art, fiction

The Festering Wound of Tacky

Driving from the grand canyon into Vegas feels as I’d imagine a flea feels hopping from one side of a warzone to another.

We drive in at night. A sea of lights, a fire that refuses to die–or even flicker.

“Holy shit,” I say.

“Holy shit,” my brother agrees.

Our mother is in the back. “It’s the tackiest place on earth,” she tells us.

We get closer, a giant pink lighted sign advertises collision insurance. “Tacky, tack, tacky,” my mother says, in awe.

“It’s like the birth place of tacky,” I admire, as we head straight for a beam of light shooting into the sky.

My brother, trying desperately to concentrate on the road, can’t help but add, “the festering wound of tacky.”

We laugh, agreeing that ‘festering wound of tacky’ is the greatest height our joke will attain. “Where are we staying, again?” I ask.

“The giant glass pyramid,” our mother says.

My brother and I frown. “The what?”

“The giant glass pyramid.”

“Right.”

I don’t know exactly what we expected, but it turns out to be exactly that; a giant glass pyramid.

“Why?” I ask, staring up at the top where the beam of light is shooting into the sky.

My brother shrugs. “I think Las Vegas is the ultimate answer to the ultimate question.”

“And what’s that?”

“Why not?”

We make for the long entry-way into the pyramid.

“You realize if I were an alien, I would think this was the capitol of Earth.”

My brother nods. “Maybe this place was made by aliens and that is the capitol of Earth according to the rest of the universe.”

I can’t help but feel like that makes more sense than any other explanation I can come up with. So, I agree. Inside is motion–pure motion. People move, lights move, the air moves. It is 2 a.m. We carry our bags through a crowd of open containers, lit cigarettes, and bachelorettes. Our mother calls it “The Floor.”

It is endless, yet, it ends. The elevator goes up at a slant. A woman in a sequined blue dress stumbles into an elderly Hispanic woman holding a sleeping child.

“This is some wonky shit,” the sequined woman blurts out.

“I wonder what’s going on at the bottom of the Grand Canyon right now,” I whisper to my brother.

He looks around and shrugs, “probably the same.”

We laugh. Neither the elderly Hispanic woman or sequined dame seem terribly impressed.

 

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art, fiction

Go Cowboys

Knock knock…

“Hi.”
“Hi”
“What did he say when you came home?”
“Go Cowboys…you left a mark”
“Is it big?”
“No.”
“Did he notice?”
“No.”
“Did she–”
“She called five times in the middle of the night.”
“Oh.”
“Why did we?”
“I don’t know.”
“What are we going to do?”
“I don’t know.”
“This wasn’t supposed to happen.”
“I know”
“I have to go.”
“Why?”
“I have to. I said I was getting coffee.”
“Okay…”
“Bye.”
“Bye.”

 

 
Knock knock…

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prosetry

This One Time At Camden Lock

I watch the man in the crumpled white shirt take a swig from his can of Stella
and remember how anything looks beautiful when set against a pink September sky.
I catch his eye through the smoke trails left behind by infinite Marlboro Lights
and then he picks up his guitar. I notice that there are flowers painted on its body,
which feels unfair as he will never see the flowers inked on mine.


I come here because I am unknown here.
Here, I can be anyone. I can be anyone I want.
Nobody here knows my name or my situation or my secrets.
I can talk to strangers here and know that they are strangers.
Here, nothing is expected of me, and all we have are first impressions.
I can hide what I like, reveal what I want.
I don’t have to say a word but I can also say them all.
Whatever I say or do here exists in its purest form.
Here, I have no history.
I am not known for my past transgressions, I am not known at all.
I can be whoever I want to be.
And here, I always choose to be me.
Because here, I can.


