life, poetry

Thoughts @ 5 p.m.

[Written 12 days after my dad died]

cigarette
window
matches
snap the first one
drop the second
fire
half-moon
sirens
lungs
orange sunset
another sunset without dad
shard to the left
church to the right
college to the right
black smoke coming from the chimney on the college
smoke from the roof
smoke from the cigarette
smoke from the chimney
smoke from the gas chambers
Auschwitz
Sylvia
“Daddy”
Dad?
“Daddy, Daddy you bastard, I’m through”
no
no no no no no
i don’t want to
i don’t want to be through
i want my dad
where’s my dad?
look over towards hospital
the silver shed of the morgue

once upon a time in the 70s:
dad had a job painting a hospital morgue
they stole lots of drugs from the hospital pharmacy
the ex-cons he worked with stole jewellery
straight off the fingers of the frozen bodies

dad in that morgue
dad in this morgue
dad in a morgue
dad?
dad on a slab
dad in a bag
dad in a bag on a slab
tears
dad?
half-moon
tears
fuck this

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poetry, Uncategorized

mmmmmmm

I don’t remember her name
she was drunk

I was outside smoking a cigarette
cigarettes are keys to the outside

the outside of a house
the outside of a building
the outside of a conversation
the outside of everything

she found me outside and she said
“mmmmmmmmm”

and I said
“how was your night?”

and she took my hand
She took me to her DORM room

and I was so scared
that my penis wasn’t hard
like it was supposed to be

and she pulled me into bed on top of her
and she said
“mmmmmmmmm”

and I said
“I’ve only had sex twice”

because surely no one would want to have sex
with someone who had only had sex twice

and she said
“mmmmmmmmm”
and she fell asleep

thank god
I thought

before running to my room
to masturbate

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poetry

bees

my dad never runs from bees
but I run from bees
does that mean I am not a man?

bees are small and evil little yellow and black things
that cause you pain
but everyone still wants to save them

I want to kill them all
but if we kill them all we all also
die
this is called nature
it sucks
it is an absurdist joke in bad taste

I was outside of a wedding when it happened
the bee
I ran from it
an old woman watched me
and I could see in her eyes she thought

“that’s not a man”

and I thought
bees are dumb
this is dumb
everything is dumb

why aren’t you running from the bee
you crazy old bitch

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life, poetry, prosetry

This Doesn’t Count

Do I dare immortalise you?

No, I dare not write your name in ink.

If I turned everyone into a poem
I wouldn’t have time to drink,
And if I don’t drink then I have no excuse
To see you, no courage
To speak to you, no bottle,
No reason, no appeal, no point.

*

I’ve fallen before
For the married man,
The invisible man,
The dangerous man,
The man twice my age,
The man who didn’t want me,
The man that Papa told me not to.

I tick off the clichés as I collect them
And write their names in black
On the back page of my book
Like pressed flowers grown in fields of promiscuity.
(That way, I can clearly see the repeat offenders).

Do I dare immortalise her?
No, I dare not write her name in ink.
The barmaid at the Anti-Social Social Club?
No, surely not.

Another day, another cliché
Committed by a mess of a human
Who’s allergic to inertia,
Susceptible to flattery,
Game for a challenge:
The actions of someone who is fine to die tomorrow.

*

Stop the world, I wanna get off,” she said.
With you,” I said, too quickly.
IT’S A SONG!” I said, caring too much,
Dropping the Queen of Hearts
I had hidden up my sleeve.
She flashed that smile of hers,
The one that scares and thrills me
And walked away, knowing she was winning.

She’s cooler than me, sharper than me, harsher than me.
I can’t possibly have met my match, not here, not now.
Not her, surely?

*

When I see her I fluff my lines,
Avert my eyes, die a bit inside.
She gets me into trouble.
She hates my boyfriend and lets him know;
Oh, I thought you were single! You act single,
She announces, talking about me, loudly, to me, in front of him.
She enjoys watching me squirm.
She digs me out about shit I say when I’m drunk,
And I only ever remember our arguments
When she tells me about them the next day,
But I catch her staring at me between the taps
And she doesn’t ever need to remind me about that,
No matter how many “Basic Bitch” drinks she serves me.

*

Imagine my surprise to see her on The Other Side one night,
On my side of the bar, planted at my side, with her hand on my thigh.
No, I can’t turn her into a poem. Then she’s important. Then she’s real.
Do I dare immortalise her?
No, I dare not. Then she’s Someone.
I can’t turn her into Someone when, to her, I’m probably another No One.
No, I won’t write about her.
I daren’t immortalise her.
(This doesn’t count).

