poetry, prosetry, Uncategorized

This is dying / This is living

grayscale photography of two woman kissing

Photo by Fernando Favero on Pexels.com

Don’t say / that word

case we defame / or endanger

this moment / and the next

cresting night waves against recumbent shore

your arms molded from sand rise and fall

to my perpetuate weave

and we are

like flowers awaiting sufficient light

to open fully

a miracle each time the pallet of

senses born over with each song

held in my chest like women who wet their lips with the sore

chaff of flax before threading it into life

we make our reality

each elbow gracing air with untrained response

ballerinas finding satin undercoat

beneath dance

if leaves covered us, they’d say

Fall never ran out of color

your diminishing form as you lean away

gasping for air and back again into

perfect vision

there are only circles, nothing is

straight lined nor willing to beg for its supper

we two have earned our share of peace

many years of violence

the thrum and rub of pain is an ever

present crystal, hung against day

a kaleidoscope of far away places

we both realized that ache lying

just one layer beneath fevered skin

for you are

this enchanted place within me

a mirror of sea water washing over

the hardness I tried to place in armor

in lieu of a heart

your beneficence and the

arch of your neck bent in sleep

a field mouse of russet and dream

I would gather everything holy

pour the past down trilling drain

vanish with you into wings of night

two stars indivisible, our energy tracing

electric center of the other

this is dying and this is living

neither of us can mouth the enchantment

no longer necessary to verbalize motion

as birds gather their passage to dusk

swooping like dancers ushered from stage

and after everyone is gone

our love shall endure

a hidden thing

blazing brightly

in memoriam

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poetry, prosetry, Uncategorized
KONICA MINOLTA DIGITAL CAMERA

KONICA MINOLTA DIGITAL CAMERA

My forearm

Has your fingers circled around it

My waist

Your hands meeting each other

The tattoo of your movement

Across the salt of my plains

You chisel my rise and fell my present

Into your eyes I tumble

As velvet dark becomes elongating heaven

Your fingers brush my cries with storm

I am beneath you, as infinite waterfall

In your shadow, from your shade

Eclipsing to return, cycles of moon

Blur what is real, against imagined.

Over time we learn

neither exist more than other

it is our capture of this moment

held in elapsing abeyance

within some sphere beyond consciousness

evoking mislaid emotion

flame lit against sulphur hearts

and we climbed the mountain, sweating and fatigued

thinking … why even bother?

Those wise voices, challenging us as children

take each experience, infuse it

with the richness of YOU

here’s the camera, snap a shot

twenty years later, we are still staring off

color changes over time and people

will leave and return like cuckoo dolls carved into

clocks.

Unexpected are the faithful and true

we smile because we’re told to

soon sides begin to droop, if held too long

spontaneous and a little dangerous

leaving the washing for another day

floors need cleaning, beds changing and perhaps …

if we stand still and instead, wait

they will see our outlines if

they’re not in a hurry

but everyone is too preoccupied

with staring at the red moon

to notice our climb

over the globes circumference

flying we take hold, of each others seek

a creature of bush fire and opal.

She told me once

don’t wear them, they are bad luck

I polish now, the angles of my semi-precious face

to ensure nobody knows my true thoughts

save you, you who built

the universe and with your existence

I have no need of foolishness.

We are what we are, because

there is a flower blooming

only at night and

the frangipani spell stays

rich and heady

all through the long

hours

of our union.

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fiction, photography

IN A PARIS HOTEL ROOM

Chris R-1-93 Image by Christine Renney

When it happened they were away from home. The smell was so invasive that, for a moment or so, Harris was unsure of where he was. Lifting the thin sheet he looked down at himself and at Geraldine, sleeping soundly on her side. He remembered then that he was in a hotel room in Paris and although the smell didn’t lessen it did suddenly seem a little more bearable. He was abroad, in a foreign country and this was something alien.
Convincing himself that it was coming from outside he slipped from the bed, careful not to wake Geraldine, crossed to the glass doors and stepped out onto the tiny balcony. It had been raining, the air was still fresh and the street below was still wet. In the cars’ headlights the moist air glinted.
The smell didn’t dissipate and at first he couldn’t locate it. It remained exactly the same despite the open doors. Harris realised it was coming from him, that he was the cause of it and he started to claw at himself, to pull at his pyjamas, to sniff his underarms and his hands. Harris was sweating, despite the chill of the air, and suddenly he was aware that his awareness of anything other than the smell, of anything outside of it, was non-existent, that it was all he could taste.
He stepped back inside and, swiftly and quietly, made his way to the bathroom. He pulled the cord and in his bare feet he stumbled on the tiles. This was something at least, his fleeting blindness, his blinking, his needing to adjust but the smell, well it was still rife.
Standing in front of the mirror he lifted his pyjama top and let the bottoms drop. He looked but there was nothing.
Why?, he asked himself. Why here and why now, so far from home? How could he hide this, how could he conceal it from Geraldine?
He stepped into the shower and again it was something, the water hitting his face, stinging his eyes, burning his skin but he knew it wouldn’t last. And afterwards, wrapped in a towel, he dropped the toilet lid and sat. Had he ever felt as ashamed as he was about to? As embarrassed as he would be when Geraldine awoke and found him like this?
He seriously considered leaving, going home but how could he? He imagined himself trudging through the streets of Paris, hunched in his overcoat. How could he make use of public transport or take a taxi? And then there was the airport and the flight. No, it was impossible. He couldn’t leave, not like this. He had no choice but to stay and face Geraldine.
They were here for three days and Harris felt sure that it would pass. That if he could sit quietly in the hotel room he could conquer it.
At first Geraldine didn’t mention the smell, but although it was only a matter of minutes, to Harris it seemed like an eternity.
‘You’re not well, are you?’ she asked. Pulling her robe tighter around herself she stared at him. ‘You poor thing,’ she said moving closer to him and placing her hand on his forehead. ‘Well you don’t have a fever;
what do you think it is?’
Harris groaned. ‘I don’t know. Can you smell it?’
‘Yes I can smell it.’
‘Then why didn’t you say?’
‘I didn’t want to embarrass you.’
‘Oh.’ His heart swelled. ‘I’m sure it will pass, given time but I’ll have to stay in here I’m afraid.’

