art, fiction

The Festering Wound of Tacky

Driving from the grand canyon into Vegas feels as I’d imagine a flea feels hopping from one side of a warzone to another.

We drive in at night. A sea of lights, a fire that refuses to die–or even flicker.

“Holy shit,” I say.

“Holy shit,” my brother agrees.

Our mother is in the back. “It’s the tackiest place on earth,” she tells us.

We get closer, a giant pink lighted sign advertises collision insurance. “Tacky, tack, tacky,” my mother says, in awe.

“It’s like the birth place of tacky,” I admire, as we head straight for a beam of light shooting into the sky.

My brother, trying desperately to concentrate on the road, can’t help but add, “the festering wound of tacky.”

We laugh, agreeing that ‘festering wound of tacky’ is the greatest height our joke will attain. “Where are we staying, again?” I ask.

“The giant glass pyramid,” our mother says.

My brother and I frown. “The what?”

“The giant glass pyramid.”

“Right.”

I don’t know exactly what we expected, but it turns out to be exactly that; a giant glass pyramid.

“Why?” I ask, staring up at the top where the beam of light is shooting into the sky.

My brother shrugs. “I think Las Vegas is the ultimate answer to the ultimate question.”

“And what’s that?”

“Why not?”

We make for the long entry-way into the pyramid.

“You realize if I were an alien, I would think this was the capitol of Earth.”

My brother nods. “Maybe this place was made by aliens and that is the capitol of Earth according to the rest of the universe.”

I can’t help but feel like that makes more sense than any other explanation I can come up with. So, I agree. Inside is motion–pure motion. People move, lights move, the air moves. It is 2 a.m. We carry our bags through a crowd of open containers, lit cigarettes, and bachelorettes. Our mother calls it “The Floor.”

It is endless, yet, it ends. The elevator goes up at a slant. A woman in a sequined blue dress stumbles into an elderly Hispanic woman holding a sleeping child.

“This is some wonky shit,” the sequined woman blurts out.

“I wonder what’s going on at the bottom of the Grand Canyon right now,” I whisper to my brother.

He looks around and shrugs, “probably the same.”

We laugh. Neither the elderly Hispanic woman or sequined dame seem terribly impressed.

 

**For more of our art and stories check us out at Flash 365

Advertisements
Standard
art, poetry

This Way to Hell

A man and his fiancée
saw graffiti on a bridge nearby
“THIS WAY TO HELL”
is what it said.
They think I did it.

I wonder why
they’d think
I’d know the way to hell.

One night I saw the man walking.
I followed.
He was on the phone and he was yelling

“NO ONE LOVES YOU BUT ME!
WITHOUT ME YOU’RE NOTHING!”

We passed under the bridge
I followed

curiously.

Standard
art, fiction

Outside my Window 7:26 – 7:59 P.M.

hijben

A man is standing by the cars outside my window, smoking. He is not a man, really, younger. A boy. But he is wearing a suit like a man. I don’t think it is his car, it is nice. Something with an animal for an emblem. But then again, it is a nice suit.

Turns out it is his car. It seems he didn’t want to smoke in his nice car. He must be a man.

A boy in an orange shirt; bright orange. Oranger than orange, the orange of a blind, elderly fashionista. He is standing in front of the market across. There is no telling what he will look like when he is older. He is wearing glasses, his hair is a mess. One day, he will see, I won’t. Oh well, he went inside.

A woman pushes her daughter on a silly looking carriage. It is shaped like a bike, with a fat seat. She is eating ice cream, the little girl. The mom has a small boy in the other hand; jealous of his sister, probably. I would be.

A whole group. A messily clothed slog of meat walk by. A disturbing amount of floral shirts are among them, despite age. They’ve passed.

A woman in heels heads into the market. I can hear them click from here. I am on the second floor, across.

Two twenty-somethings and a girl in a gray dress stand outside the middle eastern restaurant beside the market. She is smoking, they aren’t. One of the men has his hair up in a bun. I don’t like that, I don’t know why.