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art, life, prosetry

On Writing & Suffering

Pain depends on me to be its host:
suffering is the needy child,
and I’m the parent who never says no.

*

As long I write, the pain is necessary. If I stop, the pain becomes unnecessary, pointless, all for nothing apart from what it is, which is inherently bad. I am a hostage, and if I stop transforming the pain into something better I will essentially be throwing away all chance of survival: I will not make it out alive, merely allowing myself to become another casualty of a sinister, seemingly unstoppable higher power who tortures me daily even though I have nothing to reveal, nothing it wants, nothing it needs. The pain becomes sheer cruelty with no objective other than to destroy me. As long as I write, I stave it off, I delay my death day. The narcissist in me likes to think that my torturer is secretly looking forward to reading what I write next.

*

I don’t invite the badness but once the pain decides to stay, it becomes hard to turn it away. The pain of unhooking it from my skin is enough of a deterrent. Easier to let it stay: less bloody that way. So I turn it into something else – something creative, perhaps even something beautiful, or helpful. I try to, anyway.

*

I’ve been given a life sentence.
I’ve been punished, blacklisted, labelled evil.
But it’s not me. It’s not me.
I’m not the villain.
It’s my mind!
My mind is the guilty one.
I’m not the evil one, my brain is!

My decisions are not mine to make.
My actions are not mine to take.

Everyone called it “attempted suicide” but it wasn’t,
it was attempted murder, my mind tried to kill me,
it was my mind, it was my mind, not me!
My mind is the one that did it!
Why can’t you see?
Don’t you believe me?
I have proof.

*

And the evil things that it does to me, all that badness, I try desperately to turn it into something creative, into words on a page. All of these filled notebooks, all of these poems, all of these scraps of paper: the proof. The proof. The proof that I have suffered for two decades, against my will.

*

Writing feels to me like an attempt to prove my innocence. They all have me down as guilty and I’m stuck on death row. My execution date is drawing ever nearer and writing is my last ditch attempt to prove my innocence. It feels like gathering evidence from the confines of my cell and presenting it to my unsympathetic lawyer:

Look.
Look at how I’ve been tortured and beaten and terrorised.
See?
Look at all these years of misery.
You’ve got to listen to me.
I deserve to be free.
I’ve done nothing wrong.
My mind made me do it, made me do all of it, and all of the stuff that I didn’t do, too. They’ve got it all wrong.
Look at all this pain.
Look at it.
LOOK AT IT.

But it’s too late. I myself have been forgotten, and only ever remembered as mad, sad, bad. I stay locked in my cell, sharing a skull with the real danger, a bed with the real monster. I swallow my pills and eat my greens and am polite to those unfortunate souls whose jobs have led them to encounter me, the ones that are always unable or unwilling to help me, the ones who have written me off as mad, sad, bad, bad, bad. I play sudoku and collect smiles of pity. I keep writing and suffering, collecting my evidence. I suffer and I write, night after night after merciless night.

*

I dream of my grave and always smile when I see it. You dream of your name in lights, I dream of mine engraved on a marble headstone. Sometimes it says I died in 2008, sometimes 2015. It varies. The stone is always clean, polished. Someone’s been looking after it. Lush green grass has always grown over me perfectly, evenly, even beautifully; the first true natural equilibrium that has ever befallen me. The world is a better place. I smile until it hurts my face.

Upon waking from my latest grave dream, I reach for the box of evidence that is stowed under my bed. I unlock the box for the first time in a long time, so long in fact that I almost forget where I’d hidden the keys. Starting in 2003, I begin to read. Even though it is my own story, I am shocked at what I read. Look at all this pain. Look at all this trauma. Look at all this sadness. Look at all this writing. Look at all this suffering. Look at it. “Look,” I say to no one. “LOOK.”

*

My biggest regret is taking myself for granted. Appreciate your intelligence, your personality, your abilities, your beauty. You may wake up one day and find that your own brain has decided to take all of your goodness away.

 

 

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life, poetry

Crash

In the split second / Before we crashed

I finally discovered / What it feels like / To be alive.

It is a peculiar existence / For those of us

Who only feel alive / When on the cusp of death.

In the minute / Before we crashed

He took off his seatbelt off.

He was not afraid of death / For he was alive / And he knew it.

He had lived for a long time / And had been alive all the while.

Death can do a lot of things / But it can’t undo

All that living.

And Death knows it.

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