Harris insisted that Geraldine go out and explore, see Paris. He didn’t want her to miss out because of this, because of him. He realised as much as he needed her, that if he was going to beat this he needed to do it alone. But the idea he might lose her was something he couldn’t put out of his mind.
Geraldine had left the television on and, flicking back and forth, he eventually settled on one of the music channels. Turning the volume low, he lay back and tried to concentrate.
Although he wasn’t really interested in the constant stream of videos he found himself drawn to the screen and, despite himself, he watched the unceasing parade of forgettable pop stars until at last he recognised a piece of music.
Harris turned the volume higher and listened. It was Radiohead’s ‘The Pyramid Song’. When it was finished he hit the mute button and tried again to relax. But a pattern had been set and in this way he passed his day. Whenever the animated film accompanying the song appeared on the screen again he hit the button and listened intently.
When Geraldine returned that afternoon, nothing had changed. The smell was no worse and no better; it didn’t drift on the air and escape through the open window. It was bearable now perhaps only because she believed it would pass, that it would go, but when?
Harris was sitting stiffly on the side of the bed, waiting yet again for her to speak. She stood mute, trying to make some sense of it but struggling. It was like a block of ice that wouldn’t melt.
‘What have you been doing with yourself?’ she asked.
‘Trying to relax.’
‘Have you been reading?’
‘No.’
She glanced at the television.
‘Have you been watching this all day?’
‘Yes, well some.’
‘Does it help?’
‘No – maybe. I don’t know.’
‘What do you mean?’
‘I’ve been listening to the same song all day long; each time it comes around I turn it up and listen.’
‘Which song?’
‘Radiohead.’
‘Which song?’
‘The Pyramid Song.’
‘Ah.’
‘Do you know it?’
‘Yes – which album it is on?’
‘Amnesiac.’
‘And you have the album at home, right?’
‘Yes.’
‘Would it help if you could listen to it here?’
‘Yes, I suppose it might.’
‘Then I’ll go out and buy it and something to play it on.’
‘Yes,’ Harris stood and began to pace excitedly, ‘I think it might help. We’ll try it tomorrow.’
‘No, the shops are still open. I’ll go now.’
‘And the Messiaen ‘Quartet For The End of Time’ if you can find it.’
‘Okay,’ she said, ‘I’ll see what I can find. I know what you like.’
Geraldine lifted her handbag from the top of the bedside cabinet.
‘I’ll be back as soon as I have found them.’ Standing in the doorway she smiled at him.
‘I really do believe this is going to work. In fact, I think it’s working already. Just keep thinking about the music you want to hear and then perhaps tomorrow you’ll be able to see a little of Paris before we go home,’ and turning she pulled the door to and was gone.

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poetry

Heartlock

my heart: a chunk of amber
an ancient rock
washed up from the baltic
opaquely transparent
like us
our love: the mosquito inside
a moment in time, chaotic
stuck in perpetual flight
frozen in aberrant delight
preserved lust
trapped trust
your smile: fossilised
your lies: petrified
those years spent
were no accident
you’ve still got
my heart in a headlock
my head in a heartlock
unbolt the deadlock
let us see the light
of day
again

 

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life, poetry, prosetry, Uncategorized

Moving toward light

adult alone anxious black and white

Photo by Kat Jayne on Pexels.com

When I am sad, a voice, not unlike my own

chastises the impulse

if it is that, wishing to rise beyond, crush of emotion

when I am sad, I make myself sadder

by listening to those inherited echoes, telling me how I should feel

shutting down the validity, condemning feelings less than

knocking walls already fragile, disqualifying the emotion

when I am sad

I think of your disappointment

how much you wanted me to be

a thing of steel

reflecting only brightness

nothing dull or sorrowful

how I became in irony, almost everything you loathe and detest

I would say I am sorry, for your distress

but I learned instead of words, to be sad

maybe in part, because I saw, that flint in your eyes

nothing else was there

though in truth I was sad, at six years old

watching kids bully each other

knowing then, inequality and inequity

imagining the fight before I had, grown tall enough

hoping The Magic Faraway Tree

was real but knowing if it were

children grown to adults, would cut it down

when I am sad

sometimes it helps to think

love cannot be broken

by sadness or loneliness or grief

love stands as our first flower

even as it no longer exists the scent remains

to save us from disappointment

of so many other things

including each other and our infinite ability to be cruel

I am still the child with the blue rabbit

watching adults lie to each other

and kids emulate and pinch, the very stuffing out of hope

for if there is a Magic Faraway Tree

I think it would not be

for you or thee or me

like all magic things

only reveal itself to those pure hearted enough to know

sadness is manufactured by what we do to each other

with each cruel act it grows

if we let it and if we don’t

then next time I am sad

I will think on other things

like your voice and how

you make my heart quicken, just in your use

of words, the familiar cadence a worm

reaching deep into my heart

moving toward light.

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