The young man in the nice suit and nice car has been sitting a while outside. In the air-conditioning, most likely. It is a decent day. A woman just got in. I only just noticed his scarf, it is floral, too. They are driving away now. It his nice car with an animal emblem, like a leopard, but without spots. They are gone, off somewhere nice, I suppose.

A man walks with his girlfriend in one hand. Not his whole girlfriend, of course, just her hand. In the other he holds a skateboard. It is bright orange, but, at least he is wearing sunglasses.

A girl in an orange scarf passes with her friend. It is a sensible orange, more sluggish. She is talking with her hands outstretched, holding an invisible ball. I can only imagine.

An Asian looking an with blue streaks through his hair passes, drinking Gatorade. It is blue, too.

A man in lime green shoes, violent green, sour–a sour, sour green–he walks by. I can’t see the rest of hm.

A truck just went by. It was dirty, so dirty. The men in the front look dirty; in a good way, an almost-dangerous sort of way.

A woman, carrying her blanket walks by. The blanket is checkered. Black and orange; soft. Two boys, one bigger, one smaller, chase her on bikes. I don’t think she realizes the chase is on. She finds the right song.

A woman walks out of the market. I didn’t see her go in. She isn’t a woman–really, few are. She has a fat face. I wonder why that is all I can see, I hope she sees more.

A girl, maybe three, or four, just ran by, calling for something, or someone.

A man–I think it’s a man–walks by holding a painting. I can’t see the painting. His hair is frizz. He turns. It isn’t a man.

The man I buy coffee from in the morning walks on by. He has very long hair, messy. Off he goes, in the wrong direction of where I’d expect him to be.

The girl, the one who might be four, has found her mother. She is quiet now.

A younger man, a less well dressed one, stands across, he is on the phone. He looks like the boy in the orange shirt. It turns out he won’t be all that handsome after all.

Standard
prosetry

Fall In Two

Ah, what good does it do. Could mine meaning from every last phrase but sometimes it just fills space.

I told you that and you said you like the way(s) I talk and I heard the parentheses. We sat on the big brass bed in the old white house on the hill where so many of my dreams seem set, recurring stage, varying scenes, and I talked about kissing you and you moved closer on instinct, still sitting up, us both.

The comforter was pillowy and soft and I thought the same of your lips, knew it, didn’t that time say so though. I said instead something annoyingly poetic about the inability to imagine a room you weren’t the center of, hazily depersonalized as if it were some first principle, still thinking about a couple somethings you’d recited earlier, memories and a dream, and I forgot the order and quantities and wondered like I usually do what the difference was, is, and what it makes.

But all I said was even the rooms you’re not in revolve around you, your beautiful energy. It sounded almost too good, the feeling almost too easy, too clear, too shallow, too too true, almost, the echo of my own words in my head making me cringe conscious self and I turned it around to get it out—energy, beautiful—and said so and you said “sometimes the truth’s like that” and I started to tell you the whole of it, soft and low.

*

So, we’d been standing at a red light corner in the daytime, I said, another scene, a brand new different setting seen, new city, it was, not ours but could easily one day home become. Who knows about these things. Skies grayish like a storm coming or just past or both and we were of course in between laughing about the story you heard about the former navy man from Florida who was found unconscious in an LA motel room and only spoke Swedish and called himself Johan Ek when he woke up, which I heard as Johann Eck and said that’s some funny ridiculous impossible shit and that made it feel a little more like it. Home, I mean, like home.

The light changed and we crossed the street on a slight decline, short caterpillar string train of stopped cars to our right, cab at the lead with its blinker on in that dim broad daylight, rows of silent empty vessels parked down each side like bowling lane gutter bumpers from where we were doing our us thing hand-in-hand, down each side to vanishing like the sea was out there and I for no apparent reason said from time to time I defect from time and this is the result and you looked at me like it meant something which made me feel good because I wasn’t sure it did, just that it came from somewhere and had been floating around my head for a while. It came from somewhere and a “from somewhere” always to me meant a thing must not be nothing so I’d developed a penchant for bugging people about sources and origins and preceding thoughts and you were the only one who ever really went along, really and truly wondered and knew because you did too.

