fiction, art

00:45 – 00:54 Mokhovaya Ulitsa St. Petersburg, Russia

Outside my Window: 00:45 – 00:54 Mokhovaya Ulitsa St. Petersburg, Russia

it is dark. A man in a gray suit stands in the door of the bistro. He is talking to a girl in a black leather jacket. It must be cold outside. It certainly looks wet

a man walks by on his phone. He is wearing a suit coat. White shirt underneath, loose collar no tie. come to think of it, yes, the guy in the bistro. He has the same shirt. The collar is a bit wider.

The man in the black suit coat has stopped, texting. He turns around and walks back, into the bistro, past the man with the matching shirt. All this, as a couple, both wearing gray, walk by.

The man in the gray jacket, white shirt. He comes out. He has a guitar on his back, I think. It is in a gray case.

Two older men walk by. I think. One of them may be a woman. His pants are tight. He is wearing flip flops. But that tells you very little these days. He has a puffy black jacket (it must be cold) and I can’t see his face. It could be a woman. But his hair is short. But that tells you very little these days.

It is quiet.

It is empty.

A car. Gray. Not speeding.

A man walks out of the mart. Younger. Tan. Tanned by ancestry, not the sun. It looks like he bought a drink. Non-alcoholic, maybe. He texts between a white and gray car. He gets in the gray car. Drives off. It must not have been alcoholic, surely.

Two men and a woman walk by. Man, they are moving. Not running, moving. They, too, are all wearing gray, odd. They pass a man with an unlit cigarette in his mouth. He is wearing black.

Two men and a woman again. Different ones this time. Both men wear black hoodies, up. Maybe it is raining. They aren’t moving so fast.

A man walks, stops, paces. Smoking. Between the mart and bistro. He has glasses. He is not wearing gray. Oh, shit, wait. He turns. Down the front of his jacket. A fat gray stripe. It is an ugly jacket. He is an ugly man. Maybe, it is dark. He is wearing glasses. A woman passes by him in a long black coat. She looks to be floating, not aiming anywhere. He watches her approach. As she passes, he looks away briefly only to return, smirking, watching her backside as she makes her way further down the street, out of sight. A car drives by, lights on.

It turns out he is an ugly man after all.

 

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life, poetry, prosetry, Uncategorized

Neon Dahlia

Tempting as it is, to turn inward, write of long Winter and why

capture in ice outshines

the languid motion of sharing

tempting as it is, you are the subject not I.

A linguist of worlds

using your machine to stitch together discrepancies

you see no undertow

only thick muscles of rowing souls, garnering energy toward shoreline

and I envy you, Neon Dahlia

your simple, productiveness

how from nothing, comes nothing and still ..

you toil

unaware you are treading water.

I could tell you

look here, can’t you see? The futility

but I already know your answer;

what is futile, is in the mind

all else, just imagined sabotage

here in this seized moment, is the bare humus of your life

you live only once, don’t you want to fill it with all the experience you can gather?

your arms aching with fullness like flower sellers under hot tarp, salvage hunger with each purchase.

When we offer our wares to others, in rosary of conversation

people catch your drift, their eyes lit by your straightforward certainty

it’s all worthwhile, prophet.

I once told you, you could be a preacher, a cult-leader, a milliner of minds

you could repair holes in fabric like a peach grower will

tend bruised fruit carefully until they heal

under affection.

It’s all about faith, you radiate certainty

whilst I, gather mud for drinking and sloshing

in my opaque jar

like an unlucky fisherman will

repeatedly cast into shallows.

All my life I thought I knew

deep water

and the only thing I knew

was fear and habit, giving in to safety.

Take a risk, you urged

planting your runner beans, spinach and kale

in straight lines like braided hair

gleaming against fecund soil

and my fingers already felt

I had lifted the world by its rudder

held on long enough to solidify, all possessed calcium

it was impossible to find a way to cast as you did

watching the silk of your net, catch sunlight and fall

glittering into emerald tide.

The funny thing of course

you are afraid of water

and I, a prodigious swimmer

often likened to merfolk

coming from an island, I thought by speaking loudly, I could ward off choked demons

caught by the foot in gullies and rivulets

but they only submerged like setting sun

will drink up light and diffuse emotion

becoming part of me

as surely as you

set an example

unable to emulate.

