Uncategorized

On the chapped lips of lovers

Somewhere

Forgotten over time

A place that hurt

So terribly an ache

Felt like a fresh burn

Has been badly covered over

With paving stones uneven

Moss and lichen veiling crime

If someone decerning of pain

Saw

They’d immediately recognize

A broken, disturbed surface

Jagged and ill repaired

Lake without mirror

Time, a sad blessing

Where grief is concerned

What you thought you’d never recover from

Cut like totem in marrow’s deep

Doesn’t cease to be devastating

You simply forget the intensity

In order to not fall dead

The lessening is like laying a road, or putting up wallpaper

Layers and layers

You think it’s insulation

In many ways it works

Til something unexpected

Reminds you of how you really are

Behind all those layers

In all those crocheted boxes

Stored in denials, fickle womb

That pain you thought, softened

Is as strong as the day you first felt it

Love

Does not

Just whither up

And die

It twists blade upward

Unwilling, yet deftly

Cannibalizing those morsels

You thought most delicious

Til they become tormentor

Even licking fire, preferable

Than one minute more

The scathing and seal

Of pacts

Made in silent war

Where nothing is said

Hate and love, inside out versions

Of the same, mad drum

Beating relentless

Till one falls, one stays standing

Panting in flickering light

Of damage, desult and sate

On the chapped lips of lovers

Wicked in their apportioned

Vengance

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poetry

Fight Night

After too much truth serum,
I was after a fight.
“It will all come out in the wash,”
the wise man used to say,
but those words of mine won’t,
the ones I spat all over you last night,
vodka- and saliva-laced
blood on your white shirt,
and your handsome face,
pale, bewildered and afraid.

Claret on cotton and hearts on sleeves;
words that hurt and eyes that bleed.

You weren’t expecting that venomous spray
and you should’ve washed up straight away
but those stains are stuck now, ingrained,
tainted fibre, they’ll barely fade,
merely to a lighter shade of pain
but it’s still pain, pain all the same.

Claret on cotton and hearts on sleeves;
words that hurt and eyes that bleed.

Blind rage, I disengaged
and, the next day, I don’t
remember the details
of my cruel tirade,
but can tell that it was harsh
by the look on your face,
your face that says,
“I know you’re sick, you didn’t mean it,”
your face that won’t admit
that I say what I mean and mean what I say,
your face that says,
“I will always forgive but I can never forget.”
Can’t you see that I’m trying to make you love me less?
That I want you to come out best?
I’m trying to make you leave me
before you get left.

Claret on cotton and hearts on sleeves;
words that hurt and eyes that bleed.

And you can just buy a new shirt anyway,
one that’s pretty and pure
and free of pain and free of stains,
easy to iron out the kinks,
easy to maintain,
better quality than me,
longer lasting than us.
She’ll fit you just right.
And, in time, you will forget
the unwarranted malice, cruelty, spite
in the words that I spat all over you
during a nasty drunken fight
we had, late one October night.

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life, poetry, prosetry, Uncategorized

Low Flame

Sisters+-+SliderYou damned me with your penchant for

betrayal

only the smooth hollow of a quiet buttoned up body

resting now, untouched chalk and mortar

lain still so long, breath has left

I did not want to wake up

get dressed

pretend to function at the end of tugging string

there was a place in my head that dissolved living

a spindle that gathered all my yarn and knitted something else

not me

back into a shape I did not recognize

she went on without

this clockwork version of myself

whilst I followed the bath water down the drain

hearing your serpentine taunt

what was it you said?

you would feed me?

I don’t need food

I don’t need air

I am existing on memories

of being fearless and before erosion

the wonderlust of the young and close to flame

possessing no sticky cleavage, no rub of thigh

or need to sup

the fealty of those who have not yet

watched their bones dissolve into chalk

this theatre is cold

like love when it is left

on a low flame

catching and diminishing

as most will rest

and one dances

mad arms flung

like sticks of liquorice

beneath restraint

have you ever known what someone was like?

but somewhere along the journey, without any good reason, forgotten

gone on forgetting until all the things they are capable of

are lost and you see them with fresh eyes

just as wrecked and pulled to pieces the next time, they tear your fucking heart out

is that forgiveness God? When you forgive and you don’t forget?

except the very act of forgiving means you do forget

the extremity of pain and its after effects

how can you walk next to someone capable of pinching off

all their emotions as if you were snuff

turning out the light on you

just. like. that.

harm stains the mattress a livid hue

as if I were given a blood transfusion of pain

tell me please

who do I have to hurt to stop?

myself, or all the years

I wasn’t myself?

