poetry, prosetry, Uncategorized

Former regard

adult black and white body female

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I am weary of giving you access to my heart

emptying and filling

milk turning to wine

dark to light

nipples hard to soft

your fingers across

my hungering skin

I audition

in the morning against

tempura and gold gilt

shivering for the slick hot movement

of you within me

time stands quivering

stars a little closer

cheeks reddened with warble

I hear languages I cannot decipher

we ache and release together

splitting atoms

my throat if it could

would act as flute

climbing keys

touch into touch into loss

I am weary of giving you access to my heart

if this is temporary and restless

we disconnect as you

reduce the moment

walking with your sharp shoes

beyond feeling

as we cool down and ardor

is replaced by greed

a starvation for control

I want to say

I am just a bird

you cannot cage me

I must see the light

in order to thrive in darkness

flames come hottest

in the fragmenting

of former regard

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life, poetry, prosetry, Uncategorized

Our dark house

feet tattoo

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Step high into your shoes remember 1997

religion is in the wind and the climb of dark

you swoop around me like fabric and rage

we dance in weave with each other my eyes are

closed and see

how you want and how i want and how neither of us

shall never get what we need

i am loose shouldered and my hair is indigo in

the winter time where people close their doors and

you hammer me open against cold grass

lattice clocks pressing their time

henna tattoos, a marriage of dark and light

the sight of you in circled moon glow

our motion and our resurgence

the way young bodies climb and fall against

the future

bare feet on splintering wood you say

look how your shape echoes against that glass

and you take a photo in your mind as I hear

the fast train we missed, rushing past

leaving its tossed exhaust

I held your head in my arms you talked like

people do after they are spent

we pretend we know everything when we know

nothing

whirling silently in space

the fabric of the world is torn and gaping

like clothes ruined by a furtive need to

be pleased against rage and sadness

proffering bouquets of need hidden behind

retreating shorelines

it is the chemical of your blood and mine

swirling behind our eyes lying to each other

and the stones are hard even when you

spread a blanket on them

just like you said it would be mama

gathering my hair and watching it fall like

words cut from meaning against shadows

breasts that hold their secrets press against

the burning beneath

and the world is raining

and we are missing

cut out silhouettes

rubbing their imprint

in memory

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life, prosetry

Strippers

1 / This whole “life” thing would’ve been a lot easier, for me and everyone else, if only my parents had kept a bottle of turpentine under the kitchen sink instead of premium Polish vodka. At least that’s what I tell myself I was looking for all those years ago.

1.5 / Rooting around in the cupboards, my hands covered in oil paint, a brush between my teeth, searching for paint stripper I discovered vodka instead. Art was long and difficult, and my desire to achieve perfection led to much frustration (ripping canvases to shreds, setting drawings on fire, etc). Alcohol was fun and easy and made me feel better: a revelation! Very quickly, drinking replaced painting. The painting went unfinished and the easel was dismantled (and then eventually exchanged for a £10 bag of weed).

2 / Vodka is a stripper in it’s own right. Here are some things that vodka strips me of: inhibitions / morals (some, or all) / worries / layers of my liver / senses (one, or all) / this fucking albatross (very temporarily) / memories / appetite / clothes (some, or all) / shoes (one, or both) / insecurity / fear.

3 / Drinking is affecting my work. Negatively. I feel that I’ve lost too many brain cells lately. I don’t know. But luckily for me, writer’s are “supposed to” have a drink problem so “it’s fine.” With every truth I write, every line I assemble, every poem I publish, I feel a little more naked. It’s like every story is a piece of clothing that I’ve been wearing for years and I’m boiling to death under all this fabric so I tell I story, I shed a layer, I get closer to the pure core of myself, to what’s underneath, to what’s inside. It’s frightening but liberating.

4 / Instead of stripping down, people today seem to be adding more and more layers to themselves, living further and further outside of themselves, silencing their naked truths, suffocating their reality with the strength of other people’s expectations. Perhaps the world would be a better place if we shed all the shit, stripped everything down, went back to basics, straight to the core.

5 / Your truth is all you have. Let it breathe.

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art, prosetry

Mind Full -ness

There it goes, her life, into the fire. Pages baptised with teenaged tears, up in flames. Overdue relief induced by finally facing up to the formulae of her fucked-up family. All of those secrets, shredded and scattered upon a stack of sticks. Her old self no longer sits on her chest, swinging her legs. Instead, she indulged in a long soak in a bath filled with petrol and quickly succumbed to the allure of asphyxia, choked by the black smoke of hundreds of burning memories. Her current self finds that she can suddenly breathe. The air is sweet. But it’s not over yet. She knows what she must do next but doesn’t know how. She finishes her cigarette and stamps on the ashes, the cremated remains of her former self, and as she walks away she wonders how to set her brain on fire and throw her heart on the pyre, too. But first: to remind herself that she is but dust and to dust she shall return: to ignore the possibility of her former self being reincarnated as a phoenix: to empty her mind of the vision of watching her history burn: to just breathe in that relief: to leave that life, that trouble, that girl entirely behind.

[For context, read F.E.A.R here]

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life, poetry, prosetry, Uncategorized

Sunstroke

close up of couple holding hands

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Oh love

Your dispossessed erstwhile vowels

My clamoring for meaning

When we are both, slung over a giants shoulder

Soil carried to replace the old and build future

Timorously and then bold, holding bit between teeth, gritting and grinding down

Sensible molars, well protected in childhood

While voices of reason chime midday bell

We hear only the inside out sound of skin and bones
Our own scraped bare-faced challenge

Hot in the sun captured in bottles without secure tops

Ready to burst, I observe in the minutes lacing themselves forward

The steeped joy of owning this private glance into your fickle heart

Where many times it does not rain but still you never age, nor

Run out of the substance making you strong and bright

Like hammered silver bends only to the implement and wears its
bruises well

You are well. And I am well. Deep down. In the stir of our marrow.

Where we recognize that weather vein casting our fates together

Your pianists fingers crisscrossed against my loss of inhibition

Who am I kidding? I’m never absent from the purchase of passion

Long it has been the fiddle that gets my jig

And the moment is stretched long and elastic against mutual want

We breathe the same, dissimilarity leaving her clothes in the doorway

I cannot say after this long staring into you

Where we leave off being separate

The whisker and fall of our mutual song

Sprints ahead into unpaved road

And I am left with pictures

Of the young girl I was

And the woman I became

Beneath you and running through you

A river without dam

Claiming her hot land

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