I laugh out loud at the groups
of young girls who look exactly the same from behind,
clones, pretty clones,
with their Instagram lies and bad blonde highlights,
all wearing the same beige trench coat,
drinking the same sugary cocktail,
taking a photo of themselves pretending to drink it,
no delete that one oh my god I look disgusting,
take another one!
no, I don’t like that one, delete.
One more.
Ergh, no!
One more.
One more, one fucking more,
I despair at the state of my generation.
I imagine what the girls look like
without their eyebrows drawn on.
Who are they trying to deceive?
I shake my head in disbelief.


I am overwhelmed at the tragic haircuts
these young white males are sporting –
another deluded bunch,
convincing themselves daily that they don’t look like utter twats.
I laugh again because they look ridiculous
and I don’t know why they’re here,
they don’t look old enough to drink,
and I wonder why their parents haven’t told them
that they look fucking ridiculous
and I remember the time I was leaving the house
and my mother told me that I looked like a prostitute
and she meant it as an insult
but I took it as a compliment
because that’s what it is nowadays.


The most grotesque PDA is taking place to the left of me.
The girl has a blade of grass in her hair.
I wonder if I’m the only person on this earth who knows that it’s there.
I think I am.
The guy keeps staring at me, leering.
He has a horrible laugh. It is false and it makes my skin crawl.
He bites the girl’s bare shoulder and keeps his eyes fixed on mine
the whole time and everything suddenly feels a lot colder.


This place is saturated with vague memories
of the midsummer evenings of our glory days
and we sit here pretending that it’s not all over.
Plastic sunglasses and plastic cups,
a dropped kebab and cigarette butts,
we all sit on the dirty concrete ground by the water
and watch the sun cringe away behind the buildings
embarrassed
not wanting to stick around
to witness our demise into debauchery.
The summer has gone but there is a lot of skin on show.
Heavy winter coats are being thrown
on over denim shorts and tiny vests,
and the more we drink the less
we notice the temperature drop
drop
drop
the degrees fall away
with our dignity
and self-respect
until there’s none left.


This is a tourist hotspot. This is why I can be unknown here.
I can spill my soul to a stranger, steal a wallet, fall in love, punch someone in the face: I know that I’ll never see them again and that any witnesses are gone too, so the damage is deleted. They’ll be gone tomorrow, or next week, or next month. What happens today never happened tomorrow.

Ah, Camden Lock: you never see the same face twice.
Unless you want to, of course.

So everyone around me is chatting away in various languages and I am writing and quietly singing along to the lyrics of the songs that the man with the guitar is playing.
We are all listening but not really.
We clap when we’re supposed to but this is just a man who’s singing for fun, he’s not supposed to be here, we didn’t pay to see him.
An old man who looks like a shit version of Iggy Pop dances around the guitar man, spilling his can of Scrumpy Jack’s on the floor.
He gets on down on his hands and knees and licks it up.


So, this guy is playing a free acoustic set
for the ignoring masses
and suddenly I feel bad for him,
like I’m the only one who’s listening
and appreciating his presence.
He plays songs that I know and love,
by Cash and Dylan.
Then he points at me and says,

‘Your boyfriend will probably come and beat me up for this, but I’ll take my chances – this song is for you.’

And then he starts singing Brown Eyed Girl
because of course, fucking of course,
because that’s the song that you would always sing to me.
And my throat gets really tight
and the tears begin to rally together on the edge of my eyeballs
and I don’t want to remember anything anymore.

I can’t look at the guitar man.
Or Shit Iggy Pop.
Or the PDA guy.
Or the chav youths with bad haircuts.
Or the girls pretending to drink their drinks.
I just stare into the canal and let myself zone out,
lighting a cigarette, ignoring my heartbeat,
wondering how many prostitutes are rotting away at the bottom of the lock,
attempting to conjure x-ray vision to look through the algae to see the bodies below,
trying to remember what the Camden Ripper’s real name is,
estimating how cold the water is,
mapping out the route of the canal in my head,
thinking that I’d rather drown than be burnt alive,
and then everyone starts clapping because the song has finished
and suddenly I’m no longer in the water
I’m dry and warm on the concrete
and I smile at the guitar man
and he winks at me
and then he starts playing American Pie
and I’m fine again,
I’m fine,
I’m fine,
I’m fine…

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poetry, prosetry

Fortitudinal

Had an idea. I’d play on what “better” means. Mix it up with the categorical imperative of the should, a played-out life theme of troubling externality, but tied to illness—of mind, of heart, the usual. Weary of weariness, that sort of illness, I thought, anxious my abstractions would never get me out of the gate, recalling Pound and characteristically reading too much into things like when someone says too little or too much.