This is the green bark of us

defined by lines of growth and pause

long enough to extinguish, tentative pathway.

You have your courage

buried in a tinder box deep within

it needs no flint to ignite

whilst I, scrabble and flounder for matches, in deluge.

Fate ridicules the human

who thinks themself free of need

believing they can exist without

the certainty of man-made God

and reassuring bleating call, of others of their kind

gathering their flock tight, before darkening storm hits.

We all beseech uncertainty

when trembling, frailty picks herself from floor and witnesses

that vulnerable moment, nude and dried, by calloused hand of self governance.

No

I may not share your peace of mind

nor ever, the nimble way you stay

calm like unbroken water

in face of specter and uncertainty

your heart beat steady, like a bow needless of guide.

Mine is the anxiety, of my generation

thwarted by ourselves and that throbbing vein

dearly seeking for meaning, in tea leaves

your glow only brightens

the further out, you wield

that impossible certainty, you polish

with the soft foot fall, of early Spring

Standard
poetry, prosetry

Sometimes

Sometimes, things come back.
Things come back to me sometimes.
Not things, as such, but rather memories.
Memories come back to me sometimes.
Only sometimes, though.
Like that fancy bra poking out from my blood-stained white blouse,
running down the hill at 3 o’clock on Christmas morning.
Prison Break, Breaking Bad, breaking up.
Yellow flowers, always yellow flowers.
Lighting my cigarettes with a blowtorch.
Bike rides along the sea wall.
Inhalers and cat allergies.
Cheese and cucumber sandwiches at cricket.
Teaching me to drive the van.
Micky Flanagan and the £8 slice of pizza.
Never drinking the final third of your Peroni.
“Babyface” and squeezing the pus out of your knee.
Spain, swordfish, sunset.
Bunk up on the bunk beds under Manchester United duvet covers.
Me throwing up in Wayne Bridge’s toilet while you fixed his cooker.
The Best Nachos in the World.
Henry VIII and Henrietta.
Freezing under floodlights.
A firework display because I wanted one.
The realisation that you’re going to prison.
Apple crumble and custard.
The decision that I’d wait for you while you were inside.
Cutting 40 onions.
The jubilation when you were found not guilty.
Glass table-top on the roof.
Coaxing the gerbils out from under the wardrobe.
Sex in a hot tub in Sherwood Forest in the middle of December.
The diamond ring and fancy watch that I can’t bring myself to sell.
Your face when the test was negative.
Your face when the test was negative again.
Your face.
Your fucking face,
the face I know off-by-heart,
the face I can still feel beneath my fingertips,
the face that I know better than my own.
Your fucking face.
Sometimes, things come back.
You didn’t.


[Featured image source here]
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art, poetry

It’s Bananas, B-A-N-A-N-A-S

I fell in love with a girl named Alice
We loved each other
As one bulimic cannibal
Might love another
(Bulimics are like mailmen
but with food
Cannibals are like mailmen
Who eat other mailmen)
We did all the things
You can only do
When you’re in love
Like read each other poems
And dance in the middle of the street
To no music

Then
When the music stopped
We’d tear holes in each other
With everything
But bullets

Our conversations
Were a cacophony
Of passionate poetic lines
Like “I love her with
A red hot madness”
Or “He fell heavy on my chest
And whispered me the world”
We salted each other
With enough Bukowski-isms
To drown a class
Of teenage girls
In one biblical flood
Of angst filled love

Yet this great tower
Of poetic babel
Was brought down
In a single verse

“Why aren’t you hard?”

A question that
If turned into a weapon
Could slaughter the known universe.
Then came the storm
“Am I not hot enough for you?”
“Don’t you want to fuck me?”
“Get off me, I am going to sleep.”
Then in the morning
Like a paraplegic
Preparing for a walk
I held her close
And kissed her neck
She reached down
And grabbed my penis and balls
All at once
And mashed them together
She laughed
“That’s what I thought”

After a week
She showed me an article
On her phone
It said
“Food for harder erections”
It had a picture of a banana
(A thing that looks like a penis
but you eat it, unless you’re a cannibal
then you eat both)
Half peeled
And said
“A hard man needs a healthy heart.”