Midstreet I told you I can’t be anywhere when I’m with you because being with you is everywhere at once and you stopped walking and turned me to you in some unfelt gesture about three paces past mid and I could feel the cabby’s dead eyes on us from behind his bowling ball’s steering wheel, staring down the spare, could hear his blinker out of the corner of my eye and then I came to, came back, went away, woke up, however you’d call it, before I could find out if we’d get knocked down and swept away, drearily mad at my alarm or consciousness or daylight or whatever I could think to blame for the abrupt cessation.

That’s where I started and truly could’ve stayed, where I picked our big brass bed talk up, with that chopped off cliffhanger, telling you about waking up from the sleep that brought it all, still caught on and trying to prattle us away from that dream of yours you’d recounted about seven minutes before, give or take, the one where you came to stay with me and found another woman there as though she were your rival and in the dream I ignored you and kissed her goodbye in front of you (that time I heard the punctuation) as if that was just a regular thing to do and she was skinny and not pretty and you walked with her down the hall to the elevator bank and she was mean and cold and cruel, rubbing your face in what you’d just witnessed like she lived for that.

Then you had a hard time getting back to my apartment because you couldn’t get the elevator to go to the sixteenth floor I don’t live on unless you break that out as six plus one and so you were scrambling around the terrible Vegas hotel-type maze labyrinth mystery dream building and couldn’t get back to where you were supposed to be, lost and upset and you said you weren’t sure even in the dream sure why you were working so hard to get back up to me and that stung a little because the truth is sometimes like that.

But I understood, dream considered, and who wants to get lost in a Vegas hotel with a skinny little nasty bitch rubbing your nose in ugliness where there’d once been pure beauty, vast and open an untarnished by either word or deed. It’s ok, you said, you’re here now, we’re here, together, only for life.

*

When I’d finished my retelling and finished dwelling for a quiet blind minute in yours from before as if I’d done you wrong in sleep I came back again at the thought of those together words, for life, back to a lifetime of desire sitting in front of me at the old white house on the hill in the daytime still.

You got up to take a shower and mix a drink and I laid myself back on that big brass bed to fall back into the soft duvet like it was a fantastic cloaking cloud till monkey mind did again what it does sometimes when you’re away and I’m out of bananas and turned stormy, replaying bits and pieces of what you’d told me about some guy from before who misread all your poetry, trampled your prose, and was more or less deaf to your speaking spokens and heartfelts with eyes always half-elsewhere on nowhere else and nothing much but who knows what besides his vacant self and I thought “figures, typical” and said it breaks my heart to think of you unheard, unseen, unfelt, un-anything and you said he didn’t care enough for it to really matter or harm and in my stormy replay head he started getting mixed on theme with that arrogant, cocky asshole other I too once knew and knowing he more than knew you made me wish him dead while a not small part of me simmered in self-deprecating resentment that either he or the unlistener ever had the chance, their differences made no matter, that anyone ever had anything even remotely like the chance but me, as if the chance was all and only ever mine and they’d stepped in and trampled my you like how I felt coming out of that other dream that other time where I almost had you and then lost you and woke up dazed and thinking in the waking of who am I to own you who am I to own you who am I to own you.

But that was just a song from the night before.

And the monkey wondered mid-scatter if he, the cocky asshole other, was somehow the one I’d been standing beside in my rueful nighttime darktime imagination when you rushed up out of nowhere and hooked his arm and said hey stranger with a big beautiful smile beaming and he turned like I had and you kissed him a friendly hello lip-wise right in front of me and I thought I’d release my insides mouth-wise and later I told you so and got some odd not-you vague dismissive rejoinder about how you noticed my bother but it was a non-issue though we could address it if I thought otherwise and my misreading mind’s eye saw that as “non, issue” in modest Francophilia but all I said was “ok.” Like me. And like me I didn’t at that moment get up and come tell you in the steamy bathroom what I wondered.