Is anyone worried I’ll succumb again? I am, sometimes, but I have confident things to say this time. Responses, I’d call them. And recovery, but unclinically. The benefits of solitude, together with you. It’s not thoughts that are dangerous, but thought patterns. The dream is more than process. I’ll still love you when you’re fat on Monday. Taken out of context, these things make sense.

“The unforeseen, improvised and fatal, fascinates me.” That was the Muse, again, making so much sense that there’s little left for us to… carve. What about another category of word, one that doesn’t seem to follow “making” so intuitively, so simplistically—that’d be poetry. This was supposed to be poetry. A centered column of left-right justified text of maybe eight words per line. If I knew more about language and the written word I’d know whether there was a proper name for that or not.

Time to get _____. Takes _____ to get better. Take all the _____ you need. Get _____. Do what _____ need. Take _____.

Time doesn’t come back around again like my poems do but seasons seem to make me think it does, and that’s more than just more language. This winter is unforeseen; it won’t be like the last, no matter how many words I throw—or don’t throw—at it. Thoughts, merely, and I look to the Muse, even though she was there then too, and ventriloquize alternative patterns so I’m not the only one speaking.

Not everything means something, says something. Not every moment is to be learned from, only learned, presumably with better grammar. I do the dishes with a whole new gnomic outlook. Whose word count am I exceeding and whose stylistic and formal sensibilities am I offending. Ezra, I hope, and all his acolytes. The more the merrier. Mencken said that in a letter to Dreiser in the past but he didn’t mean it the way I do now. I put the silverware to dry handle up. I mean I realized that the dream is process, held together by trust, the way one time in September—in a September—she said be better and go, trusting I’ll take what I need.

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art, fiction

How Do You Know if You Love Someone?

One of the most classic and clichéd questions is how to know if you love someone, so, I found myself, drunk with sleeplessness–trying to figure out some reasons, the first and most obvious being,

when I think of this question, I think of you.

If I were stuck as a fish forever, I’d want you to be a mermaid–

When I think of you, it is not a memory. It is a feeling, a touch, a taste, a smell; it is the way my body reacts to the idea of you.

Whenever I see something in a store, my mind tries to find any way to connect it to you, in the hopes that giving it to you might bring you some sort of joy.

I worry about getting drunk–or deliriously tired, and randomly asking you to marry me.

Some songs remind me of you–without ever having heard them before.

When I let my mind wander, it wanders over to you.

The idea of losing you feels like being on the edge of a waterfall–deafeningly loud, standing on a wet, flat stone.

I cannot trust myself to write anymore because love is like falling, and no one ever thinks too clearly when they’re falling.

So, you will just have to stay as a mermaid while I drift off to sleep.

 

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poetry

How to Steal the Sun

I fashioned her a heartstring harness
and asked her to jump
and she did –
into the beds
of prettier men.

I asked her once more.
and she did –
but this time,
onto a plane,
unravelling the gossamer
as it flew.

But I remember –

how she had
plucked
the sun,
as if it were some shiny fruit,
and,
caressing it,
showed me
that it didn’t have to burn;

it was poignant
and fleeting –
like her smell,
which had refused to stain my sheets
and clothes.

She left,
promising
to love me tomorrow,

and when she did,

I forgot –
how tomorrow would come around,
with the sun
sitting snug in her back pocket?

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