“Your heart is weak”
she told me
and that was that
oh well.

 

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art, poetry

This Way to Hell

A man and his fiancée
saw graffiti on a bridge nearby
“THIS WAY TO HELL”
is what it said.
They think I did it.

I wonder why
they’d think
I’d know the way to hell.

One night I saw the man walking.
I followed.
He was on the phone and he was yelling

“NO ONE LOVES YOU BUT ME!
WITHOUT ME YOU’RE NOTHING!”

We passed under the bridge
I followed

curiously.

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art, fiction

Outside my Window 7:26 – 7:59 P.M.

hijben

A man is standing by the cars outside my window, smoking. He is not a man, really, younger. A boy. But he is wearing a suit like a man. I don’t think it is his car, it is nice. Something with an animal for an emblem. But then again, it is a nice suit.

Turns out it is his car. It seems he didn’t want to smoke in his nice car. He must be a man.

A boy in an orange shirt; bright orange. Oranger than orange, the orange of a blind, elderly fashionista. He is standing in front of the market across. There is no telling what he will look like when he is older. He is wearing glasses, his hair is a mess. One day, he will see, I won’t. Oh well, he went inside.

A woman pushes her daughter on a silly looking carriage. It is shaped like a bike, with a fat seat. She is eating ice cream, the little girl. The mom has a small boy in the other hand; jealous of his sister, probably. I would be.

A whole group. A messily clothed slog of meat walk by. A disturbing amount of floral shirts are among them, despite age. They’ve passed.

A woman in heels heads into the market. I can hear them click from here. I am on the second floor, across.

Two twenty-somethings and a girl in a gray dress stand outside the middle eastern restaurant beside the market. She is smoking, they aren’t. One of the men has his hair up in a bun. I don’t like that, I don’t know why.

The young man in the nice suit and nice car has been sitting a while outside. In the air-conditioning, most likely. It is a decent day. A woman just got in. I only just noticed his scarf, it is floral, too. They are driving away now. It his nice car with an animal emblem, like a leopard, but without spots. They are gone, off somewhere nice, I suppose.

A man walks with his girlfriend in one hand. Not his whole girlfriend, of course, just her hand. In the other he holds a skateboard. It is bright orange, but, at least he is wearing sunglasses.

A girl in an orange scarf passes with her friend. It is a sensible orange, more sluggish. She is talking with her hands outstretched, holding an invisible ball. I can only imagine.

An Asian looking an with blue streaks through his hair passes, drinking Gatorade. It is blue, too.

A man in lime green shoes, violent green, sour–a sour, sour green–he walks by. I can’t see the rest of hm.

A truck just went by. It was dirty, so dirty. The men in the front look dirty; in a good way, an almost-dangerous sort of way.

A woman, carrying her blanket walks by. The blanket is checkered. Black and orange; soft. Two boys, one bigger, one smaller, chase her on bikes. I don’t think she realizes the chase is on. She finds the right song.

A woman walks out of the market. I didn’t see her go in. She isn’t a woman–really, few are. She has a fat face. I wonder why that is all I can see, I hope she sees more.

A girl, maybe three, or four, just ran by, calling for something, or someone.

A man–I think it’s a man–walks by holding a painting. I can’t see the painting. His hair is frizz. He turns. It isn’t a man.

The man I buy coffee from in the morning walks on by. He has very long hair, messy. Off he goes, in the wrong direction of where I’d expect him to be.

The girl, the one who might be four, has found her mother. She is quiet now.

A younger man, a less well dressed one, stands across, he is on the phone. He looks like the boy in the orange shirt. It turns out he won’t be all that handsome after all.

Standard
art, fiction

The Hung-Man’s Bottle Cap

She sat there, social as a dead butterfly, bending beer bottle caps in half.

“Why are you doing that?” I asked.

She paused, ruminated over the words “Miller High Life,” then responded.

“When I can’t do this anymore, I will hang myself.”

“What if you break your fingers?” I said, smirking.

“Then, it will be a loose knot,” she replied, without humor.

I laughed–tried to. I picked up a cap; gave it a squeeze.

“Ouch.” It dropped. We both looked at it, she looked up at me.

I frowned. “I’m not going to hang myself!”

She shrugged, looking rather disappointed.

 

 

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