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poetry

Savage Dance

The scythe told me

Your depression is a choice and a weakness

If you are a writer there are no excuses only

Discipline

The scythe is a girl who has long been a cruel woman

She judges me worse than I judge myself

Her reason lies in anger

Not the rumpled clothes sort

The burning brand of not getting what she feels entitled to

And that is me

I have told her

But she holds me close and afar and plays me with her passive aggression

I am not able to exit the game

Though it exhausts me and is

A sharp tasting whip

Sometimes it feels like

She captains my life and I am a boat

Continually drowned by stormy seas

People would say

It’s easy … just break the chains

Walk away

Tell her to go hang

Lose my number

Go fuck yourself

But I can’t do it

I have a matchbook heart

Strike me once

And I’m in it for the long haul

The perfect patsy

A groveling bullseye

It only reinforces a sense of self hate

Which she stirs with bolognese

Sadists are usually unaware

Of how much they practice their art

In every card game

She pinches, pushes and pulls

I am a lopsided puppet

The times I tried to

Go it alone

Ended badly

Sometimes the Devil

Is the only hand in the dark

And not many of us are brave enough to release all toes

Fall away without harness

Especially when it takes most of what we possess

Just to survive

So she has my life in her rubber bands

Every day she yanks me to my knees

With the nostalgic ejubulence of a professional killer

It is I fear

A form of savage dance

And only one of us will survive

Sometimes I catch myself wishing

She’ll go first

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art, life, prosetry

On Writing & Suffering

Pain depends on me to be its host:
suffering is the needy child,
and I’m the parent who never says no.

*

As long I write, the pain is necessary. If I stop, the pain becomes unnecessary, pointless, all for nothing apart from what it is, which is inherently bad. I am a hostage, and if I stop transforming the pain into something better I will essentially be throwing away all chance of survival: I will not make it out alive, merely allowing myself to become another casualty of a sinister, seemingly unstoppable higher power who tortures me daily even though I have nothing to reveal, nothing it wants, nothing it needs. The pain becomes sheer cruelty with no objective other than to destroy me. As long as I write, I stave it off, I delay my death day. The narcissist in me likes to think that my torturer is secretly looking forward to reading what I write next.

*

I don’t invite the badness but once the pain decides to stay, it becomes hard to turn it away. The pain of unhooking it from my skin is enough of a deterrent. Easier to let it stay: less bloody that way. So I turn it into something else – something creative, perhaps even something beautiful, or helpful. I try to, anyway.

*

I’ve been given a life sentence.
I’ve been punished, blacklisted, labelled evil.
But it’s not me. It’s not me.
I’m not the villain.
It’s my mind!
My mind is the guilty one.
I’m not the evil one, my brain is!

My decisions are not mine to make.
My actions are not mine to take.

Everyone called it “attempted suicide” but it wasn’t,
it was attempted murder, my mind tried to kill me,
it was my mind, it was my mind, not me!
My mind is the one that did it!
Why can’t you see?
Don’t you believe me?
I have proof.

*

And the evil things that it does to me, all that badness, I try desperately to turn it into something creative, into words on a page. All of these filled notebooks, all of these poems, all of these scraps of paper: the proof. The proof. The proof that I have suffered for two decades, against my will.

*

Writing feels to me like an attempt to prove my innocence. They all have me down as guilty and I’m stuck on death row. My execution date is drawing ever nearer and writing is my last ditch attempt to prove my innocence. It feels like gathering evidence from the confines of my cell and presenting it to my unsympathetic lawyer:

Look.
Look at how I’ve been tortured and beaten and terrorised.
See?
Look at all these years of misery.
You’ve got to listen to me.
I deserve to be free.
I’ve done nothing wrong.
My mind made me do it, made me do all of it, and all of the stuff that I didn’t do, too. They’ve got it all wrong.
Look at all this pain.
Look at it.
LOOK AT IT.

But it’s too late. I myself have been forgotten, and only ever remembered as mad, sad, bad. I stay locked in my cell, sharing a skull with the real danger, a bed with the real monster. I swallow my pills and eat my greens and am polite to those unfortunate souls whose jobs have led them to encounter me, the ones that are always unable or unwilling to help me, the ones who have written me off as mad, sad, bad, bad, bad. I play sudoku and collect smiles of pity. I keep writing and suffering, collecting my evidence. I suffer and I write, night after night after merciless night.

*

I dream of my grave and always smile when I see it. You dream of your name in lights, I dream of mine engraved on a marble headstone. Sometimes it says I died in 2008, sometimes 2015. It varies. The stone is always clean, polished. Someone’s been looking after it. Lush green grass has always grown over me perfectly, evenly, even beautifully; the first true natural equilibrium that has ever befallen me. The world is a better place. I smile until it hurts my face.