But that was just a dream, too, mine, from the night before.

That’s ok, she’s here now, we’re here now, for life, awake. And in a few minutes you came back into the room in that short green robe and towel on head with a fresh sweating glass in one hand for the both of us and shook me from my trance looking like love and stunner-smelling, talking as you entered about one of those shower musings along all the same lines we’d been tracing and clinging to since words broke into day and proceeded to tell me about a time when … that’s ok … his place … she’s here now … back when … we’re here … beside him … here together … unseen unheard unfelt undressed … for life … and it took us both back in the telling, then.

I listened but only heard pieces, went back in parts cut with parts because parts were all I had to go on and more than enough, my parts and pieces cutting in to that remember dance, and a smaller, sicker part of me was sick at my small sick self for being in any way conscious of what I gave as if the giving were only a countermeasure to counterbalance and tarry with some negative and I thought of Žižek and how melancholy obfuscates, how what we never possessed can also never be lost and of Proust on how the immensity of what’s immediately before us leads the rest of the world to assume the insubstantiality of a dream in comparison and I always liked to wonder if it wasn’t the reverse, knowing my chosen refuge, reveling in the irony and the solace of literature and theory.

I listened, though, stubborn and stuck. I heard and kept hearing till you leaned over to me on that big brass bed and lips on mine erased my mind and in my head I knew that nursery-rhymed and didn’t at all for a second care, because we were back to where nothing else mattered like in the middle of the bowling lane and behind closed eyes I saw pieces of us back in that night the one night the real night the great wide waking night in the pool under stars and my hands under your long back so you could float sky parallel and watch the heavens while I should’ve kissed your stomach but didn’t the same way I didn’t tell you I loved you long ago and only looked and missed and then in the water that night holding you I looked up at the pin-prick holes we might fall into and felt the nighttime flight that brought me there under those same sky specks and over the electric ones around us, all the patches and clusters glowing down below between departure and arrival and the relief inside of simplification and silence, the falling away shedding of peripheral pieces, images discarded from a central all-that-truly-matters-whole that’s always been because I was coming home, finally coming home to where a mountain and a desert were waiting for me, hot, arid, clear, glorious, and as infinite as infinity needs for all intents and purposes to seem.

Fall into these pin-pricked holes; just not seeing right; defect from time; sometimes it just fills space. Say something beautifully, ugly. Say something ugly, beautiful. We found each other in dream, you in night and I in day and in the end I can hardly remember where it started anyway, setting down the shovel and the pick-axe and the troubles they unearth and freely choosing instead to find all the meaning there’s ever been in the finger- and tongue-tip tracing of the soft contours of now, falling apart, together, and back again, no thought, no dream, no fear, no house, no room, no robe, no cover, no bed, even, nothing but it all. For starters, for finishes, foreverything in between and again.

Standard
art, poetry

Gift for a Hot-Girl

hot

In the last year of Elementary School
I had a crush on a Hot-Girl
Called H
She would smile at me
I thought she liked me
My brother had a girlfriend
(A thing that eats food off your plate
and smiles when it sees you)
He was buying her a bracelet
So I bought H a bracelet
Mother thought it was “adorable”
I brought it to school
I told my friend D
He told everyone
In line on the way back from lunch
Some other Hot-Girls turned around and asked me
If I got H a bracelet
“She doesn’t want it”
“She doesn’t like you”
Everyone in line was staring at me
H was at the front of the line
She wasn’t looking at me
The bracelet felt like a hunk of lead in my pocket
I just wanted to get rid of it
I wished my hair would grow so fast
That I turned into a sofa
Or a large bed
And movers would come wheel me away
But I became transparent instead
And everyone could see my body filling with tears
From my toes to my throat
I don’t know why I did it
I walked up to H
and put the bracelet in her hand
She didn’t say a word
I went back to my place in line
Everyone turned away and giggled

This set a paradigm
For my relationship
With Hot-Girls

**For more of our work, check us out at Flash-365.com

Standard