Til something unexpected

Reminds you of how you really are

Behind all those layers

In all those crocheted boxes

Stored in denials, fickle womb

That pain you thought, softened

Is as strong as the day you first felt it

Love

Does not

Just whither up

And die

It twists blade upward

Unwilling, yet deftly

Cannibalizing those morsels

You thought most delicious

Til they become tormentor

Even licking fire, preferable

Than one minute more

The scathing and seal

Of pacts

Made in silent war

Where nothing is said

Hate and love, inside out versions

Of the same, mad drum

Beating relentless

Till one falls, one stays standing

Panting in flickering light

Of damage, desult and sate

On the chapped lips of lovers

Wicked in their apportioned

Vengeance

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life, poetry, prosetry

Easy is the slip to nothing

Some have too little love

Like hunger they scrape and search

Pealing the skin from their fingers in want

Looking until emptiness becomes full

For just a glimmer of compassion

The thing marking human

Quick to turn to hate

Like a fickle madness

Or held diving breath

So alive and quickening

A carefully guarded amber flame

Proof of life

For if cold, we are surely dead

Dormant to feeling

Impervious and keening

Easy is the greased slip to nothing

Feelings a weary bead counter

Chanted prayers, wishes forging hope

Touch, warmth, caressing tangible

Not remote

We were not made to stand alone

Though if you set your mind

On climbing chalky cliff side

Be sure there is purpose

For some are made of granite

They release radium

And the unmoving possession of their heart

Is surely worse than never knowing

The hot dulcent murmur

Of poison with purpose

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life, poetry, prosetry, Uncategorized

Exhaling grief

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If you made a sound

This is the sound you would make

exhaling grief

Mauve in color

Straining to speak

What do you say?

Sitting at the family table

All my ghosts

In carried repose

And the new

Who replaces you

Has no power to stake

Your claim

On me

Because I am

Watered by indifference and throwaway cruelty

Fed on your critique

It is your bed – I like in to sleep

Integrating nightmares

Your brand of survival

So sore and foreign to mine

If you made a sound

Would it be a crow

Or a blackbird

At night when birds used to sleep

And now

Wary of rasping day

They call out

To their unseen maker

As I suppose

I call out to you

As I suppose

You hear and

Disregard

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life, poetry, prosetry

The hands of the lost

Sometimes

You pick the sinking ship

Recognizing within

Carousel parts of

Your own visit on earth

There is much wrong

In repeating mistakes or

Returning to well worn habit

When outcomes have proven they are

Dead roads and broken boats

It is not that you are

A martyr

Or even a fool

You do not wish

To bring yourself lower

But if you imagine life

As a well worn stoop

And whom you should feel

Most comfortable sitting there with

Then you will fathom

The type who finds themselves

Supporting the broken-down and

The fractured

For the sheer honesty of their response

And that well earned familiar

That you have known over and over

In the apologetic eyes of your own

And that trembling hand teaching through time

Asking you to

Be patient with my mistakes

There is something

Comforting and real

In a flaw

When all the city lights try to attain pearly perfection

Something you’ve never related to

Another language for

Early risers without grime stains behind their ears

The kinds who are punctual and routine

And do not make shoddy excuses for

Why they cannot lift the weight of the world

From their shoulders

People who may

Go on to take office whilst you seek

To survive and advance by understanding

What keeps the world turning

Which

Can be discovered

In equal amount

From the hands of the lost

As those who are found

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Uncategorized

Black book

Apparently

men can gather bed notches and

this elevates them socially

whilst women of the same history

are sluts plain and simple

therefore

I am a whore

not because you tell me so

or for any notches or black books

but for the raspy feather in my chest

when it tickles

I gather up my fancy

and I imagine

all the rides I’ve taken

which is as far as I go today

given my propensity for not coming back

but there was a time

I let four boys into my room

not all at once or even

in the same afternoon

they were as different as

the rules for men and women

one I found ugly and angular

his penis was a sharp hungry thing

that burned the desire out of me

another was vain and glorious

a cheshire cat apt to lap his own cream

his was large and unwieldly and

whatever they say about size isn’t really true

it’s about what you can do with what you got

the third had a penchant for drugs

and redheads and he had the best music collection

and the prettiest member

but I will when I die

think on the fourth most of all

short and a little fat with a tiny prick

that boy knew the secrets to loving

and we climbed all night

on divine ladders to heaven

where I briefly told him I loved him

and he bruised my womb

with his insistence I was his alone

which sadly I never was

by then my counterfiet heart

had been scattered like confetti

I was no more able to trust

than a painted lady selling her wares

It was the cheapened version of me

I let hook herself out on a line and dangle

you do that sometimes not for attention

but the disgust you have for yourself

and all the smut that got you to that point

and all the grubby fingers that wouldn’t quit

invading your right to peace

by then I had no feelings other than

roll another one, turn the record up

come here and let me suck

that pain away

it seemed the perfect solution aside

knowing the world would brand me a slag

concubine at best

but there is it

like the condom filled trash

stinking and real

though if you get stoned enough nothing

lasts long enough to peturb

including grateful boys who give their all

and in that five minutes of bliss

you learn a thing or two about transactions

how they salve the pain you never reveal

how being abused can make you turn around

and do the very same thing

though they’d never understand why

molested girls will open their legs to strangers

it’s one of those sad dichotomies

that’s also got a gender inequality label

for don’t you know it’s not always

piss and vinegar

makes a young man rut and rut?

we’re all carriers of some brand of pain

and those damaged souls

recognize each other

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fiction

Seasons’ Spell 4

Part 4 of 4, the end. Reminds me: “The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning” (Sam Shephard). Another beginning, a new beginning, or the same beginning, like part 1. Then part 2 and part 3.


He has written a note and left it on the table. The window, now closed and locked, is doing its time-weary best to stand against a wind that creeps disregardfully through the cracks and gaps and spaces, frosting the eight frames’ edges and inadvertently softening the view of a bitter, fuliginous gray sky hanging over leafless brown-black branches, if anyone were there to see.

The oxalis is long-dead but its empty pot remains on the sill, pointless and inert. The curtains have been removed, the tablecloth is gone, and the chairs are tucked in, left behind as if to commemorate shared comforts, and also loss. The photograph is gone but a faint rectangle of long-shaded paint remains on the wall in its place, and the only sounds in the house are the occasional wintry creak and groan of tired timber and the wind’s solemn, discordant breaths. The note sits on bare maple nicked and scratched.

I love the you I’m sure you’ve become even though I’m not there to know and see, he wrote.

*

And spring returns, and the house remains. The trees, the hills, the sky, the night, the day—they all remain with time, ever changing, ever the same.

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