Upon waking from my latest grave dream, I reach for the box of evidence that is stowed under my bed. I unlock the box for the first time in a long time, so long in fact that I almost forget where I’d hidden the keys. Starting in 2003, I begin to read. Even though it is my own story, I am shocked at what I read. Look at all this pain. Look at all this trauma. Look at all this sadness. Look at all this writing. Look at all this suffering. Look at it. “Look,” I say to no one. “LOOK.”

*

My biggest regret is taking myself for granted. Appreciate your intelligence, your personality, your abilities, your beauty. You may wake up one day and find that your own brain has decided to take all of your goodness away.

 

 

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life, poetry, prosetry

Your misuse

They can tell you

Because you’re not going to back down

You won’t sell your sisters for a side ways glance

You won’t burn your bra, you may need it to strangle someone

You have the same look

All of you

The ones with green hair and multiple piercings who say fuck off before you smile

The ones who rule the world behind the scenes and nod as their husbands slip inside

The ones who are glory and begotten and forgotten and eclipsed and insist

They still live

You can tell

Even as they spell it out in myriad ways

I am not your slave

You do not own me

But once I was hurt very badly

By my father, mother, brother, sister, best friend, neighbor, uncle, stranger

And I carry the brand around my throat

Once in a while when I lean over

You can see it quickening

I may stay locked at home with agoraphobia

I may dance on tables in mock euphoria

I may fuck you and your friends for a glass of red

I may be a nun or an abstinent

How I express my rage

Comes differently

But inside we’re all the same

The whores, the moms, the teachers, the tree cutters, the little and the large the quiet and the opera singer

If I open my legs it doesn’t mean I’m over it

Or caused it or needed that brand

If you repeat the violence, it may be the carousel in my head

If I close them it doesn’t mean I’m frigid or need a bit of teaching, by you

If I’m a lesbian that’s not the reason, if I’m into men, I’m not guilty of treason

Underneath we are the sisters and brothers of

Your misuse

And our pain doesn’t go away like Oprah said

Our scars aren’t magnified if we think about it thirty years to the day

We’re not stronger for forgetting, remembering, talking, staying silent

Violence, passivity, acceptance, rage

We’re not weak because at 4 am we find tears on our cheek

We’re not strong because we take it and carry it around

We survived

Just like a rock

Covered with water

Will remain whole beneath storm

But whittle down with erosion

So slow nobody can tell

We’re not your beloved or maybe we are

We’re c-sections and sterility and STDs and shame in every color

We’re nymphomaniacs and we’re disgusted, we’re relieved, we’re open, we’re closed

We’re sisters and brothers of fire and brimstone

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life, poetry, prosetry, Uncategorized

She predated the moment of her autopsy

1234908_469437609824109_1609513967_nWhat you don’t know, can’t know, won’t know

is she flushed it all

and now she’s ten pounds lighter

no womb

no baby

it’s been carefully dissected and left for students

to place in formaldehyde and trot out when exhibitions

are in town

rather like her

with her avuncular spirit that even when pissed on

from a great height

keeps joining the circus

you wouldn’t have wanted her if she was the last girl in the room

and she was and you didn’t

but fornicate you did

the way young skin seeks anything for a thrill

even the mildly disgusting

where did you get the scar? you asked without needing a response

but she told you everything, the whole dirty bag of it

because she wasn’t going to last. and you

weren’t going to listen

when they came knocking on your door

inquiring if you knew her

at first you said no, I haven’t heard that name before

but of course you hadn’t, you never asked

she didn’t volunteer much besides

the opening and closing of her legs

scissors chopping the thin thread

they showed you a photo

someone who had light in their eyes

not her with darkness on her breath

but it was

those scars

the dissected girl who was cut open

and *audience cheers*

found to be empty

of life

she predated the moment of her autopsy

with a slow smoked cigarette and some warm cum

leaking between her legs

giving her the courage to believe she’d been alive

before she fell like a weight seeking reclamation

the air rushing and pulling her down

to where she lay in an impression of sleep

I don’t know why she jumped, you said

feeling no guilt for nameless sex

it was just two consenting adults

hooking up after a night of drinking

I couldn’t even tell you anything about her

other than she didn’t say no

he closes his eyes and he feels her hands

touching his shoulders softly

pulling him inside her as if she were

hungry and full at the same time

no I didn’t sense that she was sad

or wanted to take her own life

I smelt her perfume it was

like flowers

left in water

too long

 

(photo credit: Nona Limmen)

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